“Entertaining.” –Publishers Weekly. WINNER 2016 IBPA Benjamin Franklin Gold Medal for Science Fiction & Fantasy. Morgan le Fay, sixth-century Queen of Gore and the only major character not killed off by Mark Twain in A Connecticut Yankee in King Arthur’s Court, vows revenge upon the Yankee Hank Morgan. She casts a spell to take her to 1879 Connecticut so she may waylay Sir Boss before he can travel back in time to destroy her world. But the spell misses by 300 miles and 200 years, landing her in the Washington, DC, of 2079, replete with flying limousines, hovering office buildings, virtual-reality television, and sundry other technological marvels. Whatever is a time-displaced queen of magic and minions to do? Why, rebuild her kingdom, of course—two kingdoms, in fact: as Campaign Boss for the reelection of American President Malory Beckham Hinton, and as owner of the London Knights world-champion baseball franchise. Written as though by the old master himself, King Arthur’s Sister in Washington’s Court by Mark Twain as channeled by Kim Iverson Headlee offers laughs, love, and a candid look at American society, popular culture, politics, baseball… and the human heart. CONTENTS List of Illustrations Preface A Word of Explanation Chapter I: Crownsville Chapter II: King Henry’s Court Chapter III: Knights of Crownsville Chapter IV: Sir Kay and the Man Who Would Be Boss Chapter V: An Inspiration Chapter VI: The Eclipse Chapter VII: The Tower Chapter VIII: The Boss Chapter IX: The Tournament Chapter X: Beginning to Change Civilization Chapter XI: The Queen in Search of a Baseball Club Chapter XII: Slow Torture Chapter XIII: Free Agents! Chapter XIV: Defend the Banner! Chapter XV: Sandy’s Statistics Chapter XVI: Morgan le Fay Chapter XVII: A Baseball Banquet Chapter XVIII: In the Queen’s Dungeons Chapter XIX: Baseball as a Trade Chapter XX: The Ogres’ Stadium Chapter XXI: The Pilgrims Chapter XXII: The Crocodiles Chapter XXIII: Restoration of the Team Chapter XXIV: A Rival Player Chapter XXV: A Competitive Examination Chapter XXVI: The President in the Newspaper Chapter XXVII: The President and the Queen Travel Cognito Chapter XXVIII: Drilling the President Chapter XXIX: The Smallpox Hut Chapter XXX: The Tragedy of the Big House Chapter XXXI: Marco Chapter XXXII: Dowley’s Humiliation Chapter XXXIII: Twenty-first Century Political Economy Chapter XXXIV: Slavery as a Career Chapter XXXV: A Pitiful Incident Chapter XXXVI: An Encounter in the Dark Chapter XXXVII: An Awful Predicament Chapter XXXVIII: Sandy and the Lawyers to the Rescue Chapter XXXIX: The Knights’ Fight with the Yankees Chapter XL: Three Years Later Chapter XLI: The Dictum Chapter XLII: War! Chapter XLIII: The Battle on the Salisbury Plain Chapter XLIV: A Postscript by the Scribe Final P.S. by C.C.

    He was magnificent, and I will never forget that, in that moment, I first loved him. And I believe--had I known what the future held for us: all the trouble, torment, battle, and grief of our lives--I still believe that I would have yielded my heart into his keeping as I did then . . .In a sweeping epic of the imagination, Alice Borchardt enters the wondrous realm of Arthurian legend and makes it her own. The Dragon Queen is the first volume in a trilogy of novels that boldly re-imagines Camelot--and casts Guinevere as a shrewd, strong-willed, magical warrior queen.Born into a world of terrible strife, where war is constant and weapons are never far from the hands of men or women, Guinevere, daughter of a mighty pagan queen, is a threat to her people and a prize to the dreaded sorcerer Merlin. Sent into hiding, she grows up under the protection of a shapeshifting man-wolf and an ornery Druid. But even on the remote coast of Scotland, where dragons feed and watch over her, she is not safe from the all-seeing High Druid Merlin. He knows the young beauty's destiny, and he will stop at nothing to prevent what has been foretold. For if Guinevere becomes Queen and Arthur, King, they will bring a peace to the land that will leave the power-hungry Merlin a shriveled magician in a weary cloak.Yet Guinevere possesses power of her own--dazzling power to rival even that of Merlin. Summoned from her home by forces she cannot fathom, she travels from the Underworld to an Otherworld of the Past, at each step calling on ancient powers to aid her way. When young Guinevere proves her mettle to an embarrassed Merlin, even her faithful dragon protectors cannot prevent the evil that the sorcerer rains down. Seeking revenge, Merlin banishes Arthur to a world from which the only escape is death. Now Guinevere must face Merlin's wrath without him--and prove that she is worthy of being Arthur's Queen.From the glass-roofed Great Hall at Tintigal to the lush garden forts of Wales, Alice Borchardt details the travels of Guinevere in a rich fabric of prose. The Dragon Queen is a novel of great emotional depth, timeless romance, and soul-stirring adventure.

    But on her last year at a Swiss boarding school, one of her classmates is found mysteriously dead. Before she knows it, Morgan's called home to Wisconsin, for the first time in her life.There, not only does she have to deal with her crazy-weird family, but she's forced to attend a strange school set in a magical world under Lake Winnebago. To make matters worse, she must train with the others to become Knights of the Round Table and fight in a secret, millennia-old war against the Fey--fallen angels with unimaginable powers who'd do anything to destroy humans. And if that wasn't enough, she must do the impossible: learn to make friends.As the world is falling apart, Morgan must adapt to her new reality before she either goes nuts... or finds herself dead.

    A deadly enchantment. And only Merlin can destroy it. A meteorite brings a mysterious black stone whose sinister power ensnares everyone except Merlin, the blind son of a swordsmith. Soon, all of Britain will be under its power, and he must destroy the stone—or die trying.MERLIN'S BLADE won the 2014 Silver Moonbeam Award in the YA Fantasy/Sci-Fi category, as well as the 2013 Grace Award.

    'The Book of Guinevere' is an elegant anthology of poetry and prose, literature and legend, with accessible, lively commentary by Arthurian scholar Andrea Hopkins

    While Gottfried adheres faithfully to the events as set down by Thomas, his chosen source, he is correct over questions of Chrisianity and religion, but no more.In fact his persona as narrator is oddly elusive and engaging. A virtuoso stylist, adept in irony and wit, he is subtle and almost unmedieval in putting across his own impressions of a love that transcends the bounds advocated by Church or society.

    But the isle of immortals calls him on a quest as a warrior of the Light...and seals his destiny as the hero of King Arthur's Britain. Framed by historical realism, Gillian Bradshaw expertly weaves convincing magical elements into her fantastic tale of Gwalchmai, the Hawk of May.

    Would a dying dragon change her fate? On the outskirts of the capital, sixteen-year old Krea, is fighting to survive. She’s bullied, attacked, and some say she’s cursed. She doesn’t believe them. This girl is a fighter. In a meadow, surrounded by blue flowers, a dragon fights for her life and a chance at immortality. There’s just one problem, she needs a new twin soul. When Krea finds Wymarc, the dragon makes an offer. Is the dragon’s gift going to change her life for the better or send her to her doom? You’ll love this fantasy for its characters you care about, meddlesome gods, and the brilliant story craft. Get it now.

    Who also happens to be the alleged reincarnation of King Arthur.Ellie couldn't be happier to have Will in her life, but she's also worried that his estrangement from his parents is tearing him apart. To make matters worse, Will's doubt that he really is King Arthur could prevent the Merlin Prophecy--an age of enlightenment--from occurring. Can Ellie convince Will to believe in something that even she isn't sure about? And more importantly, can she get him to give his parents another chance?With all the mythology and mysticism of avalon high, Meg Cabot's very first manga is indeed a tale for the ages.

    In the near future, the Fisher King, Mordred and Morgan le Fay seek to gain control of Dr. Elaine Brusen’s hypostater, a machine capable of altering fundamental reality. Both Amby and Elaine are unwittingly drawn into a power struggle that spans centuries and spills into the realm of fairy and beyond.  Saberhagen reworks Arthurian legend and puts Arthur’s survival, the succession of New Camelot and Merlin’s bones on the line with an exciting blend of romance, danger and adventure.

    I write because I have seen the darkness that will come. Already there are those who seek to tell a new history...In a land of mountains and mist, tradition and superstition, Languoreth and her brother Lailoken are raised in the Old Way of their ancestors. But in Scotland, a new religion is rising, one that brings disruption, bloodshed, and riot. And even as her family faces the burgeoning forces of Christianity, the Anglo-Saxons, bent on colonization, are encroaching from the east. When conflict brings the hero Emrys Pendragon to her father’s door, Languoreth finds love with one of his warriors. Her deep connection to Maelgwn is forged by enchantment, but she is promised in marriage to Rhydderch, son of a Christian king. As Languoreth is catapulted into a world of violence and political intrigue, she must learn to adapt. Together with her brother—a warrior and druid known to history as Myrddin—Languoreth must assume her duty to fight for the preservation of the Old Way and the survival of her kingdom, or risk the loss of them both forever.Based on new scholarship, this tale of bravery and conflicted love brings a lost queen back to life—rescuing her from obscurity, and reaffirming her place at the center of one of the most enduring legends of all time.

    Set in 5th Century Britain, this retelling of the traditional legends of Merlin, King Arthur, and Avalon, blends a mixture of historical fact with Arthurian fantasy. Refreshingly innovative, the tale spans the mysterious birth of Merlin, climaxing with the conception of Arthur, the legendary future king of Britain. A young Merlin advises three High Kings: to fight through the bedlam, fight for the right to rule, fight to save the future treasure of Britain! Interlacing love, revenge, mystery and murder, with a dash of humor, this coming of age adventure is a guide through the shrouded tales that embrace the Sons of Avalon.

    The creator of the Arthurian romance as a genre, Chrétien is revealed in this work as a witty, versatile writer who mastered both the soaring flight of emotion and the devastating aside and was as skillful a debater of the finer points of love as he was a describer of battles.

    Each excerpt is set in its historical and literary context, so that anyone who enjoys this anthology can make his own exploration of the many and glittering treasures of Arthurian legend.

    The tales draw on pre-Christian Celtic mythology, international folktale motifs and early medieval historical traditions. While some details may hark back to older Iron Age traditions, each of the tales is the product of a developed medieval Welsh narrative tradition, both oral and written.Lady Charlotte Guest in the mid 19th century was the first to publish English translations of the collection, popularising the name "Mabinogion". The stories appear in either or both of two medieval Welsh manuscripts, the White Book of Rhydderch or Llyfr Gwyn Rhydderch, written c.1350, and the Red Book of Hergest or Llyfr Coch Hergest, written c.1382 – 1410, tho texts or fragments of some of the tales have been preserved in earlier 13th century and later mss.Scholars agree that the tales are older than the existing mss, but disagree over just how much older. The different texts originated at different times. Debate has focused on the dating of the Four Branches of the Mabinogi. Sir Ifor Williams offered a date prior to 1100, based on linguistic and historical arguments, while later Saunders Lewis set forth a number of arguments for a date between 1170 and 1190; Th Charles-Edwards, in a paper published in 1970, discussed both viewpoints, and while critical of the arguments of both scholars, noted that the language of the stories fits the 11th century. More recently, Patrick Sims-Williams argued for a plausible range of about 1060 to 1200, the current scholarly consensus.