Her guilt-plagued mother cannot accept her daughter's deafness. Grania's saving grace is her grandmother Mamo, who tries to teach Grania to read and speak again. Grania's older sister, Tress, is a beloved ally as well-obliging when Grania begs her to shout words into her ear canals and forging a rope to keep the sisters connected from their separate beds at night when Grania fears the terrible vulnerability that darkness brings. When it becomes clear that she can no longer thrive in the world of the hearing, her family sends her to live at the Ontario School for the Deaf in Belleville, where, protected from the often-unforgiving hearing world outside, she learns sign language and speech.After graduation Grania stays on to work at the school, and it is there that she meets Jim Lloyd, a hearing man. In wonderment the two begin to create a new emotional vocabulary that encompasses both sound and silence. But just two weeks after their wedding, Jim must leave home to serve as a stretcher bearer on the blood-soaked battlefields of Flanders.During this long war of attrition, Jim and Grania's letters back and forth-both real and imagined-attempt to sustain their young love in a world as brutal as it is beautiful. Frances Itani's depiction of a world where sound exists only in the margins is a singular feat in literary fiction, a place difficult to leave and even harder to forget. A magnificent tale of love and war, Deafening is finally an ode to language-how it can console, imprison, and liberate, and how it alone can bridge vast chasms of geography and experience.

    When Edal Jones can't cope with the casual cruelty she encounters in her job as a federal wildlife officer, she finds herself drawn to a beacon of solace nestled in the valley under the unlikely banner of an auto-wrecker's yard. Guy Howell, the handsome proprietor, offers sanctuary to animals and people alike: a half-starved hawk and a brood of orphaned raccoon kits, a young soldier whose spirit failed him during his first tour of duty, a teenage runaway and her massive black dog. Guy is well versed in the delicate workings of damaged beings, and he might just stand a chance at mending Edal's heart.But before love can bloom, the little community must come to terms with a different breed of lost soul - a young man whose brutal backwoods childhood is catching up with him, causing him to persecute the creatures that call the valley home.

    Throughout Toronto, a murderer strikes randomly, leaving bodies mutilated and dismembered, and taunting the police with cryptic notes. The group reads each other their own dark, unsettling tales. Angela tells of child-stealer Sandman. Patrick, though, finds fantasy and reality blurring. Is the maniac at large the Sandman? What does Angela really know? And does the killer stalk his pursuer? Only when his son is snatched does Patrick journey toward the elusive figure.

    Margaret Laurence’s first novel, This Side Jordan, recreates that colour-drenched world: a place where men and women struggle with self-betrayal, self-discovery, and the dawning of political pride.This Side Jordan transcends the traditional limits of the first novel. Its powerful and compassionate characterizations and its themes of exile and community anticipate the five later novels that make up Laurence’s acclaimed Manawaka series. A major work of lasting significance, This Side Jordan creates echoes in the mind of the reader as resonant as the drums of Ghana.

    Behind her is a string of failed relationships and half-forgotten ambitions of being a painter; in front of her lies the dreary task of finding a real job and figuring out what “normal” people do with their lives. Then, a classified ad in the local paper introduces Frieda to Gladys, an elderly woman who long ago gave up on her dreams of being a dancer.The catch? Gladys is a ghost.In Dance, Gladys, Dance, Cassie Stocks tells the uplifting story of a woman whose uncanny connection with a kindred spirit causes her to see her life in a new way—as anything but ordinary.

    Families, friends, lovers disappear.Kim Echlin’s powerful new novel tells the story of Anne Greves, from Montreal, who meets Serey, a Cambodian student forced into exile when he cannot return home during Pol Pot’s time of terror. Anne and Serey meet in a jazz club where their shared passion for music turns into a passion for each other, against the will of her father. But when the borders of Cambodia open, Serey is compelled to return home, alone, to try to find his family. Left behind, and without word from her lover, Anne tries to build a new life but she cannot forget her first love. She decides to travel to the war-ravaged country that claimed Serey. What she finds there is a traumatized and courageous people struggling to create new freedoms out of the tragedy that claimed their traditional ways, their livelihood, and a seventh of their population.“Despair is an unwitnessed life,” writes Anne as she searches for the truth, about her lover, and about herself. “If we live long enough, we have to tell, or turn to stone inside.”From its first page, The Disappeared takes us into the land of kings and temples, fought over for generations. It reveals the forces that act on love everywhere: family, politics, forgetting. Universal in its questions about how to claim the past, how to honor our dead, and how to go on after those we love disappear, it is a story written in spare and rhythmic prose. The Disappeared is a remarkable consideration of language, truth, justice, and memory that speaks to the conscience of the world, and to love, even when those we love most are gone.

    An early illness has left one son with the intellect of a child; the other is destined for greatness but struggles between a keen mind that craves instruction and the pressures of a society that demands his prowess as a soldier.   Initially Aristotle hopes for a short stay in what he considers the brutal backwater of his childhood. But, as a man of relentless curiosity and reason, Aristotle warms to the challenge of instructing his young charges, particularly Alexander, in whom he recognizes a kindred spirit, an engaged, questioning mind coupled with a unique sense of position and destiny.  Aristotle struggles to match his ideas against the warrior culture that is Alexander’s birthright. He feels that teaching this startling, charming, sometimes horrifying boy is a desperate necessity. And that what the boy – thrown before his time onto his father’s battlefields – needs most is to learn the golden mean, that elusive balance between extremes that Aristotle hopes will mitigate the boy’s will to conquer. Aristotle struggles to inspire balance in Alexander, and he finds he must also play a cat-and-mouse game of power and influence with Philip in order to manage his own ambitions.  As Alexander’s position as Philip’s heir strengthens and his victories on the battlefield mount, Aristotle’s attempts to instruct him are honoured, but increasingly unheeded. And despite several troubling incidents on the field of battle, Alexander remains steadfast in his desire to further the reach of his empire to all known and unknown corners of the world, rendering the intellectual pursuits Aristotle offers increasingly irrelevant. Exploring this fabled time and place, Annabel Lyon tells her story in the earthy, frank, and perceptive voice of Aristotle himself. With sensual and muscular prose, she explores how Aristotle’s genius touched the boy who would conquer the known world. And she reveals how we still live with the ghosts of both men.

    The Gage family had been travelling to a new life in Fort McMurray, but bruises on the mother, Lorraine, prove to be late-stage cancer rather than remnants of the accident. Recognizing their need as her responsibility, Clara tries to do the right thing and moves the children, husband and horrible grandmother into her own house--then has to cope with the consequences of practical goodness.As Lorraine walks the borders of death, Clara expands into life, finding purpose, energy and unexpected love amidst the hard, unaccustomed work of sharing her days. But the burden is not Clara's alone: Lorraine's children must cope with divided loyalties and Lorraine must live with her growing, unpayable debt to Clara--and the feeling that Clara has taken her place.What, exactly, does it mean to be good? When is sacrifice merely selfishness? What do we owe in this life and what do we deserve? Marina Endicott looks at life and death through the compassionate lens of a born novelist: being good, being at fault, and finding some balance on the precipice.

    A genial orderly at a downtown hospital, he has been accused of sexually assaulting a girl. Although he is innocent, traditional propriety prompts him to question the purity of his own thoughts. Ultimately, his friendship with the enlightened Sushila offers him an alluring freedom from a past that haunts him, a marriage that has become routine, and from the trials of coping with teenage children. Introducing us to a cast of vividly drawn characters within this immigrant community, Vassanji is a keen observer of lives caught between one world and another.

    Three young people leave their far-flung birthplaces to follow their own songs of migration. Each ends up in Montreal, each on a voyage of self-discovery, dealing with the mishaps of heartbreak and the twisted branches of their shared family tree.Filled with humor, charm, and good storytelling, this novel shows the surprising links between cartography, garbage-obsessed archeologists, pirates past and present, a mysterious book with no cover, and a broken compass whose needle obstinately points to the Aleutian village of Nikolski (a minuscule village inhabited by thirty-six people, five thousand sheep, and an indeterminate number of dogs).

    As Richard Ford has noted, "Vanderhaeghe is simply a wonderful writer. The Englishman's Boy, spanning as it does two countries, two centuries, two views of history—the Canadian Wild West as 'imagined' by Hollywood—is a great accomplishment. Readers, I think, will find this book irresistible."

    The paths of the five friends cross and crisscross over the decades as they struggle to overcome, or at least forget, the trauma they endured during their years at the Mission.Fuelled by rage and furious with God, Clara finds her way into the dangerous, highly charged world of the American Indian Movement. Maisie internalizes her pain and continually places herself in dangerous situations. Famous for his daring escapes from the school, Kenny can’t stop running and moves restlessly from job to job—through fishing grounds, orchards and logging camps—trying to outrun his memories and his addiction. Lucy finds peace in motherhood and nurtures a secret compulsive disorder as she waits for Kenny to return to the life they once hoped to share together. After almost beating one of his tormentors to death, Howie serves time in prison, then tries once again to re-enter society and begin life anew.With compassion and insight, Five Little Indians chronicles the desperate quest of these residential school survivors to come to terms with their past and, ultimately, find a way forward.

    But her immersion in contemporary war is offset by her refusal to put herself at risk, and by her insistence on keeping her past at bay.Ten years earlier, in the mid-1980s, Arcadia had fled Toronto for London after two university students--rivals for her love--fought a pistol duel over her. Now, through the interventions of her sister, Lux, and her increasingly complicated relationship with a new lover, Amir, who has secrets of his own, Arcadia is forced to confront what really happened on the day of the duel.Moving from the verdant ravines of Toronto to the secret canals of a gritty, vibrant London, The Rules of Engagement has an extraordinary sense of time and place. A powerful exploration of the nature of love, the novel provocatively explores the crossing of emotional, ethical, and literal borders.

    Instead, the group is thrown into a detention processing center, with government officials and news headlines speculating that among the "boat people" are members of a separatist militant organization responsible for countless suicide attacks—and that these terrorists now pose a threat to Canada's national security. As the refugees become subject to heavy interrogation, Mahindan begins to fear that a desperate act taken in Sri Lanka to fund their escape may now jeopardize his and his son's chance for asylum. Told through the alternating perspectives of Mahindan; his lawyer, Priya, a second-generation Sri Lankan Canadian who reluctantly represents the refugees; and Grace, a third-generation Japanese Canadian adjudicator who must decide Mahindan's fate as evidence mounts against him, The Boat People is a spellbinding and timely novel that provokes a deeply compassionate lens through which to view the current refugee crisis.

    But when death comes crashing into their newly idyllic life, the Kruses find themselves drawn into a web of political gamesmanship and murder. When his wife disappears, Christopher must draw on his old instincts to find her, ahead of the police and two sinister members of a Corsican crime family. As Christopher’s desperate search leads him closer to his wife, it pulls him deeper into the dangerous machinations of the most powerful leaders in the country.Come Barbarians is a gripping novel of murder, revenge and high stakes, balanced by moments of love, loyalty and loss. Todd Babiak has created a complex, magnetic character forced to confront his bleakest hour and his darkest impulses.