He heads for the cathedral town or Torminster, where he recovers his love of life in the invigorating company of his cousin, Hugh Anthony, his grandfather, the Canon and Henrietta.When Jocelyn moved into the little house where Ferranti once had lived, a dark Byronic spirit haunted its rooms. Was Ferranti alive or dead? Until they knew, Jocelyn and Felicity must reach out to him. Until Ferranti no longer needed them, they must yield slowly to the madness of love. So the ghost of Gabriel Ferranti guided their lives in surprising ways, and more than one bewildered heart was restored to the wonder and magic of living.

    With modern humor rivaling that of the media lampooning Onion, found on college campuses all over America, A. F. Christian's open letters to the spokesmen of the New Atheism explain her reasons for rejecting God and the logical consequences of that choice. Along the way she offers pithy advice to famous atheists such as Richard Dawkins and Christopher Hitchens, in the hope of helping them win over more Christians.Of course we score big time with the young guys who aren't responsible for anything, and don't really care about anything besides spending most of their time in the basement playing video games and texting girls, A.F. Christian points out. But what about all those serious, thoughtful people who are Christian believers? If the New Atheism is to make real headway, she argues, its advocates must do more to persuade intelligent theists living meaningful and fulfilling lives.Amid the many current books arguing for or against religion, social critic and writer Mary Eberstadt's The Loser Letters is truly unique: a black comedy about theism and atheism that is simultaneously a rollicking defense of Christianity.Echoing C.S. Lewis Screwtape Letters and Dante's Divine Comedy, Eberstadt takes aim at bestsellers like The God Delusion and God Is Not Great with the sexual libertinism their authors advocate. In her loveable and articulate tragic-comic heroine, A.F. Christian, Dawkins, Hitchens and the other Brights have met their match.

     Even Mr. Leighton himself, though he did not alter the prudential tone with which he had done appropriate honor to this lengthy instrument, grinned dryly while reading the final paragraph. ‘And it is my further request that at eleven A.M., on the first Lord’s Day subsequent to her graduation from college, the said Barbara Breckenridge shall present herself, unaccompanied, at divine services in Trinity Cathedral, Chicago.’

    1973: industrial strikes, bad pop music, corrosive class warfare, adolescent angst, IRA bombings. Four friends: a class clown who stoops very low for a laugh; a confused artist enthralled by guitar rock; an earnest radical with socialist leanings; and a quiet dreamer obsessed with poetry, God, and the prettiest girl in school. As the world appears to self-destruct around them, they hold together to navigate the choppy waters of a decidedly ambiguous decade.

    Based on the life of St. Helena, mother of the Emperor Constantine and finder of the true cross, this spiritual adventure brings to life the political intrigues of ancient Rome and the early years of Christianity.

    Loss and Gain, his first novel, tells the story of a young man's search for faith in early Victorian Oxford. This edition is the first one to appear ineighty years.

    Examining the distinction between magic and religion, War in Heaven is an eerily disturbing book, one that graphically portrays a metaphysical journey through the shadowy crevices of the human mind.

    Mildred Lathbury is a clergyman's daughter and a mild-mannered spinster in 1950s England. She is one of those "excellent women," the smart, supportive, repressed women who men take for granted. As Mildred gets embroiled in the lives of her new neighbors--anthropologist Helena Napier and her handsome, dashing husband, Rocky, and Julian Malory, the vicar next door--the novel presents a series of snapshots of human life as actually, and pluckily, lived in a vanishing world of manners and repressed desires.

    When a chance encounter with Chris ends with an invitation, Rebecca says yes. The authentic way Chris lives his life attracts Rebecca and garners her affection. Chris loves Rebecca and her innocence, but he's confounded by the emotional scars she bears from her parents and an attempted assault. Her father's disdain for Chris's faith and career only make matters worse. With the counsel of their friend Father John, can Rebecca and Chris overcome every obstacle and bridge the deepening gulf between them and her dad? Or will a crucial lapse in judgment and its repercussion end their relationship?

    It is a dark and absorbing example of the Gothic sensibility and bracing satirical voice that are united in Flannery O'Conner's work. In it, the orphaned Francis Marion Tarwater and his cousins, the schoolteacher Rayber, defy the prophecy of their dead uncle--that Tarwater will become a prophet and will baptize Rayber's young son, Bishop. A series of struggles ensues: Tarwater fights an internal battle against his innate faith and the voices calling him to be a prophet while Rayber tries to draw Tarwater into a more "reasonable" modern world. Both wrestle with the legacy of their dead relatives and lay claim to Bishop's soul.O'Connor observes all this with an astonishing combination of irony and compassion, humor and pathos, resulting in a novel where range and depth reveal a brilliant and innovative writers acutely alert to where the sacred lives and to where it does not.

    A young sea captain's first command brings with it a succession of crises: his sea is becalmed, the crew laid low by fever, and his deranged first mate is convinced that the ship is haunted by the malignant spirit of a previous captain. This is indeed a work full of "sudden passions," in which Conrad is able to show how the full intensity of existence can be experienced by the man who, in the words of the older Captain Giles, is prepared to "stand up to his bad luck, to his mistakes, to his conscience." A subtle and penetrating analysis of the nature of manhood, The Shadow-Line investigates varieties of masculinity and desire in a subtext that counters the tale's seemingly conventional surface.

    For that is what it is: the story of a young English girl's growth towards maturity in the 1930s. We see Mary at school in Kensington and on holiday in Somerset; her attempt at drama school; her year in Paris learning dressmaking and getting engaged to the wrong man; her time as a secretary and companion; and her romance with Sam. We chose this book because we wanted to publish a novel like Dusty Answer, I Capture the Castle or The Pursuit of Love, about a girl encountering life and love, which is also funny, readable and perceptive; it is a 'hot-water bottle' novel, one to curl up with on the sofa on a wet Sunday afternoon. But it is more than this. As Harriet Lane remarks in her Preface: 'It is Mariana's artlessness, its enthusiasm, its attention to tiny, telling domestic detail that makes it so appealing to modern readers.' And John Sandoe Books in Sloane Square (an early champion of Persephone Books) commented: 'The contemporary detail is superb - Monica Dickens's descriptions of food and clothes are particularly good - and the characters are observed with vitality and humour. Mariana is written with such verve and exuberance that we would defy any but academics and professional cynics not to enjoy it.'

    On the Road with the Archangel is sure to continue this tradition with its powerful blend of humor, artistry, and insight into the nature of the human and the divine. Inspired by events in the apocryphal Book of Tobit, from the second century B.C., this is the magical tale of two families brought together, as no mere coincidence, by the devilishly clever archangel Raphael. One is the family of Tobit, a virtuous man who can no longer support his wife and son because of Raguel, the quiet, devoted father of Sarah whose pact with the demon Asmodeus has left her life in tragic shambles.Assuming human form, Raphael appears before Tabias, Tobit's devoted son, to help him retrieve his father's fortune hidden in a faraway city. Together, they embark on a miraculous journey in search of the answers to both families' prayers--a journey that is made challenging and delightful by Rapheal's artful efficiency.On the Road with the Archangel is a masterful combination of fluid writing, lyrical storytelling, and ancient truth blended with modern wisdom. And beneath it all lies a subtle, glowing meditation on the nature of the Holy.Hailed as "one of our most original storytellers" (USA Today), Pulitzer Prize-nominated author Frederick Buechner has written an extraordinary new novel that shines with the mystery and wonder of the divine. Drawn from the ancient apocryphal Book of Tobit, On the Road with the Archangel unravels the tale of a eccentric blind father and his somewhat bumbling song who journeys to seek his family's lost treasure. Narrated by the wry and resourceful archangel Raphael, Buencher's tale is a pure delight, alive with vivid characters, delightful adventures and wondrous revelations.

    Even as the old Queen's health fails, Victorian Britain stands monumental and strong upon a mountain of technological, scientific, and intellectual progress. For John Kemp, a straight-forward, unimaginative London lawyer, life seems reassuringly predictable yet forward-leaning, that is, until a foray into the recently published sensationalist novel Dracula, united with a chance meeting with an eccentric Dominican friar, catapults him into a bizarre, violent, and unsettling series of events.As London is transfixed with terror at a bloody trail of murder and destruction, Kemp finds himself in its midst, besieged on all sides—in his friendships, as those close to him fall prey to vicious assault by an unknown assassin; in his deep attraction to an unconventional American heiress; and in his own professional respectability, for who can trust a lawyer who sees things which, by all sane reason, cannot exist? Can his mundane, sensible life—and his skeptical mind—withstand vampires? Can this everyday Englishman survive his encounter with perhaps an even more sinister threat—the white-robed Papists who claim to be vampire slayers?"A real 19th century Gothic vampire story, rich and colorful, and wonderfully full of foreboding. The characters are vivid and convincing, and the historical locales make the supernatural element effective and affecting as it builds to the point where our protagonist must recognize it and confront it."— Tim Powers, Best-Selling Novelist; Author, On Stranger Tides"Imagine a cross between Dracula and The Exorcist, written with the literary flourish of the former and the Catholic sensibility of the latter, and you will have some idea of how this heavenly hybrid on a hellish theme speaks with such death-defying and grave-shattering power in this work."— Joseph Pearce, Editor, Ignatius Critical Editions; Author, The Quest for Shakespeare"Nicholson writes with an impeccable ear for turn-of-the-century English and a dry wit worthy of George Bernard Shaw that makes A Bloody Habit a brilliant combination of edification and fun."— Karen Ullo, Author, Jennifer the Damned and Cinder Allia

    She was grateful and anxious to please her family, a dutiful and obedient young woman of privilege. That is, until a chance friendship and its abrupt end sparks an interest in a new religion that will lead to a destiny she never imagined. <i>Junia</i> is a fictional exploration of life at the very beginning of Christianity from a very personal point of view. It shows how the attractions of the new religion were accompanied by social struggle, family division, and the risk of a disgraceful death to those courageous enough to embrace it. The author is a priest of the Prelature of Opus Dei in St. Louis.