As the long days pass, the searchers grow desperate, but Sarah's father's trust in God holds firm.

    Written in the classic tradition of the Little House and the Rocky Ridge books, and based on diaries, letters, and other historical papers, these books offer a glimpse into America's adventurous past, as seen through the eyes of another girl from America's beloved frontier family.

    She lives alone, quietly weaving baskets with creative flair under the floor boards of the Oakley Plantation. However, Celeste’s world turns upside down with the arrival of the great naturalist John James Audubon and his assistant Joseph, who have come to study and paint the birds of the Louisiana bayou. Their arrival coincides with Celeste’s sudden displacement from her home below to a guest room upstairs. There she watches young Joseph struggle to create the backgrounds for Audubon’s bird paintings. As the two homesick souls strike up a friendship, the mouse secretly puts her artistic skills to good use; she simultaneously helps Joseph improve his compositions while aiding the wounded birds that Audubon captures for his studies. Nearly every page of author-illustrator Henry Cole's fine novel combines text and remarkable drawn images to tell the story of a mouse in need of a home of her own from the tiny creature's unique vantage point.

    After a mysterious incident leaves Griffin close to death, Effie is given an unusual silver ring and told she must look after her grandfather’s library of rare and powerful books. But then the books fall into the hands of shady scholar Leonard Levar, and Effie is propelled into the most dangerous adventure of her life.Now, Effie and her friends—nerdy Maximilian, rugby-mad Wolf, helpful Lexy, and eccentric Raven—must discover their true powers if they are to get the books back. And Effie alone will have to travel to the Otherworld, where she will uncover the true meaning of the strange old book called Dragon’s Green…

    When she is unexpectedly orphaned, she is left all alone except for her turtle, Rufus. What in blinkin' bloomers should Emily do? Emily's neighbors, Mrs. Ready, Mrs. Aim, and Mrs. Fire, have the answer: Emily must travel by stagecoach to the home of her honorable aunt Hilda. What a rootin' tootin' grand idea! But Miss Catchum of the Catchum Child-Catching Services will get a big bonus for delivering Emily to her next of kin, the vicious Uncle Victor. How the ding dong dickens will Emily escape Miss Catchum? It will take all the gumption and cunning of fellow orphan and traveler Jackson to help Emily find her confidence, her conniving spirit, and the true reason Uncle Victor wants to claim her. But how in flippin' flapjacks will Emily outsmart Uncle Victor?

    Eleven-year-old Jon Whitcroft never expected to enjoy boarding school. Then again, he never expected to be confronted by a pack of vengeful ghosts, either. And then he meets Ella, a quirky new friend with a taste for adventure... Together, Jon and Ella must work to uncover the secrets of a centuries-old murder while being haunted by terrifying spirits, their bloodless faces set on revenge. So when Jon summons the ghost of the late knight Longspee for his protection, there's just one question: Can Longspee truly be trusted?

    The book jacket unfolds into an oversized poster. Consumable.

    Fortunately, a Black man named Meriwether pushes him out of the way just in time, and fixes his damaged bike. As a thank you, Gabriel gets him a job at his dad's auto shop. Gabriel's dad hires him with some hesitation, however, anticipating trouble with the other mechanic, who makes no secret of his racist opinions.Gabriel and Meriwether become friends, and Gabriel learns that Meriwether drove a tank in the Army's all-Black 761st Tank Battalion in WWII. Meriwether is proud of his service, but has to keep it a secret because talking about it could be dangerous. Sadly, danger finds Meriwether, anyway, when his family receives a frightening threat. The South being the way it is, there's no guarantee that the police will help--and Gabriel doesn't know what will happen if Meriwether feels forced to take the law into his own hands.

    Now they are alone. With the war raging around them, food and shelter are hard to come by. They live in constant fear.Finally, they get word that their father is alive. He has made it to Switzerland. Edek and Ruth are determined to find him, though they know how dangerous the long trip from Warsaw will be. But they also know that if they don't make it, they may never see their parents again.Their gripping story is taken from actual accounts.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    When her father is no longer able to work, Angela must leave school and work in a shirtwaist factory. Against the backdrop of the birth of the labor union movement in the early 1900s, Angela plays a part in the drama and turmoil that erupt as the workers begin to strike, protesting the terrible conditions in the sweatshops. And she records the horrors of the Triangle Factory fire and the triumphs and sorrows of the labor movement.

    She can practically feel the keys under her flying fingers; she can hear the audience's applause. All she needs is a baby grand so she can start her lessons, and then she'll be well on her way to Carnegie Hall.But when Dad ventures to the music store and ends up with a wheezy organ instead of a piano, Zoe's dreams hit a sour note. Learning the organ versions of old TV theme songs just isn't the same as mastering Beethoven on the piano. And the organ isn't the only part of Zoe's life in Michigan that's off-kilter, what with Mom constantly at work, Dad afraid to leave the house, and that odd boy, Wheeler Diggs, following her home from school every day.Yet when Zoe enters the annual Perform-O-Rama organ competition, she finds that life is full of surprises--and that perfection may be even better when it's just a little off center.

    What's more is news of the picket is spreading and more and more women are coming from other parts of the district and some from as far away asMaryland and Virginia. President Wilson felt so sorry for them in the cold that he invited them in for coffee but they refused. They said they would only come in to talk about a federal amendment for the women's right to vote. No coffee! This made me think of Sojourner Truth's words about men who help lift women into carriages and over mud puddles--that of course is the easy part, just like giving them coffee. Giving them the vote is the hard part.

    Liz is bold and brave, and always knows the right thing to say, especially to Sally, the resident mean girl. Liz even helps Marlee overcome her greatest fear - speaking, which Marlee never does outside her family. But then Liz is gone, replaced by the rumor that she was a Negro girl passing as white. But Marlee decides that doesn't matter. Liz is her best friend. And to stay friends, Marlee and Liz are willing to take on integration and the dangers their friendship could bring to both their families.

    When she reaches Los Alamos, New Mexico, she learns why: he's working on a top secret government program. Over the next few years, Dewey gets to know eminent scientists, starts tinkering with her own mechanical projects, becomes friends with a budding artist who is as much of a misfit as she is and, all the while, has no idea how the Manhattan Project is about to change the world. This book's fresh prose and fascinating subject are like nothing you've read before.