He was a performer who held true to his religious and cultural heritage, yet he is still awarded the status of world rock star. Renowned poet and scholar Kwame Dawes analyses in detail what his actual verses and lyrics meant when matched against the social and political climate of the time and what it meant to be a black man in the modern world.

    The Birth-mark traces the collusive relationships among tradition, the constitution of critical editions, literary history and criticism, the institutionalized roles of poetry and prose, and the status of gender. Through an examination of the texts and editorial histories of Thomas Shepard's conversion narratives, the captivity narrative of Mary Rowlandson, and the poetry of Emily Dickinson, Howe reads our intellectual inheritance as a series of civil wars, where each text is a wilderness in which a strange and lawless author confronts interpreters and editors eager for settlement. In a concluding interview, Howe comments on her approach and recounts some the crucial biographical events that sparked her interest in early American literature.

    All that stood in their way was a man on Deald's World named Benno Tallant, about as lousy a candidate for hero as one could imagine: junkie, looter, coward, betrayer. So the retreating Earth forces made him the last man on Deald's World. They surgically implanted a cataclysmic bomb in his body, turned him loose, and let the Kyben hunt him down. SEE BENNO RUN. RUN, BENNO, RUN LIKE HELL.

    / The elms made tents of solace over grimy / streets and alley cats purred me to sleep.” She writes in graphic, unflinching language about the poor, banished now by politicians because they are no longer “real people like corporations.” There are elegies for her peer group of poets, gone now, whose work she cherishes but from whom she cannot help but want more. There are laments for the suicide of dolphins and for her beloved cats, as she remembers “exactly how I loved each.” She continues to celebrate Jewish holidays in compellingly original ways and sings praises of her marriage and the small pleasures of daily life.This is a stunning collection that will please those who already know Marge Piercy’s work and offer a splendid introduction to it for those who don’t.

    Sometimes mistakes are made. But even more terrifying is when the authorities conspire to frame them. That's what happened to Steven Avery and Brendan Dassey, who were convicted of murder and are serving life sentences.Un-Making a Murderer is an explosive book which uncovers the illegal, devious and covert tactics used by Wisconsin officials, including: Concealing Other SuspectsPaying Expert Witnesses to LiePlanting EvidenceJury TamperingThe art of framing innocent people has been in practice for centuries and will continue until the perpetrators are held accountable; turning conventional assumptions and beliefs in the justice system upside down, Un-Making a Murderer takes you on that journey.The profits from this book are going to Steven and Brendan and to donate free books to schools and prisons. In the last two years, Shaun Attwood has donated 15,000 books.

    This collection contains, too, many examples of that humorous and epigrammatic genius which captured the London theatre and, by suddenly casting light from an unexpected angle, widened the bounds of truth.

    Show with Bob and David, and many other seminal TV shows. This book, his first, is a spleen-bruisingly funny omnibus that ranges from absurdist monologues (“Martin Luther King, Jr’s Worst Speech Ever”) to intentionally bad theater (“Hitler Dinner Party: A Play”); from avant-garde fiction (“Obituary for the Creator of Madlibs”) to free-verse poetry that's funnier and more powerful than the work of Calvin Trillin, Jewel, and Robert Louis Stevenson combined.Odenkirk's debut resembles nothing so much as a hilarious new sketch comedy show that’s exclusively available as a streaming video for your mind. As Odenkirk himself writes in “The Second Coming of Jesus and Lazarus,” it is a book “to be read aloud to yourself in the voice of Bob Newhart.”

    

    Editor Stephen Cope has made a judicious selection of Oppen's extant writings outside of poetry, including the essay "The Mind's Own Place" as well as "Twenty-Six Fragments," which were found on the wall of Oppen's study after his death. Most notable are Oppen's "Daybooks," composed in the decade following his return to poetry in 1958. iSelected Prose, Daybooks, and Papers is an inspiring portrait of this essential writer and a testament to the creative process itself.

    Everyone and everything needs to get the hell out of their way. They have mission(s) to complete. Go up and click 'Read For Free' or 'Buy Now' and dig into an adventure that will have you hearing the sounds of the past, while smelling the gun powder as the team fights across the world, and time. A FEW QUOTES ABOUT CHUCK DIXON: “Chuck is a damn good writer who is really good at hooking you, giving you fun characters, and telling you one hell of an adventure story.” Larry Correia, Monster Hunters International, the Grimoir Chronicles “An intelligent and well thought-out high action time travel story.” Noah Mullette-Gillman, Luminous and Ominous “Dixon excels at putting down action, of introducing larger-than-life heroes, kicking them through the door into a big mess, and having them sort out a situation in a flurry of martial arts moves and big guns.” Mel Odom, The Rover series.