Duddy -- the third generation of a Jewish immigrant family in Montreal -- is combative, amoral, scheming, a liar, and totally hilarious. From his street days tormenting teachers at the Jewish academy to his time hustling four jobs at once in a grand plan to "be somebody," Duddy learns about living -- and the lesson is an outrageous roller-coaster ride through the human comedy. As Richler turns his blistering commentary on love, money, and politics, The Apprenticeship Of Duddy Kravitz becomes a lesson for us all...in laughter and in life.

    But one of the lessons that history teaches is that paradise is coveted and fought over. Successive waves of invaders have claimed—or tried to claim—those vineyards, rivers, olive groves, and hills.In Guy Gavriel Kay’s new novel, Ysabel, this duality—of exquisite beauty and violent history—is explored in a work that marks a departure from Kay’s historical fantasies set in various analogues of the past.Ysabel takes place in the world of today: in a modern springtime, in and around the celebrated city of Aix-en-Provence near Marseilles. Dangerous, mythic figures from the Celtic and Roman conflicts of the past erupt into the present, claiming and changing lives.The protagonist is Ned Marriner, the fifteen year-old son of a well-known photographer. Ned has accompanied his father, Edward Marriner, and a team of assistants to Provence for a six week “shoot.”

    In FUNNY BOY we follow the life of the family through Arjie's eyes, as he comes to terms both with his own homosexuality and with the racism of the society in which he lives. In the north of Sri Lanka there is a war going on between the army and the Tamil Tigers, and gradually it begins to encroach on the family's comfortable life. Sporadic acts of violence flare into full scale riots and lead, ultimately, to tragedy. Written in clear, simple prose, Syam Selvadurai's first novel is masterly in its mingling of the personal and political.

    Countless adventures. One epic way to get lost. Four teens across the country have only one thing in common: a girl named Leila. She crashes into their lives in her absurdly red car at the moment they need someone the most. Hudson, Bree, Elliot and Sonia find a friend in Leila. And when Leila leaves them, their lives are forever changed. But it is during Leila's own 4,268-mile journey that she discovers the most important truth—sometimes, what you need most is right where you started. And maybe the only way to find what you're looking for is to get lost along the way.

    There’s Tuyen, a lesbian avant-garde artist and the daughter of Vietnamese parents who’ve never recovered from losing one of their children in the crush to board a boat out of Vietnam in the 1970s. Tuyen defines herself in opposition to just about everything her family believes in and strives for. She’s in love with her best friend Carla, a biracial bicycle courier, who’s still reeling from the loss of her mother to suicide eighteen years earlier and who must now deal with her brother Jamal’s latest acts of delinquency. Oku is a jazz-loving poet who, unbeknownst to his Jamaican-born parents, has dropped out of university. He is in constant conflict with his narrow-minded and verbally abusive father and tormented by his unrequited love for Jackie, a gorgeous black woman who runs a hip clothing shop on Queen Street West and dates only white men. Like each of her friends, Jackie feels alienated from her parents, former hipsters from Nova Scotia who never made it out of subsidized housing after their lives became entangled with desire and disappointment. The four characters try to make a life for themselves in the city, supporting one another through their family struggles.There’s a fifth main character, Quy, the child who Tuyen’s parents lost in Vietnam. In his first-person narrative, Quy describes how he survived in various refugee camps, then in the Thai underworld. After years of being hardened, he has finally made his way to Toronto and will soon be reunited with his family – whether to love them or hurt them, it’s not clear. His story builds to a breathless crescendo in an ending that will both shock and satisfy readers. What We All Long For is a gripping and, at times, heart-rending story about identity, longing and loss in a cosmopolitan city. No other writer has presented such a powerful and richly textured portrait of present-day Toronto. Rinaldo Walcott writes in The Globe and Mail: “… every great city has its literary moments, and contemporary Toronto has been longing for one. We can now say with certainty that we no longer have to long for a novel that speaks this city’s uniqueness: Dionne Brand has given us exactly that.” Donna Bailey Nurse writes in the National Post: “What We All Long For is a watershed novel. From now on, Canadian writers will be pressed to portray contemporary Toronto in all its multiracial colour and polyphonic sound.” But What We All Long For is not only about a particular city. It’s about the universal experience of being human. As Walcott puts it, “Brand makes us see ourselves differently and anew. She translates our desires and experiences into a language, an art that allows us to voice that which we live, but could not utter or bring to voice until she did so for us.”

    Determined to follow in Da Vinci’s footsteps, she’s ready to tackle the one thing that will give her an advantage in a museum-sponsored scholarship contest: drawing actual cadavers. But when she tries to sneak her way into the hospital’s Willed Body program and misses the last metro train home, she meets a boy who turns her summer plans upside down.Jack is charming, wildly attractive, and possibly one of San Francisco’s most notorious graffiti artists. On midnight buses and city rooftops, Beatrix begins to see who Jack really is—and tries to uncover what he’s hiding that leaves him so wounded. But will these secrets come back to haunt him? Or will the skeletons in her family’s closet tear them apart?

    Originally from India, her family still holds on to many old-world customs and traditions that seem stifling to a young North American woman. She knows that the freedom experienced by others is beyond her reach. But unlike her older sisters, Meena refuses to accept a life dictated by tradition. Against her mother’s wishes, she falls for a young man named Liam who asks her to run away with him. Meena must then make a painful choice—one that will lead to stunning and irrevocable consequences.Heartbreaking and beautiful, Everything Was Good-bye is an unforgettable story about family, love, and loss, and the struggle to live in two different cultural worlds.

    Wright's first mystery novel, we are introduced to RCMP Staff Sergeant Karl Alberg; and so begins the highly-acclaimed series featuring Karl and librarian Cassandra Mitchell.At eighty, George Wilcox hardly expected to crown his life by committing a murder. It had happened so quickly, so easily, so unexpectedly in the sleepy town on the Sunshine Coast of British Columbia:  a near-perfect crime that wraps Wilcox in a web of guilt, honor, and secrets of the past.  An unprovoked act that soon binds him to the warmhearted town librarian, Cassandra Mitchell, and her new romantic interest, zealous Staff Sergeant Alberg.  Together, this troubled trio find themselves caught up in a crime whose solution transcends the logic of pure justice.

    An accident. A secret.Lies upon lies.True love.The truth. We Were Liars is a modern, sophisticated suspense novel from New York Times bestselling author, National Book Award finalist, and Printz Award honoree E. Lockhart. Read it.And if anyone asks you how it ends, just LIE.

    Axi Moore is a "good girl": She studies hard, stays out of the spotlight, and doesn't tell anyone how all she really wants is to run away from it all. The only person she can tell is her best friend, Robinson--who she also happens to be madly in love with. When Axi spontaneously invites Robinson to come with her on an impulsive cross-country road trip, she breaks the rules for the first time in her life. But the adventure quickly turns from carefree to out of control after the teens find themselves on the run from the police. And when Robinson suddenly collapses, Axi has to face the truth that this trip might be his last.A remarkably moving tale very personal to James Patterson's own past, FIRST LOVE is testament to the power of first love--and how it can change the rest of your life.

    At the worst of the Prairie dust bowl of the 1930s, a young man appears out of a blizzard and forever alters the lives of two sisters. There is the beautiful, fastidious Lucinda, and the tricky and tenacious Norma Joyce, at first a strange, self-possessed child, later a woman who learns something of self-forgiveness and of the redemptive nature of art. Their rivalry sets the stage for all that follows in a narrative spanning over thirty years, beginning in Saskatchewan and moving, in the decades following the war, to Ottawa and New York City. Disarming, vividly told, unforgettable, this is a story about the mistakes we make that never go away, about how the things we want to keep vanish and the things we want to lose return to haunt us.

    But will she ever see him again?Everything about Ginny will change this summer, and it's all because of the 13 little blue envelopes.Ages 12+"

    Since their birth, Rose and Ruby Darlen have been known simply as "the girls." They make friends, fall in love, have jobs, love their parents, and follow their dreams. But the Darlens are special. Now nearing their 30th birthday, they are history's oldest craniopagus twins, joined at the head by a spot the size of a bread plate. When Rose, the bookish sister, sets out to write her autobiography, it inevitably becomes the story of her short but extraordinary life with Ruby, the beautiful one. From their awkward first steps--Ruby's arm curled around Rose's neck, her foreshortened legs wrapped around Rose's hips-- to the friendships they gradually build for themselves in the small town of Leaford, this is the profoundly affecting chronicle of an incomparable life journey.As Rose and Ruby's story builds to an unforgettable conclusion, Lansens aims at the heart of human experience--the hardship of loss and struggles for independence, and the fundamental joy of simply living a life. This is a breath taking novel, one that no reader will soon forget, a heartrending story of love between sisters.

    She has also been a mother, a yoga instructor, and part-time soap maker. She loves her life in picturesque Lunenburg, Nova Scotia, but it’s just not enough anymore. With a burning entrepreneurial desire, she decides that when her husband, Paul, retires, it will finally be her turn to live out her dream. The catch: her dream is to open a sex shop. While Paul begrudgingly goes along with Wendy’s “half-cocked” idea, it’s out of a sense of guilt; a recently spilled secret has their marriage on the rocks. As soon as the townspeople get wind of Wendy’s plans, it opens up a whole other can of worms—and Paul finds himself bait for the local rumour mill. Her silent, “invisible” partner in the project, he secretly hopes her plan for the shop will fail.Orbiting around Paul and Wendy’s story is a motley crew of characters, including the Hebbs’ daughter, Ellen, a feminist academic who catches the eye of a lady-killer coworker while home for the summer; Wendy’s best friend, Betty, a chain-smoking seamstress with secrets of her own; the local minister and her husband, who secretly indulge in role play; and the wealthy Sonya and Booth, who will stop at nothing to make sure the shop never opens its doors—as long as they can avoid discussing their failing marriage.An irreverent novel full of heart and humour, Fishnets & Fantasies is a story of love and lust at any age, of old grudges and older secrets, and of the relationships that make all the awkward fumbling worthwhile.

    He was thinking about the lynx. The way it had looked at him, acknowledging his existence, then passing out of his life like smoke. . . It was the first thing—the only thing—that had managed, if only for a moment, to displace from his mind the image of the child. He had carried that image with him for a year now, and it had been a weight so great that sometimes he could hardly stand. Mary Lawson’s beloved novels, Crow Lake and The Other Side of the Bridge, have delighted legions of readers around the world. The fictional, northern Ontario town of Struan, buried in the winter snows, is the vivid backdrop to her breathtaking new novel.  Roads End brings us a family unravelling in the aftermath of tragedy: Edward Cartwright, struggling to escape the legacy of a violent past; Emily, his wife, cloistered in her room with yet another new baby, increasingly unaware of events outside the bedroom door; Tom, their eldest son, twenty-five years old but home again, unable to come to terms with the death of a friend; and capable, formidable Megan, the sole daughter in a household of eight sons, who for years held the family together but has finally broken free and gone to England, to try to make a life of her own.  Roads End is Mary Lawson at her best. In this masterful, enthralling, tender novel, which ranges from the Ontario silver rush of the early 1900s to swinging London in the 1960s, she gently reveals the intricacies and anguish of family life, the push and pull of responsibility and individual desire, the way we can face tragedy, and in time, hope to start again.