A piercingly funny yet poignant novel by the author of Dog Eat Dog.

    The Beautyful Ones Are Not Yet Born is the novel that catapulted Ayi Kwei Armah into the limelight. The novel is generally a satirical attack on the Ghanaian society during Kwame Nkrumah’s regime and the period immediately after independence in the 1960s. It is often claimed to rank with Things Fall Apart as one of the high points of post-colonial African Literature.

    In the communal world of the compound in which he lives, Omovo has many friends and some enemies, but most important of all there is Ifeyiwa, a beautiful young married woman who he loves with an almost hopeless passion - not because she doesn't return his love, but because they can never be together.

    Laroui uses surrealism, laugh-out-loud humor, and profound compassion across a variety of literary styles to highlight the absurdity of the human condition, exploring the realities of life in a world where everything is foreign.Fouad Laroui has published over twenty novels and collections of short stories, poetry, and essays. Laroui teaches econometrics and environmental science at the University of Amsterdam, and lives between Amsterdam, Paris, and Casablanca.

    A succession of unfortunate events leads Tolani, a bank secretary, to be persuaded by her roommate Rose to consider drug trafficking as a way to make a living. Tolani's subsequent struggle with temptation forces her to reconsider her morality—and that of her mother Arikes—as she embarks on a turbulent journey of self-discovery.

    With all those out-of-work teenagers on the nearby council estate hanging around, stealing, joy-riding and goodness knows what else, it was just as well that Paul Mathieson was setting up a Neighbourhood Watch scheme.Not that the inhabitants of the Close did not have their own little activities, of course, but these were hardly the same thing...If Jenny and Alan's daughter was caught travelling on the underground without a ticket, and their son was doing a little experimenting with certain substances, and Laura didn't see the need to declare her earnings from hiring out her house to a film crew, and Jenny drove home only just over the legal limit - well, these were quite different matters, not to be compared with what went on in the Estate.And then there was Jenny's discovery, when she advertised flute lessons, that she could work up quite a nice little earner in a rather unexpected way...As the leafy London street resounded to the efforts of its citizens to keep crime at bay, Jenny realised that it was her marriage, rather than her property, that needed watching.

    Before she was ten years old, Yetemegnu was married to a man two decades her senior, an ambitious poet-priest. Over the next century her world changed beyond recognition. She witnessed Fascist invasion and occupation, Allied bombardment and exile from her city, the ascent and fall of Emperor Haile Selassie, revolution and civil war. She endured all these things alongside parenthood, widowhood and the death of children. Aida Edemariam retells her grandmother's stories of a childhood surrounded by proud priests and soldiers, of her husband's imprisonment, of her fight for justice - all of it played out against an ancient cycle of festivals and the rhythms of the seasons.

    Each night, Sisi, Ama, Efe, and Joyce stand in the windows of Antwerp’s red-light district, promising to make men’s desires come true—if only for half an hour. Pledged to the fierce Madam and a mysterious pimp named Dele, the girls share an apartment but little else—they keep their heads down, knowing that one step out of line could cost them a week’s wages. They open their bodies to strangers but their hearts to no one, each focused on earning enough to get herself free, to send money home or save up for her own future.Then, suddenly, a murder shatters the still surface of their lives. Drawn together by tragedy and the loss of one of their own, the women realize that they must choose between their secrets and their safety. As they begin to tell their stories, their confessions reveal the face in Efe’s hidden photograph, Ama’s lifelong search for a father, Joyce’s true name, and Sisi’s deepest secrets—-and all their tales of fear, displacement, and love, concluding in a chance meeting with a powerful, sinister stranger.On Black Sisters Street marks the U.S. publication debut of Chika Unigwe, a brilliant new writer and a standout voice among contemporary African authors. Raw, vivid, unforgettable, and inspired by a powerful oral storytelling tradition, this novel illuminates the dream of the West—and that dream’s illusion and annihilation—as seen through African eyes. It is a story of courage, unity, and hope, of women’s friendships and of bonds that, once forged, cannot be broken.

    He has gone on to become one of the most powerful voices for cultural freedom on the whole of the African continent today. Ndebele evokes township life with humor and subtlety, rejecting the image of black South Africans as victims and focusing on the complexity and fierce energy of their lives. "Our literature," says Ndebele, "ought to seek to move away from an easy preoccupation with demonstrating the obvious existence of oppression. It exists. The task is to explore how and why people can survive under such harsh conditions." About Njabulo Ndebele: now Chancellor of Witwatersrand University in South Africa. Ndebele began publishing these stories from exile in Lesotho during the 1980s. Ndebele is now recognised as a major voice in South Africa's cultural life. This is his only fiction collection available in Europe or North America. Ndebele's stories first began appearing in Staffrider magazine, an innovative publishing venture linked to the Soweto branch of South African PEN. Founded after the bloody Soweto riots of the mid-1970s, the magazine took as its symbol the staffriders, un-ticketed commuters from the black townships who every day clung onto or balanced on top of buses and trains to get into the cities to work. Staffrider magazine, and in particular Ndebele's stories, helped define a new tone in black South African literature that went beyond and finally overcame apartheid.

    It is an incisive examination of the problems of independence and freedom in post-colonial Africa states, where few believe they have a stake in the future. In the words of one of the characters: "It was better while we waited. Now we have nothing to look forward to. We have killed our past and are busy killing our future." Francis Imbuga is a playwright and actor. He is the recipient of the Kenya National Academy of Sciences Distinguished Professional Award in Play Writing.

    A loving husband, two adorable kids and a gorgeous home. All she needs now is an au pair, for life to be truly perfect.Her friend Susie is content too. A brilliant psychotherapist, she’s got an elegant flat, a wardrobe of ball-busting suits, a sleek sports car and doesn’t need a man, thank you very much.The only jeans the friends normally encounter are the designer version. Then Emily learns about genes of a different kind and how she could be the carrier of a cancer-causing one. Emily doesn’t take much lying down and deals with this in her decisive way. But, can her marriage survive the aftershock?Emily’s news rocks Susie and makes her take a long hard look at her own self-sufficient life. Brought up by her loving but ditzy single mum, Susie has never known her father. Now she decides to do something about it. But she’s in for more than she bargains for!One thing’s for sure – life will never be the same again after a trip on this roller-coaster of discovery.'Fabulously funny and heartbreakingly poignant at the same time, Designer Genes tells an incredible story. Emma Hannigan has a strong, vibrant voice that'll touch you on every page.' --Cathy Kelly'Extradordinary story' --Ryan Tubridy Show - RTE Radio 1

    Kamal's journey is motivated by a combination of guilt, hope, and the desire to unravel the mysteries of his childhood--mysteries compounded by the fact that Kamal is the son of an absent Indian father from a well-to-do family and a Swahili African mother of slave ancestry. Through a series of flashbacks, we watch Kamal's early years in the ancient coastal town of Kilwa, where he grows up in a world of poverty but also of poetry, sustained by his friendship with the magical Saida.This world abruptly ends when Kamal is sent away by his mother to live with his father's family in the city. There, the academically gifted boy grows up as a "dark Indian," eventually going to university and departing for Canada. Left behind to her traditional fate is Saida, now a beautiful young woman. Decades later, Kamal's guilt pulls him back to Kilwa . . . where he discovers what happened to Saida during a harrowing night of sinister rites. This complex, revelatory, sweeping and shocking book, is a towering testament to the magical literary powers of M.G. Vassanji.

    She is a romantic idealistic in revolt against the puritan snobbery of her parents, trying to live to the full with every nerve, emotion, and instinct laid bare to experience. For her, this is a time of solitary reading daydreams, dancing -- and the first disturbing encounters with sex. The first of Doris Lessing's timeless Children of Violence novels, Martha Quest is an endearing masterpiece.

    Sent away to safety, she meets another displaced child and they, star-crossed, fall in love. They are from different ethnic communities. They are also both girls. When their love is discovered, Ijeoma learns that she will have to hide this part of herself. But there is a cost to living inside a lie. As Edwidge Danticat has made personal the legacy of Haiti's political coming of age, Okparanta's Under the Udala Trees uses one woman's lifetime to examine the ways in which Nigerians continue to struggle toward selfhood. Even as their nation contends with and recovers from the effects of war and division, Nigerian lives are also wrecked and lost from taboo and prejudice. This story offers a glimmer of hope — a future where a woman might just be able to shape her life around truth and love.

    This book is lyrical, witty, ironical, and touched by nostalgia for childhood. It's a pure delight.