But one day, Millie’s mum leaves her alone beneath the Ginormous Women’s underwear rack in a department store, and doesn’t come back.Agatha Pantha is an eighty-two-year-old woman who hasn’t left her home since her husband died. Instead, she fills the silence by yelling at passers-by, watching loud static on TV, and maintaining a strict daily schedule. Until the day Agatha spies a little girl across the street.Karl the Touch Typist is eighty-seven years old and once typed love letters with his fingers on to his wife’s skin. He sits in a nursing home, knowing that somehow he must find a way for life to begin again. In a moment of clarity and joy, he escapes.Together, Millie, Agatha and Karl set out to find Millie’s mum. Along the way, they will discover that the young can be wise, that old age is not the same as death, and that breaking the rules once in a while might just be the key to a happy life.

    The year is 1929. The Great War with Germany has been fought and won, but at an immense cost to the small community.Death is too familiar here. So many sons were lost. So many daughters would never be wives; so many grandchildren would never be born.Racial hatred is like a bushfire in the belly of some. And the dead girl is found only yards from the property of old Joe Reichenberg, a German. Tom Thompson, the local cop, lost his two sons in Gallipoli. He believes he has come to terms with his bereavement - until that Sunday.Slowly, the true face of Molliston is exposed. By midnight, a full moon is offering its light - and a glimmer of hope.

    Haunted by his memories and the disappearance of a fellow survivor, George’s fractured life is intertwined with that of a woman from another dimension, seeking refuge on Earth. This is a novel imbued with beauty and feeling, filled both with existential loneliness and a deep awareness that all life is interdependent.

    His logical mind draws him towards the pursuit of science and knowledge. Mary, who loves to draw, is passionate and impetuous. The small country town in which they live, in the aftermath of World War II, is not enough to contain her ambitions for life and for love.When Mary escapes to Melbourne in pursuit of sensuality and art, Dominic must shoulder the mantle of family responsibility. Mary begins a new life, exploring the bohemian haunts of a rapidly changing post-war city. Dominic studies hard and eventually finds himself drawn into the field of eugenics, a fraught pseudo-science based on ideology. Then he meets Hanna, the daughter of Jewish refugees, who begins to show him the limitations of his scientific view.But Dominic and Mary are destined to come together, and the past cannot be left behind so easily. When Dominic comes looking for his sister, Mary must decide where her loyalties lie: to her family or to her art.Dominic, meanwhile, bears a secret of his own.This is a powerful novel about the choices we make in pursuit of our ideas, and the inexorable pull of the past. Set in an era of social constraint but profound genetic discovery, The Science of Appearances examines how the complex interplay of heredity and environment makes, shapes, and sometimes breaks us.

    Now, in the 1980s, she's teaching in the south of France. She makes friends, observes the treatment handed out to North African immigrants and is creeped out by her downstairs neighbour. All the while, Lili is striving to be A Bold, Intelligent Woman like Simone de Beauvoir.Lyle works for a sinister government department in near-future Australia. An Asian migrant, he fears repatriation and embraces 'Australian values'. He's also preoccupied by his ambitious wife, his wayward children and his strong-minded elderly mother. Islam has been banned in the country, the air is smoky from a Permanent Fire Zone, and one pandemic has already run its course.Three scary monsters - racism, misogyny and ageism - roam through this mesmerising novel. Its reversible format enacts the disorientation that migrants experience when changing countries changes the story of their lives. With this suspenseful, funny and profound book, Michelle de Kretser has made something thrilling and new.'Which comes first, the future or the past?'

    I can remember Hetty’s hand in mine as we moved slowly down the steps of the escalator, as if standing completely still would have been harder than moving.Hetty and Ness, best friends since childhood, have left suburban Melbourne for the first time to live abroad. Hetty is charming and captivating, the life of the party. Ness is a wallflower, hopelessly in love with her. In the student quarter of Toronto, the pair take a room in a share house full of self-assured creatives. Hetty disappears into barkeeping work and a whirlwind nightlife, while Ness drifts aimlessly. But when Ness finds Hope one day in the art gallery, an intense affair develops. There are new friends, too, and a job: at last her life starts to make some sense. And Hetty’s starts spectacularly to fall apart, in a mess of bad drugs and bad men.As winter freezes the lakeside city, the dark undercurrents of Hetty’s character—abusive relationships, a dangerous obsession with bodies of water—become ever stronger. Ness may lose the person she loves more than anyone else in the world.Beautifully written and intimate, Cherry Beach is a revelatory story of friendship and desire.

    In secret, Hiromi Sato hires Mai as a 'rental sister', to write letters to Hikaru and encourage him to leave his room.Mai has recently married J, a devoted salaryman with conservative ideas about the kind of wife Mai will be. The renewed contact with her old school friend Hikaru stirs Mai's feelings of invisibility within her marriage. She is frustrated with her life and knows she will never fulfill J's obsession with the perfect wife and mother.What else is there for Mai to do but to disappear herself?

    After the departure of the woman he loves, Frank drives out to a shack by the ocean that he had last visited as a teenager. There, among the sugarcane and sand dunes, he struggles to rebuild his life. Forty years earlier, Leon is growing up in Sydney, turning out treacle tarts at his parents' bakery and flirting with one of the local girls. But when he's drafted to serve in Vietnam, he finds himself suddenly confronting the same experiences that haunt his war-veteran father. As these two stories weave around each other - each narrated in a voice as tender as it is fierce - we learn what binds Frank and Leon together, and what may end up keeping them apart.

    He doesn’t stop immediately. By the time he returns to the scene, the road is empty, but there is a dent in the car, high up on the passenger door, and what looks like blood. Only a man could have made such a dent, he thinks. For some reason he looks up, though he knows no one is there. Has he hit someone, and if so, where is the victim?So begins a story that takes us to the heart of contemporary Australia’s festering relationship to its indigenous past. A story about guilt for acts which precede us, crimes we are not sure we have committed, crimes gone on so long they now seem criminal- less.Part crime novel, part road movie, part love story, No One takes its protagonist to the very heart of a nation where non-existence is the true existence, where crimes cannot be resolved and guilt cannot be redeemed, and no one knows what to do with ghosts that are real.

    The car is packed to capacity, and as midnight approaches, a family flees the city in a fit of panic and paranoid, conflicting emotions. The ensuing journey spans decades and offers a sharp-eyed perspective on a hardscrabble future, as a boy jettisons his family and all other ties in order to survive as a journeyman in an uncertain landscape. By turns led by love, larceny, and a new sexual order, he must avoid capture and imprisonment, starvation, pandemic, and some particularly bad weather. In Things We Didn’t See Coming, Steven Amsterdam links together nine luminous narratives through the mind of one peripatetic and resourceful wanderer who always has one eye on the exit door and the other on a future that shifts more drastically and more often than anyone would like to imagine.

    When a local printer is found dead in his workshop, his body in the shape of an X, Martin and his co-investigator, journalist Lucy Tan, are drawn into a mystery that is stranger than anything they have encountered before. Someone is leaving typographical clues at the scenes of a series of murders. All the trails lead back to Pieter van Floogstraten, a Dutch design genius who disappeared without trace in the 1970s, and who has since been engaged in a mystical scheme to create the world's most perfect font, which is concealed in locations around the globe. But is he really the killer, and how are the crimes connected to his secret font? In solving the mystery, Martin and Lucy may have to expose Martin's hero as a psychopath. The main plot of the novel unfolds in Melbourne, while interleaved chapters set variously in a Tibetan monastery, on the plains of Peru, in London, Naples and Amsterdam, gradually reveal the story of Floogstraten in flashback. Other characters include a noir-style private font investigator, a typographical monk from the Renaissance, a Dutch prog rock group named I Am A Dolphin, and a collective of Italian typo-terrorists. This novel takes the reader into the arcane world of typographers and their typefaces, of symbols, swashes and glyphs, where the difference between a serif and sans serif could mean life and death.

    There is only grey ash and melted metal, the blackened husks of cars.And the lost people: in temporary accommodation on the outskirts of the city, on the TV news in borrowed clothes, or remembered in flyers on a cafe wall.A Constant Hum grapples with the aftermath of disaster with an eye for telling detail. Some of these stories cut to the bone; others are empathetic stories of survival, even hope.All are gripping and beautifully written, heralding the arrival of an important new voice in literary fiction.

    A woman grapples with survivor’s guilt after a body is found in her garden bed; an ageing beauty queen contemplates her past; a world champion free-diver disappears during routine training...In moments disquieting or quietly inspiring, this collection considers the complexity of the connections we make—with our family, friends and neighbours, and with those met briefly or never at all.In her timely debut, Emily Paull voices a chorus of characters that reveal and re-evaluate the expectations of women in Australia today—after all, well-behaved women rarely make history.

    Keep your hand on the horn during this startling comic fiction.

    Living on top of a secluded mountain is a good way to hide from the world... until her past begins to track her down. The surprising and intriguing new novel about the astounding secrets we keep from those we love.'Maria knew about guilt. It was a stubborn, pervasive and toxic emotion, and incredibly difficult to shake. Especially if really, deep down, you didn't think you deserved to let it go.'Maria Lindsey is content. She spends her solitary days tending her bees and creating delicious honey products to fund orphaned children. A former nun, her life at Honeybee Haven has long been shaped by her self-imposed penance for terrible past events. But the arrival of two letters heralds the shattering of Maria's peaceful existence.Pushing aside the misgivings of her family and friends, Tansy Butterfield, on the eve of her marriage, made a serious deal with her adored husband, Dougal. A deal she'd intended to honour. But, seven years on, Tansy is finding her current feelings difficult to ignore. And on top of those not-really-there feelings, Dougal wants to move to Canada!With captivating characters and an intriguingly tangled mystery, The Beekeeper's Secret celebrates families in all their joys and complications.