Barnes’ Dead Silence, a SF horror novel in which a woman and her crew board a decades-lost luxury cruiser and find the wreckage of a nightmare that hasn't yet ended.A GHOST SHIP.A SALVAGE CREW.UNSPEAKABLE HORRORS.Claire Kovalik is days away from being unemployed—made obsolete—when her beacon repair crew picks up a strange distress signal. With nothing to lose and no desire to return to Earth, Claire and her team decide to investigate.What they find at the other end of the signal is a shock: the Aurora, a famous luxury space-liner that vanished on its maiden tour of the solar system more than twenty years ago. A salvage claim like this could set Claire and her crew up for life. But a quick trip through the Aurora reveals something isn’t right.Whispers in the dark. Flickers of movement. Words scrawled in blood. Claire must fight to hold onto her sanity and find out what really happened on the Aurora, before she and her crew meet the same ghastly fate.

    Hired by families as a last resort, he requires only a single object to find the person who has vanished. When he takes on the case of Maggie St. James—a well-known author of dark, macabre children’s books—he’s led to a place many believed to be only a legend. Called "Pastoral," this reclusive community was founded in the 1970s by like-minded people searching for a simpler way of life. By all accounts, the commune shouldn’t exist anymore and soon after Travis stumbles upon it… he disappears. Just like Maggie St. James. Years later, Theo, a lifelong member of Pastoral, discovers Travis’s abandoned truck beyond the border of the community. No one is allowed in or out, not when there’s a risk of bringing a disease—rot—into Pastoral. Unraveling the mystery of what happened reveals secrets that Theo, his wife, Calla, and her sister, Bee, keep from one another. Secrets that prove their perfect, isolated world isn’t as safe as they believed—and that darkness takes many forms. Hauntingly beautiful, hypnotic, and bewitching, A History of Wild Places is a story about fairy tales, our fear of the dark, and losing yourself within the wilderness of your mind.

    While studying wolverines on a wildlife sanctuary in Montana, biologist Alex Carter is run off the road and threatened by locals determined to force her off the land.Undeterred in her mission to help save this threatened species, Alex tracks wolverines on foot and by cameras positioned in remote regions of the preserve. But when she reviews the photos, she discovers disturbing images of an animal of a different kind: a severely injured man seemingly lost and wandering in the wilds.After searches for the unknown man come up empty, local law enforcement is strangely set on dismissing the case altogether, raising Alex’s suspicions. Then another invasive predator trespasses onto the preserve. The hunter turns out to be another human—and the prey is the wildlife biologist herself. Alex realizes too late that she has seen too much—she's stumbled onto a far-reaching illegal operation and now has become the biggest threat.In this wild and dangerous landscape, Alex’s life depends on staying one step ahead—using all she knows about the animal world and what it takes to win the brutal battle for survival.

    The accident that ended her burgeoning acting career left her with excruciating, chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now she’s on the verge of losing her job as a college theater director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised, and cost, her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers.That’s when she meets three strange benefactors who have an eerie knowledge of Miranda’s past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what’s coming to them, and the invisible, doubted pain that’s kept her from the spotlight is made known.With prose Margaret Atwood has described as “no punches pulled, no hilarities dodged...genius,” Mona Awad has concocted her most potent, subversive novel yet. All’s Well is the story of a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.

    . . but when the storm hits, no one is getting awayIt's winter in the Catskills and Mitchell's Inn, nestled deep in the woods, is the perfect setting for a relaxing--maybe even romantic--weekend away. It boasts spacious old rooms with huge woodburning fireplaces, a well-stocked wine cellar, and opportunities for cross-country skiing, snowshoeing, or just curling up with a good murder mystery.So when the weather takes a turn for the worse, and a blizzard cuts off the electricity--and all contact with the outside world--the guests settle in and try to make the best of it.Soon, though, one of the guests turns up dead--it looks like an accident. But when a second guest dies, they start to panic.Within the snowed-in paradise, something--or someone--is picking off the guests one by one. And there's nothing they can do but hunker down and hope they can survive the storm--and one another.

    Billy Halleck, good husband and loving father, is both beneficiary and victim of the American good life: He has an expensive home, a nice family, and a rewarding career as a lawyer...but he is also fifty pounds overweight and edging into heart attack country.

    What wouldn't fly in today's day and age was unfortunately the norm back then - it is worth keeping that in mind when reading this book.Jake McGraw was unlike anyone I’d ever known. He was brash, rude, unapologetic and arrogant; chauvinistic, close-minded, and terribly stubborn. He was built like a tree, tall with a hard chest and wide shoulders and hands that looked like they could wrestle a bear. He was a cigar-chomping, scruffy-faced, beast of a man. I was pretty sure I hated him. And I know he hated me. But among the flesh-eating monsters in these snow-capped mountains, he was the only thing keeping me alive The year is 1851 and pioneers in search of California gold are still afraid to travel on the same route as the tragic Donner party did years before. When the last wagon train to go into the Sierra Nevada mountains fails to arrive at their destination, Eve Smith, an 18-year old half-native girl with immense tracking skills is brought along with the search party, headed by an enigmatic former Texas Ranger, Jake McGraw.What they find deep in the dangerous snow-covered terrain is a terrifying consequence of cannibalism, giving new meaning to the term “monster.” While the search party is slowly picked off, one by one, Eve must learn to trust Jake, who harbors more than a few secrets of his own, in order to survive and prevent the monstrosities from reaching civilization.***This is NOT New Adult***

    He wakes without a scratch. The building is in ruins. His team is gone. Outside, Chicago is dark. Cars lie abandoned. No planes cross the sky. He’s relieved to spot other people — until he sees they’re carrying machetes.Welcome to the afterlife.Claire McCoy stands over the body of Will Brody. As head of an FBI task force, she hasn’t had a decent night’s sleep in weeks. A terrorist has claimed eighteen lives and thrown the nation into panic. Against this horror, something reckless and beautiful happened. She fell in love… with Will Brody. But the line between life and death is narrower than any of us suspect — and all that matters to Will and Claire is getting back to each other.From the author of the million-copy bestselling Brilliance Trilogy comes a mind-bending thriller that explores our most haunting and fundamental question: What if death is just the beginning?

    Now three generations of women must navigate their chilling new reality in this moving exploration of identity, cycles of abuse, and hope. Chelsea Martin appears to be the perfect housewife: married to her high school sweetheart, the mother of two daughters, keeper of an immaculate home. But Chelsea's husband has turned their house into a prison; he has been abusing her for years, cutting off her independence, autonomy, and support. She has nowhere to turn, not even to her narcissistic mother, Patricia, who is more concerned with maintaining the appearance of an ideal family than she is with her daughter's actual well-being. And Chelsea is worried that her daughters will be trapped just as she is--then a mysterious illness sweeps the nation. Known as The Violence, this illness causes the infected to experience sudden, explosive bouts of animalistic rage and attack anyone in their path. But for Chelsea, the chaos and confusion the virus causes is an opportunity--and inspires a plan to liberate herself from her abuser.

    They can't agree on whose idea it was, or who said they should bring their new partners. But someone did - and it's too late to pull the plug.Claire brings her new boyfriend Patrick, a seemingly eligible Iron-Man-in-Waiting. Matt brings the new love of his life Alex, funny, smart, and extremely patient. Scarlett, their daughter, brings her imaginary friend Posey. He's a rabbit. Together the five (or six?) of them grit their teeth over Organized Fun activities, drinking a little too much after bed-time, oversharing classified secrets about their pasts and, before you know it, their holiday is a powder keg that ends - where this story starts - with a tearful, frightened, call to the police...But what happened? They said they'd all be adults about this...If you loved The Break by Marian Keyes or raved about The Rosie Project - look no further than The Adults.

    A few years ago, she would have been wrapping her presents in September and baking mince pies on Halloween, counting down the days and hours to Christmas. But that was before Kate’s husband left for the army and never came home. Now she can hardly stand December at all.Kate can’t deny she’s lonely, yet she doesn’t think she’s ready for romance. She knows that her son, Jack, needs a Christmas to remember—just like Kate needs a miracle to help her finally move forward with her life. So she’s decided if there isn’t a miracle on its way, she’ll just have to make her own.As Kate’s advent countdown to the best Christmas ever begins, she soon realizes that even with the best laid plans, you can’t plan for the unexpected. For when the path of the loneliest woman in town crosses with that of the loneliest man, these two destined hearts might find a way to save the holiday for both of them.

    With a heavy heart, Alice Hopkins returns to the small town she grew up in. Widowed, with child, and without prospects, she is forced to find refuge at the house of her younger brother, Matthew. In the five years she has been gone, the boy she knew has become a man of influence and wealth--but more has changed than merely his fortunes. Alice fears that even as the cruel burns of a childhood accident still mark his face, something terrible has scarred Matthew's soul.There is a new darkness in the town, too--frightened whispers are stirring in the streets, and Alice's blood runs cold with dread when she discovers that Matthew is a ruthless hunter of suspected witches. Torn between devotion to her brother and horror at what he's become, Alice is desperate to intervene--and deathly afraid of the consequences. But as Matthew's reign of terror spreads, Alice must choose between her safety and her soul.Alone and surrounded by suspicious eyes, Alice seeks out the fuel firing her brother's brutal mission--and is drawn into the Hopkins family's past. There she finds secrets nested within secrets: and at their heart, the poisonous truth. Only by putting her own life and liberty in peril can she defeat this darkest of evils--before more innocent women are forced to the gallows.Inspired by the real-life story of notorious "Witchfinder General" Matthew Hopkins, Beth Underdown's thrilling debut novel blends spellbinding history with harrowing storytelling for a truly haunting reading experience.

    AN ADDICT'S STRUGGLE ... THE BATTLE FOR THE SOUL OF A TOWNWhen the children of Glenwood begin vanishing one by one, baffling local and federal authorities alike, the idyllic New England suburb becomes anything but a utopia. Built upon the ruins of a lost colony, Glenwood is home to a long-forgotten secret, and when three strangers are lured into the midnight woods by the phantom of a Puritan boy, they discover the truth of the town's dark past and must face a vision of its bloody future.Together, this unlikely trio--Jay, an alcoholic school teacher, Tim, a wise-cracking new kid in town, and Sarah, a nine-year-old with a handful of imaginary friends--must find a way to rescue the town from a terrifying supernatural force to prevent history from repeating itself.Silver Falchion Award Finalist for Best Horror (2016)

    Now the sun is just a sliver of light on the horizon. The weather is turning cold and the shadows are growing long.Because sunset triggers the tide to roll out hundreds of miles, the islanders are frantically preparing to sail south, where they will wait out the long Night.Marin and her twin brother, Kana, help their anxious parents ready the house for departure. Locks must be taken off doors. Furniture must be arranged. Tables must be set. The rituals are puzzling—bizarre, even—but none of the adults in town will discuss why it has to be done this way.Just as the ships are about to sail, a teenage boy goes missing—the twins’ friend Line. Marin and Kana are the only ones who know the truth about where Line’s gone, and the only way to rescue him is by doing it themselves. But Night is falling. Their island is changing.And it may already be too late.

    The colony ship they arrived on is aflame. The rest of their contingent is dead. They've only received half their training, and they are being asked to conquer an entire planet. Before they can, however, they must first survive each other. In this gritty tale of youths struggling to survive, Hugh Howey fuses the best of young adult fantasy with the piercing social commentary of speculative fiction. The result is a book that begs to be read in a single sitting. An adventurous romp that will leave readers exhausted and begging for more.