The first in a heart-warming series full of lush lotions, fabulous friendships and teenage crushes.

    Powys thought Porius his masterpiece, but because of the paper shortage after World War II and the novel's lengthiness, he could not find a publisher for it. Only after he cut one-third from it was it accepted. This new edition not only brings Porius back into print, but makes the original book at last available to readers. Set in the geographic confines of Powys's own homeland of Northern Wales, Porius takes place in the course of a mere eight October days in 499 A.D., when King Arthur - a key character in the novel, along with Myrddin Wyllt, or Merlin - was attempting to persuade the people of Britian to repel the barbaric Saxon invaders. Porius, the only child of Prince Einion of Edeyrnion, is the main character who is sent on a journey that is both historical melodrama and satirical allegory. A complex novel, Porius is a mixture of mystery and philosophy on a huge narrative scale, as if Nabokov or Pynchon tried to compress Dostoevsky into a Ulyssean mold. Writing in The New Yorker, George Steiner has said of the abridged Porius that it "combines [a] Shakespearean-epic sweep of historicity with a Jamesian finesse of psychological detail and acuity. Faulkner's Absalom, Absalom!, which I believe to be the American masterpiece after Melville, is a smaller thing by comparison." This new, and first complete, edition of the novel substantiates both Steiner's judgement and Powys's claim for Porius as his masterpiece.

    Nominated for running book of the year in The Running Awards 2019.

    Amy Watkins and miner 'Big' Tom Kelly were in love. But can they keep their feelings secret or face the threat of death in a community torn apart by the miner's strike? Tonypandy, South Wales, 1911. Starving, striking miners fight soldiers and police on the picket lines for the right to earn a wage that will feed their families, while Irish labourers are brought in the take their place in the pits, for half their pay. Handsome 'Big' Tom Kelly, an Irish worker, comes to Wales looking for a better life and believes he has found it when he falls in love with Amy Watkins, the daughter of a strike leader. At night, the miners search out the Irish men, drag them from their beds, beat them and then hang them from the street lamp posts. Can Amy and Tom keep their love a secret forever? All they want is a future together. But in a world full of hatred, anger and violence, their dream seems impossible. Until another strike leader offers them a way out.

    Vividly portraying legendary and semi-legendary figures such as Lear, Cymbeline, Merlin the magician and the most famous of all British heroes, King Arthur, it is as much myth as it is history and its veracity was questioned by other medieval writers. But Geoffrey of Monmouth's powerful evocation of illustrious men and deeds captured the imagination of subsequent generations, and his influence can be traced through the works of Malory, Shakespeare, Dryden and Tennyson.

    Galsworthy states in a foreword that "They have all been written since Swan Song was finished but in place they come between the Saga and the Comedy…" By way of explanation he says that "It is hard to part suddenly and finally from those with whom one has lived so long; and these footnotes do really, I think, help to fill in and round out the chronicles of the Forsyte family".Contents:The Buckles of Superior Dosset, 1821-1863 Sands of Time, 1821-1863 Hester's Little Tour, 1845 Timothy's Narrow Squeak, 1851 Aunt Juley's Courtship, 1855 Nicholas Rex, 1864 A Sad Affair, 1867 Revolt at Roger's, 1870 June's First Lame Duck, 1876 Dog at Timothy's, 1878 Midsummer Madness, 1880 The Hondekoeter, 1880 Cry of Peacock, 1883 Francie's Fourpenny Foreigner, 1888 Four-In-Hand Forsyte, 1890 The Sorrows of Tweetyman, 1895 The Dromios, 1900 A Forsyte Encounters the People, 1917 Soames and the Flag, 1914-1918

    From the early ninth century through the middle ages, to the Arthurian romances of Victorian times, the tales of this legendary figure have blossomed and multiplied. And in more recent times, there has been a continuous stream of books claiming to unlock the secret or the truth behind the "once and future king."The truth, as Guy Halsall reveals in this fascinating investigation, is both radically different - and also a good deal more intriguing. Broadly speaking, there are two Arthurs. On the one hand is the traditional "historical" Arthur, waging a doomed struggle to save Roman civilization against the relentless Anglo-Saxon tide during the darkest years of the Dark Ages. On the other is the Arthur of myth and legend, accompanied by a host of equally legendary people, places, and stories: Lancelot, Guinevere, Galahad and Gawain, Merlin, Excalibur, the Lady in the Lake, the Sword in the Stone, Camelot, and the Round Table. The big problem with all this, notes Halsall, is that "King Arthur" might well never have existed. And if he did exist, it is next to impossible to say anything at all about him. As this challenging new look at the Arthur legend makes clear, all books claiming to reveal "the truth" behind King Arthur can safely be ignored. Not only the fanciful pseudo-historical accounts - Merlin the Magician, the Lady in the Lake--but even the "historical" Arthur is largely a figment of the imagination. The evidence that we have, whether written or archeological, is simply incapable of telling us anything detailed about the Britain in which he is supposed to have lived, fought, and died.

    His JOURNEY describes a mission to Wales undertaken in 1188 by Baldwin, Archbishop of Canterbury, with Gerald as his companion. THE DESCRIPTION provides a picture of the day-to-day existence of ordinary Welshmen of the time. Both offer a wealth of fascinating first-hand historical detail.

    Following the death of her parents, Christine goes to live on a housing scheme with her sister Kirsty, her brother-in-law and niece. But while existence on the housing scheme leaves much to be desired, Christine is as determined as ever to live a full and happy life. With much humour, warmth and charm, Fraser explores the realities of growing up in a wheelchair, as well as her experiences of working in a factory, of finding love, and of beginning what would become a successful writing career. Set against the evocative backdrop of the Scottish Highlands, Roses Round the Door is a heart-warming tale that is every bit as delightful and moving as Blue Above the Chimneys. Praise for Christine Marion Fraser ‘Christine Marion Fraser writes characters so real they almost leap out of the pages… you would swear she must have grown up with them.’ — The Sun ‘Christine Marion Fraser weaves an intriguing story in which the characters are alive against a spellbinding background'— Yorkshire Herald Fraser writes with a great depth of feeling and has the knack of making her characters come alive. She paints beautiful pictures of the countryside and their changing seasons — Aberdeen Express Full-blooded romance, a strong, authentic setting — The Scotsman Christine Marion Fraser (1938-2002) was one of Scotland's best-selling authors. She was the author of the much-loved Rhanna series, a Scottish saga set on the Hebridean island of Rhanna. She also wrote the acclaimed King’s Croft series as well as the Noble series. Christine’s formative years were spent in the post-war Govan district of Glasgow and she spent her later life in Argyll with her husband.

    It is a literature dominated by a deep sense of wonder, wild inventiveness and a profound sense of the uncanny, in which the natural world and the power of the individual spirit are celebrated with astonishing imaginative force. Skifully arranged by theme, from the hero-tales of Cú Chulainn, Bardic poetry and elegies, to the sensitive and intimate writings of early Celtic Christianity, this anthology provides a fascinating insight into a deeply creative literary tradition.

    As the gathered family settle in to their first Christmas together for some years, the grown siblings - Rodney, Johnny and Gwen - are surprised when they are invited to each put stickers on the furniture and items they wish to inherit from their parents.Disputed Land is narrated by Leonard and Rosemary's thirteen-year-old grandson, Theo, who observes how from these innocent beginnings age-old fissures open up in the relationships of those around him. Looking back at this Christmas gathering from his own middle-age - a narrator at once nostalgic and naïve - Theo Cannon remembers his imperious grandmother Rosemary, alpha-male uncle Johnny, abominable twin cousins Xan and Baz; he recalls his love for his grandfather Leonard and the burgeoning feelings for his cousin Holly. And he asks himself the question: if a single family cannot solve the problem of what it bequeaths to future generations, then what chance does a whole society have of leaving the world intact?

    

    Also included are guidelines detailing what to expect on the driving test, practical information on different stages of the test, and additional information such as route planning and UK mapping.

    Squire Headlong caught with avidity at this suggestion; and, as he had always a store of gunpowder in the house, for the accommodation of himself and his shooting visitors, and for the supply of a small battery of cannon, which he kept for his private amusement, he insisted on commencing operations immediately. Accordingly, he bounded back to the house, and very speedily returned, accompanied by the little butler, and half a dozen servants and labourers, with pickaxes and gunpowder, a hanging stove and a poker, together with a basket of cold meat and two or three bottles of Madeira: for the Squire thought, with many others, that a copious supply of provision is a very necessary ingredient in all rural amusements. Mr Milestone superintended the proceedings. The rock was excavated, the powder introduced, the apertures strongly blockaded with fragments of stone: a long train was laid to a spot which Mr Milestone fixed on as sufficiently remote from the possibility of harm: the Squire seized the poker, and, after flourishing it in the air with a degree of dexterity which induced the rest of the party to leave him in solitary possession of an extensive circumference, applied the end of it to the train; and the rapidly communicated ignition ran hissing along the surface of the soil. At this critical moment, Mr Cranium and Mr Panscope appeared at the top of the tower, which, unseeing and unseen, they had ascended on the opposite side to that where the Squire and Mr Milestone were conducting their operations. Their sudden appearance a little dismayed the Squire, who, however, comforted himself with the reflection, that the tower was perfectly safe, or at least was intended to be so, and that his friends were in no probable danger but of a knock on the head from a flying fragment of stone. The succession of these thoughts in the mind of the Squire was commensurate in rapidity to the progress of...

    Only two little girls know where he is but they’re too scared to tell. Time is running out for the policeman. Will the girls get help before it’s too late? Piggy Monk Square is a dark yet frequently very funny novel set in 1970's Liverpool. The action takes place in the volatile period before the Toxteth riots burned much of the inner city down. A BRITISH THRILLER This unusual yet very readable British thriller describes a world tainted with deep mistrust and hostility between the local people and the police force. This harsh world is viewed through the eyes of a nine-year-old girl, Rebecca. Rebecca’s world is changing. Her parents are fighting. Her teachers are cruel. She doesn’t know what to do and turns to her best friend Debbie more and more. But Debbie’s life is just as tough. With a father who is always dodging the police, and a mother who works her to the bone, Debbie is no Cinderella. The world these girls inhabit is no fairy tale, it is confusing and can be brutally violent. A TERRIFYING SECRET No wonder the girls mix reality with fantasy - it’s how they survive, especially when it comes to coping with what will soon become their terrifying secret. A secret that will infuse their childhood with fear and change their lives forever. The nightmare begins when Rebecca and Debbie are playing in the cellar of a derelict house. A policeman catches them there and warns them not to return to this dangerous old building. But they are both determined little girls with nowhere else to play, so they come back, again and again. Unfortunately for them so does the policeman. The policeman tries to chase the girls away, but he falls down a ladder and goes ‘asleep.’ The girls try to wake him but can’t. They want to get help but at the same time they know they shouldn’t have been playing in that cellar. They have learned not to trust the police and are so afraid of getting into trouble that they leave the injured policeman alone. NOWHERE TO TURN Wishful thinking makes the girls hope that he will get up and go of his own accord and that everything will be okay again. But when they return and find him still there, conscious but unable to move they find another way to help him. A way that doesn’t involve adults. But, their interpretation of ‘helping’ the dying policeman has terrible consequences for them all.