An international bestseller and longlisted for the Dublin Literary Prize, it tells the story of Edvard and starts at his family’s tree farm in Norway, where he was raised by his grandfather. The death of Edvard’s parents when he was three has always been a mystery but he knows that the fate of his grandfather’s brother, Einar, is somehow connected. One day a coffin is delivered to the farm for his grandfather, long before the grandfather’s death––a meticulous, beautiful, and unique piece of craftsmanship with the hallmarks of a certain master craftsman––raising the thought that Einar isn’t dead after all. Edvard is now driven to unravel the mystery of his parents’ death. Following a trail of clues from Norway to the Shetland Islands to the battlefields of France and sixteen ancient walnut trees colored by poison gas in World War I, Edvard ultimately discovers a very unusual inheritance. Spanning a century and masterfully navigating themes of revenge and forgiveness, love and loneliness, The Sixteen Trees of the Somme displays the rich talents of Lars Mytting––whose novels have sold over a million copies worldwide––in a story that is utterly compelling and unforgettable.

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    Though they hide it from themselves, their thoughts and memories reveal the spiteful, long-buried motivations behind seemingly innocent actions. The masks finally drop during an eight-course meal on a celebratory trip to Copenhagen, revealing undisguised fear and loathing. Shocking secrets are unearthed as the balance of power subtly shifts from one to the other. Brilliantly observed, this is female bonding at its worst, manipulative, and psychotic, exposing the dependency and deceit behind the compassionate and affectionate facade.

    The actions is taken place in Asker, where she is resident herself, and her journalistrole is very sentral. An older married couple is found murdered on a farm, and Kajsa Coren from Kanal 4 is sendt to the crimescene. In reality, he rjob is to discover neglect and abuse against children living in childrenhomes og special schools. After a while, Kajsa understands that it is a connection between the murder on the old couple and the childrenhome-scandal. At the same time, the killer is much closer than she believes...

    Her three sons have been quietly immersed in their work: one an undertaker, one a window-dresser, and the eldest running the family farm, but now they are forced to reunite for the first time in many years. Their personalities are as disparate as their careers, and tensions mount from the second they meet, climaxing over Christmas dinner when the matter of inheritance prompts the revelation of disturbing family secrets. Anne B. Ragde has created an engrossing dark comedy brought vividly to life through extraordinary characters. While perfectly in tune with their professions the Neshov sons as a family are little short of dysfunctional; nevertheless, the real theme of the novel is a sense of belonging. The farm itself defines this, with its power to draw people back to their roots, whether they like it or not.

    Arvid Jansen, thirty-seven, is trying to bridge the yawning gulf that opened up years earlier between himself and his mother. He is in the throes of a divorce, and she has just been diagnosed with cancer. Over a few intense autumn days, Arvid struggles to find a new footing in his life. As he attempts to negotiate the present changes around him, he casts his mind back to holidays on the beach with his brothers, and to the early days of his courtship. Most importantly, he revisits the idealism of his communist youth, when he chose the factory floor over the college education his mother had struggled so hard to provide. Back then, Arvid's loyalty to his working-class background outweighed his mother's wish for him to escape it. As Petterson's masterful narrative shifts effortlessly through the years, we see Arvid tentatively circling his mother, unable to tell her what she already knows he is thinking. In its piercing and moving portrait of their layered relationship, I Curse the River of Time bears all the hallmarks of Petterson's compassion for humanity that has won him readers the world over.

         Riktor doesn't like the way the policeman comes straight into the house without knocking. He doesn't like the arrogant way he observes his home.The policeman doesn't tell him why he's there, and Riktor doesn't ask. Because he knows he's guilty. But it turns out that the policeman isn't looking for a missing person. He is accusing Riktor of something totally unexpected. Riktor doesn't have a clear conscience, but this is a crime he certainly didn't commit.

    Ever since, it is said, anyone who stays at the cabin is possessed by Gruvik's spirit and driven to drown themselves in the lake. What's more, Gruvik's restless ghost has been seen by many of the local people, prowling the woods by moonlight.Bjørn Werner, a young writer from Oslo, ignored the old superstitions and rented Dead Man's Cabin as a quiet spot to finish his book. Now he has disappeared, and the evidence suggests he threw himself in the lake in a fit of madness. The police write it off as a suicide, but his friends are not so sure. Kai Bugge, Bjørn's psychiatrist, believes in the suicide explanation, while private detective Harald Gran thinks it's a case of murder, and Gabriel Mørk, an expert in the occult, is certain that darker and otherworldly forces are at play. They travel to unravel the mystery of their friend's terrible fate, but not all of them will return alive from their stay at the Lake of the Dead ...André Bjerke's The Lake of the Dead (1942) was voted the all-time best Norwegian crime novel, and its atmospheric 1958 film adaptation is regarded as one of Norway's best films. This new translation is the first-ever American publication of Bjerke's classic, which features an unusual mixture of murder mystery and supernatural horror that will keep readers guessing until the thrilling conclusion.

    What follows is a quest to find the killer, encompassing by turns a picaresque and endlessly inventive look at the conditions that have brought Wergeland to this critical juncture in life. From his hair's breadth escape from a ravenous polar bear while filming in Greenland to a near-death experience aboard a passenger ferry in the icy Baltic, the Tom Jones-like experiences that comprise the narrative of Wergeland's life, relayed in Kjaerstad's veneered and acutely observant prose, provide a fascinating portrait of a media icon at the crux of his journey as an artist.

    Hamsun was a leading Norwegian author who saw humankind and nature united in a strong, sometimes mystical bond. This connection between the characters and their natural environment is exemplified in the novels Pan, and the epic Growth of the Soil, for which Hamsun received the Nobel Prize in literature in 1920.

    She is a single-mindedly ambitious child-rights activist at the Ministry of Justice. Having grown up in rural Western Norway, she is also an Oslo outsider. Henrik is a doctor from a well-to-do Oslo family. Though their marriage is under serious strain, they share a devotion to their twin sons and their work. Outwardly, they’re a successful couple both dedicated to saving lives.Then a Pakistani Norwegian child is admitted to Henrik’s hospital and dies in his care. The boy had clearly been the victim of child abuse. Soon after, a related murder rocks the city. It won’t be the last. The events unearth years of trauma, secrets, and buried resentments at the heart of Clara and Henrik’s fragile marriage.Little by little, in the wake of these shattering crimes, the veneer of normalcy begins to fall away. But even then, nothing is as it appears.

    Its action centers upon a single fishing season, when the Norwegian peasantry, descendants of the Vikings, make their annual voyage to the islands.

    Her only escape is the perfect couple she watches through the train window every day, happy and in love. Or so it appears. When Rachel learns that the woman she's been secretly watching has suddenly disappeared, she finds herself as a witness and even a suspect in a thrilling mystery in which she will face bigger revelations than she could ever have anticipated.Adapted from Paula Hawkins' novel - an international phenomenon selling over twenty million copies worldwide - this gripping new play will keep you guessing until the final moment.

    Outwardly, she is a devoted Nazi sympathizer engaged to a prominent businessman. In fact, she is part of an underground resistance doing everything to win the war against the Germans. The only hope she has of being reunited with the man she truly loves—who serves under the code name “Pilgrim”—is if the Nazis are defeated. Of course, there’s no guarantee that she’ll be alive when that happens…Many years later, three sets of remains are found in a popular Oslo forest—two adults and a child. Despite his boss’s call to not spend extra time on the old case, Detective Tommy Bergmann cannot help but dig deeper, especially as he uncovers connections to a more recent murder. As he unravels the secrets of the past, it becomes clear that everything is permissible in war—and that only those who reject love can come out victorious.

    Just like everyone else in town, Roy believed Carl was gone for good. But Carl has big plans for his hometown. And when he returns with a mysterious new wife and a business opportunity that seems too good to be true, simmering tensions begin to surface and unexplained deaths in the town’s past come under new scrutiny. Soon powerful players set their sights on taking the brothers down by exposing their role in the town’s sordid history.But Roy and Carl are survivors, and no strangers to violence. Roy has always protected his younger brother. As the body count rises, though, Roy’s loyalty to family is tested. And then Roy finds himself inextricably drawn to Carl’s wife, Shannon, an attraction that will have devastating consequences. Roy’s world is coming apart and soon there will be no turning back. He’ll be forced to choose between his own flesh and blood and a future he had never dared to believe possible.