It's seventeen years since the Revolution overthrew the last king of the New British Empire, and the newly-reconstituted North American Commonwealth is developing rapidly, on course to defeat the French and bring democracy to a troubled world. But Miriam Burgeson, commissioner in charge of the shadowy Ministry of Intertemporal Research and Intelligence—the paratime espionage agency tasked with catalyzing the Commonwealth's great leap forward--has a problem. For years, she's warned everyone: "The Americans are coming." Now their drones arrive in the middle of a succession crisis—the leader of the American Commonwealth is dying and the vultures are circling. In another timeline, the U.S. has recruited Rita, Miriam's estranged daughter, to spy across timelines and bring down any remaining world-walkers who might threaten national security. But her handlers are keeping information from her.Two nuclear superpowers are set on a collision course. Two increasingly desperate paratime espionage agencies are fumbling around in the dark, trying to find a solution to the first contact problem that doesn't result in a nuclear holocaust. And two women—a mother and her long-lost, adopted daughter—are about to find themselves on opposite sides of the confrontation.

    Now the dark side of the Force threatens to overwhelm the light, and only an ancient Jedi prophecy stands between hope and doom for the entire galaxy.On the green, unspoiled world of Naboo, Jedi Master Qui-Gon Jinn and his apprentice, Obi-Wan Kenobi, arrive to protect the realm’s young queen as she seeks a diplomatic solution to end the siege of her planet by Trade Federation warships. At the same time, on desert-swept Tatooine, a slave boy named Anakin Skywalker, who possesses a strange ability for understanding the “rightness” of things, toils by day and dreams by night—of becoming a Jedi Knight and finding a way to win freedom for himself and his beloved mother. It will be the unexpected meeting of Jedi, Queen, and a gifted boy that will mark the start of a drama that will become legend.

    . .The Humans is a funny, compulsively readable novel about alien abduction, mathematics, and that most interesting subject of all: ourselves. Combine Douglas Adams’s irreverent take on life, the universe, and everything with a genuinely moving love story, and you have some idea of the humor, originality, and poignancy of Matt Haig’s latest novel.Our hero, Professor Andrew Martin, is dead before the book even begins. As it turns out, though, he wasn’t a very nice man--as the alien imposter who now occupies his body discovers. Sent to Earth to destroy evidence that Andrew had solved a major mathematical problem, the alien soon finds himself learning more about the professor, his family, and “the humans” than he ever expected. When he begins to fall for his own wife and son--who have no idea he’s not the real Andrew--the alien must choose between completing his mission and returning home or finding a new home right here on Earth.

    A city of monsters and saints, murderers and angels, knights in armour and pale girls in black velvet. This is the city of the people who have fallen between the cracks.Richard Mayhew, a young businessman, is going to find out more than enough about this other London. A single act of kindness catapults him out of his workday existence and into a world that is at once eerily familiar and utterly bizarre. And a strange destiny awaits him down here, beneath his native city: Neverwhere.

    Naked-hided, blunt toothed and blunt-fingered, Tully was the sole surviving member of his company -- a communicative, spacefaring species hitherto unknown -- and he was a prisoner of his discoverer/ captors the sadistic, treacherous kif, until his escape onto the hani ship The Pride of Chanur. Little did he know when he threw himself upon the mercy of The Pride and her crew that he put the entire hani species in jeopardy and imperiled the peace of the Compact itself. For the information this fugitive held could be the ruin or glory of any of the species at Meetpoint Station. Cover art by Michael Whelan