Train robbers, amnesia, love at first sight to a confirmed bachelor, and marrying the wrong man to save the right man. On Leila’s way to meet her intended as his mail order bride, Dan McCall, a federal agent, finds her lying on the side of the road unconscious. He rescues her and she attaches her heart to him immediately. Dan is NOT the marrying kind...or is he? Joe, her intended, is not happy to lose yet another mail order bride, and takes drastic measures to insure their marriage. Leila faces a dilemma, risk the man’s life who saved hers, or marry a man she despises.

     As an adult, she is armed with skills that most would covet, yet she lives in a boarding house, works as a waitress and struggles financially. Most single women in the area didn’t stay single long. Most, but not her. The one man she had said yes to was dragging his feet. The townspeople all agree she is in need of a husband. Even the young girls in her Sunday School Class have taken action and writing an ad for the paper. Wanted: Husband for Rebecca Mueller. **Must be handsome, nice, like children, and live within walking distance of Carrie Town School. Will her circumstances change and allow her to hold out for true love?

    When a drink-fueled accident takes not only his life but that of the mother who tried so hard to shield her sons, the boys sell off what little remains of their daddy's tenant farm and leave Oklahoma. It is 1957, and work is still to be had in the logging camps of northern Idaho. But just outside Snake Junction, they stop at a roadhouse; and there, Lee's country-and-western talents get him a job. The two settle in, Lee to his music-and women and drink-and seventeen-year-old Buddy to roaming the landscape, at loose ends until a woman nearly twice his age turns up. Irene Sullivan is a smoky beauty, and Lee makes a play for her. But it is Buddy she wants. By turns darkly violent and heartbreakingly tender, Finding Caruso is a work of extraordinary emotional power from an astonishingly original writer.

    she has left it too late to ask the crucial questions about scenes confusedly remembered from her childhood, and above all about the identity of her own father, 'lost in the war'. Out of the hundreds of paintings in her mother's studio, one, a portrait of a young man, is inscribed 'For Marion'. Is this her father? And who was he?Marion's search takes her to the Cornish town of St Ives. In the remote and closeknit town where communities of fisherfolk and artists have coexisted for many years, she learns of a tragedy which is intrinsically tied up with her father's life. Over fifty years before, the St Ives lifeboat went down with all hands bar one. Marion must delve deep into the past to discover the identity of a man she never knew,a nd in so doing confront the demons which have tortured her own adult life.The Serpentine Cave is an imagined story containing a true one - a powerful novel about memory and loss, birth and rebirth, and past regrets which still have the power to plague the present.

    He has raised it to an art through the high craft of the Connable Method. Through it, he has managed to transform the ugliness of death into a thing of dignity and beauty. Victims brutalized by war, street fights, tavern brawls, ambushes, fires, every hazard in a raw West---these, in his hands, become presentable. Everywhere on the frontier, which erupts with life and death, he offers his skill: to the rich of San Francisco, the bawds and ruffians of the Barbary Coast, to Kansas cowboys, outlaws, soldiers, and sheriffs. He is devoted to dignifying the dead.She is devoted to making her marriage whole, in spite of the tragedy that surrounds it and, most especially, in spite of the tragedy that in one terrible afternoon strikes at its center.Today the undertaker is called to disguise the suicide of a famous financier. It is high drama, for only his art can save America's financial markets. Her task on this day is secret, an act of understanding and dedication.In the end, it is the undertaker's wife who, through love, is able to transcend death.