This year, Angela surprises herself—she tells the truth....The Gillespies are far from the perfect family that Angela has made them out to be. Her husband is coping badly with retirement. Her thirty-two-year-old twins are having career meltdowns. Her third daughter, badly in debt, can’t stop crying. And her ten-year-old son spends more time talking to his imaginary friend than to real ones.Without Angela, the family would fall apart. But when a bump on the head leaves Angela with temporary amnesia, the Gillespies pull together—and pull themselves together—in wonderfully surprising ways....

    .Poppy's world has been tipped sideways: the husband who never wanted children has betrayed her with her broody best friend.At least Annalise is on her side. Her new friend is determined to celebrate their freedom from kids, so together they create a Facebook group to meet up with like-minded women, and perhaps vent just an little about smug mummies' privileges at work.Meanwhile, their colleague Frankie would love a night out, away from her darlings - she's not had one this decade and she's heartily sick of being judged by women at the office as well as stay-at-home mums.Then Poppy and Annalise's group takes on a life of its own and frustrated members start confronting mums like Frankie in the real world. Cafés become battlegrounds, playgrounds become war zones and offices have never been so divided.A rivalry that was once harmless fun is spiraling out of control.Because one of their members is a wolf in sheep's clothing. And she has an agenda of her own . . .

    So when an outsider with grand plans threatens to demolish an iconic local landmark and build a huge resort the battle lines are drawn.Young journalist Jessica hopes to make it big with her coverage of the court case, but first she has to appease her editor and put a human interest spin on the situation. At first glance the five people she chooses to background have little in common – but it soon becomes apparent that staying at The Beach House has changed all of them in some way.In telling the stories of Kate, Simone, Tom, Clare and Jack, Jessica too learns some important life lessons.

    or to remember? A compelling drama about broken dreams, first love and the mystery of a lost sister, for all fans of Hannah Richell and Kate Morton. She remembered this part of the trip during the day time. Her sisters on either side in the back. The sunlight flickering through branches was like looking through a kaleidoscope. How could that be so long ago? How could so much have gone wrong?Phoebe's life has fallen apart and there's only one place left to go. Alone and adrift after a failed marriage proposal, she flees Sydney to her family's abandoned holiday cottage.On the slow-moving river Phoebe is confronted with the legacy of her older sister's suicide, a year before. Why did Karin leave a note written in flowers and walk into the water?Phoebe's childhood love, Jez, has moved back to the beautiful old house, Driftwood, one jetty down. He's married now and the home has become a refuge for an unlikely little community.As the river begins to give up its secrets, Phoebe finds herself caught up in old feelings and new mysteries. The Lost Summers of Driftwood is a story of lost loves, rekindled passions, tragedy and betrayal set against the backdrop of an idyllic south coast town.

    She plans only to check on her ailing mother and leave. But Tilly decides to stay, and though she is still an outcast, her lush, exquisite dresses prove irresistible to the prim women of Dungatar. Through her fashion business, her friendship with Sergeant Farrat—the town’s only policeman, who harbors an unusual passion for fabrics—and a budding romance with Teddy, the local football star whose family is almost as reviled as hers, she finds a measure of grudging acceptance. But as her dresses begin to arouse competition and envy in town, causing old resentments to surface, it becomes clear that Tilly’s mind is set on a darker design: exacting revenge on those who wronged her, in the most spectacular fashion.

    But when Sylvie dies, the ground shifts dangerously for the remaining three.They are Jude, a once-famous restaurateur; Wendy, an acclaimed public intellectual; and Adele, a renowned actress now mostly out of work. Struggling to recall exactly why they've remained close all these years, the grieving women gather at Sylvie's old beach house--not for festivities this time, but to clean it out before it is sold. Can they survive together without her?Without Sylvie to maintain the group's delicate equilibrium, frustrations build and painful memories press in. Fraying tempers, an elderly dog, unwelcome guests and too much wine collide in a storm that brings long-buried hurts to the surface--and threatens to sweep away their friendship for good.The Weekend explores growing old and growing up, and what happens when we're forced to uncover the lies we tell ourselves. Sharply observed and excruciatingly funny, this is a jewel of a book: a celebration of tenderness and friendship from an award-winning writer.

    A schoolteacher in Sydney, Anna juggles her busy life with a daughter in the throes of first love and increasingly demanding aging parents.When Anna’s husband of twenty-five years leaves her, on Christmas morning, without warning or explanation, her safe and secure world collapses. Marcus King returns to Australia from the USA, leaving behind a broken marriage and a young son. When he takes up the position of Headmaster at Anna’s school, they form a fragile friendship through their mutual hurt and loneliness. Can Anna leave the past behind and make a new life for herself, and does Marcus have a part to play in her future?

    On departure she can't believe her ill-timing when she sees Dr Lucas Black on that platform in Venice.Lucas hates surprises. Offering his seat to the woman who jilted him fifteen years before was bad, but leaving her with his meddling grandmother was a hundred times worse.Transport yourself into the glamorous night and through the next thirty-six hours as emotion, an unexpected medical drama and grandmotherly interference help this midwife and doctor find their miracle for Christmas.

     When Pippa Carmichael inherits a house on a deserted tropical island, it couldn’t have come at a better time for her. Life’s been tough lately; she’s lost her job, given her boyfriend the flick, and now it’s time for her to make a new start. With her two best friends, Pippa heads off to Pentecost Island to investigate her inheritance and is surprised to find there is another resident on the island.  Reclusive author, Rafe Rendell, is not impressed when a boatload of women turn up on his island, interrupting his peaceful  existence. He is less impressed when he meets Pippa, the sassy new owner of Ma Carmichael’s sprawling house. ​​​​​​​Can these two live in harmony on the same small island, or is Pippa's dream destined to fail?

    Resonant of the bestselling Conditions of Faith, Alex Miller's keenly awaited new novel tells the deeply moving story of their lives together, and of how each came undone by desire.Strangers did not, as a rule, find their way to Chez Dom, a small, rundown Tunisian cafe on Paris' distant fringes. Run by the widow Houria and her young niece, Sabiha, the cafe offers a home away from home for the North African immigrant workers working at the great abattoirs of Vaugiraud, who, like them, had grown used to the smell of blood in the air. But when one day a lost Australian tourist, John Patterner, seeks shelter in the cafe from a sudden Parisian rainstorm, the quiet simplicities of their lives are changed forever. John is like no-one Sabiha has met before - his calm grey eyes promise her a future she was not yet even aware she wanted. Theirs becomes a contented but unlikely marriage - a marriage of two cultures lived in a third - and yet because they are essentially foreigners to each other, their love story sets in train an irrevocable course of tragic events.Years later, living a small, quiet life in suburban Melbourne, what happened at Vaugiraud seems like a distant, troubling dream to Sabiha and John, who confides the story behind their seemingly ordinary lives to Ken, an ageing, melancholy writer. It is a story about home and family, human frailties and passions, raising questions of morals and purpose - questions have no simple answer.Lovesong is a simple enough story in many ways - the story of a marriage, of people coming undone by desire, of ordinary lives and death, love and struggle - but when told with Miller's distinctive voice, which is all intelligence, clarity and compassion, it has a real gravitas, it resonates and is deeply moving. Into the wonderfully evoked contemporary settings of Paris and Melbourne, memories of Tunisian family life, culture and its music are tenderly woven.

    When her father died suddenly, it hit her hard; at the same time she struggled with the demands of her lifestyle and felt as though her life was spinning out of control. Until she met Henry.Now they are set to marry and live happily ever after when their best man arrives in town – handsome, charming and ever attentive, Aiden is a welcome visitor. But his presence soon causes ripples in the happy couple's world, as he brings secrets with him – and starts to unravel some of Madeleine's.As the big day draws closer, Madeleine starts to question her commitment to Henry: Is he really the one she wants to spend the rest of her life with?

    Every morning she uses 100 strokes to brush her hair, 160 strokes to brush her teeth. She remembers the day she started to count, how she used numbers to organize her adolescence, her career, even the men she dated. But something went wrong. Grace used to be a teacher, but now she's surviving on disability checks. According to the parents of one of her former students, "she's mad."Most people don't understand that numbers rule, not just the world in a macro way but their world, their own world. Their lives. They don't really understand that everything and everybody are connected by a mathematical formula. Counting is what defines us...the only thing that gives our lives meaning is the knowledge that eventually we all will die. That's what makes each minute important. Without the ability to count our days, our hours, our loved ones...there's no meaning. Our lives would have no meaning. Without counting, our lives are unexamined. Not valued. Not precious. This consciousness, this ability to rejoice when we gain something and grieve when we lose something—this is what separates us from other animals. Counting, adding, measuring, timing. It's what makes us human.Grace's father is dead and her mother is a mystery to her. Her sister wants to sympathize but she really doesn't understand. Only Hilary, her favorite niece, connects with her. And Grace can only connect with Nikola Tesla, the turn-of-the-twentieth-century inventor whose portrait sits on her bedside table and who rescues her in her dreams. Then one day all the tables at her regular café are full, and as she hesitates in the doorway a stranger—Seamus Joseph O'Reilly (19 letters in his name, just like Grace's)—invites her to sit with him. Grace is not the least bit sentimental. But she understands that no matter how organized you are, how many systems you put in place, you can't plan for people. They are unpredictable and full of possibilities—like life itself, a series of maybes and what-ifs.And suddenly, Grace may be about to lose count of the number of ways she can fall in love.

    Determined to solve the mystery of her birth and the reason why she was bequeathed the hotel Belle runs into difficulties with the townsfolk and their desire to keep their secrets safe.Sixty years later Sophie Matheson is on a quest to find Belle and her family after discovering the wedding dress. The Sweet Wattle Creek Centenary brings more challenges when her past catches up and she must fight for all that matters to her. Who were Belle and Martha and what links their lives together?

    When Roisin Ogilvie moves to Wollombi her thoughts are only of protecting her illegitimate son, Ruan, from the grasps of his powerful and dangerous father. Posing as an impoverished widow, she settles into a quiet existence as a local dressmaker. She doesn’t expect to catch the attention of Irish champion cedar cutter Carrick O’Connor, or any other man for that matter.Carrick O’Connor may have won the coveted Wollombi Wood Chop, but his mind is on the beautiful seamstress and her son. Or rather, on who they remind him of. Determined to exact revenge for the horrors of his past, Carrick plans to return to Ireland to seek revenge on the land agent who was responsible for the death of his wife and child, and his transportation. Then, hopefully, he can return to Wollombi to start life afresh.But a murder charge, a kidnapping, a growing attraction, and a past that refuses to stay silent will turn both his and Roisin’s lives upside down and will lead them to a hard choice. Redemption? Or cutters’ justice?

    However, the discovery of family war relics, and a developing relationship with the beautiful Lily, connects family histories and reveals a story that threatens to destroy his chance at real happiness.Will the wartime secrets prove to be the breaking point for a beautiful romance? Or can two families put the deeds of the past behind them?Romantic and purely Australian, The Shack by the Bay captures the pristine beauty of the Whitsundays and the wartime memories of older Australians while introducing an eclectic blend of friends and family.