Competition. Secrets. Tragedy. Forbidden love.Dash and Slade were best friends since high school. Their fathers both champion racers and well known enemies. Dash and Slade were to compete against each other, to become enemies, to become champions. Hiding a forbidden friendship, they found comfort in each other. Their love knew no boundaries. Until one night changed everything. Dash’s world was turned upside down and when she needed her friend to lean on, he was gone. Left alone and broken, Dash was forced to move on with her life and deal with her tragedy. Alone. Now he’s back and the friendship they once shared is filled with hurt and secrets. His once kind words are now taunts. His once loving eyes are now competitive. The boy she once loved, is now a man and he’s back to win. Forced to race against him once more, Dash knows it’s going to be tough. How do you race against someone you once loved so deeply? When emotions begin running high and passion reignites between them, they’ll be forced to face the past. Secrets, lies, betrayal and hurt will rise up once more and a forbidden love will form again. It will be a freedom race, for both of them.

    Now, the King of the Street Racing scene, he finally has everything he wants and he won’t let anyone take it away from him. Violet Barnes lived a sheltered life growing up, never fitting in except in the books that she loved. After losing her parents, she forges forward, creating her own little world, content in being alone. When Violet stumbles into Luke’s shop, sparks fly but neither can let go of the hard lessons they learned growing up. Will Violet give Luke a chance to prove he’s not just another gear head? Or will Luke write Violet off before they even have a chance to see that they both need to let go of their past, and focus on the future?

    James Hunt, without a drive until Emerson Fittipaldi broke his McLaren contract, grabbed the McLaren drive with both hands and the help of friend John Hogan and Marlboro cigarettes. The result? Two drivers in an epic sixteen-race battle across the globe for the '76 title, ultimately decided by a single point.Fame, wealth, drugs, sex, and the rest of globetrotting 1970s Formula 1 racing are encompassed in the Lauda vs. Hunt duel. At the '76 German Grand Prix, Lauda nearly died in a fiery crash, only to emerge six weeks later, severe burns on his face and head, to pursue his rivalry with Hunt. It all came down to the last race, a rain-soaked affair in Japan, where Hunt won the championship by the slimmest possible margin.The book is a study in contrasts during an era of Brut aftershave and disco sex parties. James Hunt, legendary philanderer and Formula 1 rock star, versus supernatural racer Niki Lauda, who in '75 set the first sub-seven minute lap around the Ring.

    Michael Waltrip and Dale Earnhardt Jr. were running one-two. Junior's legendary dad, the driver race fans called "The Intimidator," was close behind in third, blocking anyone who might try to pass. Waltrip couldn't stop thinking about all the times he'd struggled to stay ahead -- and the 462 NASCAR Cup races he'd lost without a single win. He'd been a race-car driver all his adult life, following in the footsteps of his brother Darrell, a three-time NASCAR champion. And his losing streak was getting more painful every race. But this day, he knew, could be different. He was driving for Dale Earnhardt now, racing as a team with his close friend and mentor. Yet as his car roared toward the finish line, ending that losing streak once and for all, Waltrip had no clue that the greatest triumph of his life could get mired in terrible tragedy. This is the story of that fateful afternoon in Daytona, a day whose echoes are still heard today. But the story begins years earlier in a small town in Kentucky, with a boy who dreamed of racing cars, a boy who was determined to go from go-karts to the highest levels of NASCAR. For the first time ever, Michael Waltrip tells the full, revealing story of how he got to Daytona, what happened there, and the huge impact it had on so many in the racing world. He reveals for the first time how his own life changed as he dealt with guilt, faced his grief, and searched for the fortitude to climb into a race car again. It's an inspiring and powerful story, told with Michael's trademark humor, honesty, and irreverence. It's a story of family, fulfillment, and redemption -- and well-earned victory in the end.

    Catherine loves to read Amish romance novels and daydreams of one day living such a romance. At Banthe, she makes new friends but quickly learns that some people are not what they seem and occasionally have hidden agendas. To make matters worse, she finds herself daydreaming about Henry Tillman while thwarting the romantic advances from John Troyer. Catherine's naiveté gets her into all sorts of trouble, especially when she continues her vacation with the Tilmans at their large farm in Newbury Acres. Will the end of her vacation translate to the end of any possible romance with Henry Tilman? Or will she finally find that storybook ending that she so longed to live? Newbury Acres is both a satirical parody of Amish romance novels and the story of a young Amish girl's maturation into womanhood.

    Unwelcome newcomers to Still Creek, Minnesota, she and her troubled teenage son are treated with suspicion by the locals, including the sheriff. Yet nothing will stop her from digging beneath the town's placid surface for the truth - except the killer.Night Sins (Engineer: Jill Sovis): A peaceful Minnesota town, where crime is something that just doesn't happen, is about to face its worst nightmare. A young boy disappears. There are no witnesses, no clues - only a note, cleverly taunting, casually cruel. Has a cold-blooded kidnapper struck? Or is this a reawakening of a long-quiet serial killer?Guilty as Sin (Engineer: Melissa Coates): A cold-blooded kidnapper has been playing a twisted game with a terrified Minnesota town. Now a respected member of the community stands accused of a chilling act of evil. But when a second boy disappears, a frightened public demands to know: Have the police caught the wrong man? Is the nightmare continuing . . . Or just beginning?

    I wanted to make a name for myself and I wasn't going to let anyone get in my way. So when I saw the opportunity of a lifetime, I jumped. Being the face of the hottest new racing team in the business was a dream come true.Until he showed up.Griffin McGregor. Bad boy star driver. On the track, he's gold. Off the track? He's everything my daddy ever warned me about. Infuriatingly egotistical, explosive temper, argumentative know-it-all...why does he have to be so freaking hot? It'll be a miracle if we can get this team to the championship title without killing each other. Or worse. Because the last thing I'm going to do is wreck my career by jumping in bed with a race car driver.

    I basically used to check spelling and think of stupid gags about The Stig. I also got to hang around with Jeremy Clarkson, Richard Hammond and James May. It didn't feel like something you should get paid for. From the disastrous pilot show of 2002 to the sudden and unexpected ending in 2015, working on Top Gear was quite a rollercoaster ride. We crossed continents, we made space ships, we bobbed across the world's busiest shipping lane in a pick-up truck. We also got chased by an angry mob, repeatedly sparked fury in newspapers, and almost killed one of our presenters. I realised that I had quite a few stories to tell from behind the scenes on the show. I remembered whose daft idea it was to get a dog. I recalled the willfully stupid way in which we decorated our horrible office. I had a sudden flashback to the time a Bolivian drug lord threatened to kill us. I decided I should write down some of these stories. So I have. I hope you like them. And now, a quote from James May: 'Richard Porter has asked me to "write a quote" for his new book about the ancient history of Top Gear. But this is a ridiculous request. How can one "write a quote"? Surely, by definition, a quote must be extracted from a greater body of writing, for the purpose of illustrating or supporting a point in an unrelated work. I cannot "write a quote" any more than I could "film an out-take". 'Porter, like Athens, has lost his marbles.'

    When the truth lies buried in the past...Finding herself pregnant, Julia Winter is forced to leave home rather than bring shame on her family. Reduced to living in the slums of Liverpool, she eventually finds work in a respectable hotel where Eunice Hawkins, the manager's wife, is also expecting. For a while, Julia dares to hope for a better life for herself and her unborn child. But soon tragedy strikes - Julia's baby is stillborn at the same time as Eunice gives birth to a healthy baby girl, Amanda. Although heartbroken at the death of her own baby, Julia helps to look after Amanda. However, Paul and Eunice Hawkins hide a secret too terrible to reveal and it is only after their untimely deaths and teenage Amanda's sudden disappearance that Julia finds out the truth. And just when she might have a chance of happiness at last, she is faced with the hardest decision of all...

    If there is a crash, it is Watkins who gets there first. He is closely involved in improving safety at the circuits and in developing rapid response medical rescue.

    Her engagement party is a chance for her and David to finally celebrate their good news. But with obstacles springing up on all sides, there may be more than the dress and venue to arrange before she can consider walking down the aisle. Frances and James are doing their best to ignore their feelings for each other as they organise the school play. Can Frances find a way to let herself love again?Amid all the drama, old friends are always on hand, and when Dottie falls ill, a familiar face comes back to Burracombe to lift her spirits and perhaps change her life.With surprises around every corner, life is never dull in this beautiful Devonshire village . . .

    Based on the experience of the authors in teaching Mathematics Courses for almost four decades at the Institute of Technology, New Delhi, this text book rather than a guide/problem book, lays emphasis on the presentation of fundamentals and theoretical concepts in an intelligible and easy to understand manner.

    Many people think of them as "an awe-inspiring group of ascetic, fanatic, and inhuman supermen."Ernest R. Pope knew all too well how illusory this idea was. As senior correspondent for Reuters in Munich from 1936-1941, American Ernest Pope saw the cruel and outrageous behavior of Nazis in their native habitat. In Munich they ran wild, let their hair down, and indulged in every fantasy money and power could avail them. Pope has all the gossip...and the confirmed stories. HISTORY AS IT HAPPENED "I have seen the leading actors in the Nazi tragedy, playing their parts on the Bavarian stage. Long before the climax—the outbreak of the war—I knew what the denouement in Hitler's theater would be."Pope knew, saw, and/or interviewed all the top Nazis and dozens of lower-level officials, including some of Hitler's security. He saw the Nazis for what they were: a corrupt, debauched, all-to-human menace.Once back in the U.S., Pope let loose his frustration and ire at what he'd seen—but couldn't write about when he was reporting from Germany. With great humor and faced-paced prose, he writes of encounters with Hitler, Hess, Streicher, and many more.He was in Munich during the fated compromise with Chamberlain. He reported on the Nazi invasions of Austria and Czechoslovakia.He reported on Hitler's obsession with Dorothy van Bruck's "blitz-tease" and he knew Hitler's English girlfriend, Unity Mitford. AT THE CENTER OF ACTION Pope turns his savage wit and erudition on his former hosts. Fluent in Bavarian German dialect, Pope made many friends in Munich with citizens and officials alike. He heard jokes from Munichers that could get them thrown in a concentration camp and he poked fun at Nazis whenever he dared.On the Austrian border during Hitler's invasion of that country:Guard: “Heil Hitler! What are you doing here?” Pope: “Just enjoying the scenery.” Guard: “Why did you come to Kiefersfelden today?” Pope: “Well, I'll tell you. It's like this. I'm an American student, and I came to Munich when I read the fascinating travel prospectuses which invited me to ‘Visit the beautiful Alps.’ My friend and I have already seen the Alps at Garmisch, so we thought we might look at them today around Kufstein. They really are pretty, in spite of all the uniforms we didn't expect to find here. But I do think it is odd of you to ask me why I am here. For if I were walking in Central Park in New York, I would not expect a policeman to ask me why I wasn't feeding the pigeons in front of the Public Library.”You won't find another account like this of the Nazis in their favorite playground. INCLUDED CHAPTERS: DER FÜHRER AT PLAY MY FRIENDS THE GESTAPO PORTRAIT OF A NAZI GRAFTER HITLER DABBLES IN ART THE ONE-LEGGED BOSS OF BAVARIA CATHOLICISM IN THE NAZI CAPITAL LUNCH WITH JULIUS STREICHER And more Pope turns serious in the final chapters. As he left Germany, he knew he was saying goodbye to friends he would never see again.

    With the pacing and vivid description of a novel, THE LIMIT charts the journey that brought Hill from dusty California lots racing midget cars into the ranks of a singular breed of men, competing with daredevils for glory on Grand Prix tracks across Europe. Facing death at every turn, these men rounded circuits at well over 150 mph in an era before seat belts or roll bars-an era when drivers were "crushed, burned, and beheaded with unnerving regularity." From the stink of grease-smothered pits to the long anxious nights in lonely European hotels, from the tense camaraderie of teammates to the trembling suspense of photo finishes, THE LIMIT captures the 1961 season that would mark the high point of Hill's career. It brings readers up close to the remarkable men who surrounded Hill on the circuit-men like Hill's teammate and rival, the soigné and cool-headed German count Wolfgang Von Trips (nicknamed "Count Von Crash"), and Enzo Ferrari, the reclusive and monomaniacal padrone of the Ferrari racing empire. Race by race, THE LIMIT carries readers to its riveting and startling climax-the final contest that would decide it all, one of the deadliest in Grand Prix history.

    This book, in fact. He reckons there are nine vital things that a chap should be able to do. Not stuff you can download from the internet, but really important things. You never know when you might need to land an A330 Airbus, or deliver twins. And there may well be a moment when being able to play a bit of classical music on the piano is absolutely crucial to your success with women. So read, learn and be prepared - you'll wonder how you ever lived without it.