The job is simple, to kill a man and get out of town immediately. Why would he stay? He hates Christmas, and hanging around after the crime could be dangerous, but a stranger's compassion forces him to question everything he's always believed, tempting him to stay just another day longer... First published in the Christmas edition of Ellery Queen's Mystery Magazine (Jan, 2004), this story was subsequently reviewed in Mystery Scene, which described it as "bordering on the magnificent". (Please note - this is a short story of approximately 45 Kindle pages.)

    Scott Fitzgerald described (L.A. Weekly).

    Every day is a new hell for her, oscillating between torture and death, with a quickly dimming flicker of hope that one day she will find her way back home. But will she? What does home really mean to a fractured soul? In anguish, it appears the whole world delights in schadenfreude, while God lies in wait. In wait for what, no one knows. ***A provocative concoction of realism, mystery and myth in a dystopian tone. Throughout the reading, a sense of pain carries forward till the end and it endures. A disturbing impactful debut novel - The New Indian express Will leave a deep impact on the readers. The details and tone of the story are haunting. Incredible writing - The news up About the Author: Sujith Balakrishnan was born in Kerala, India. An engineer by profession, he lives in UAE. This is his Debut Novel. He can be contacted at - sujithwriter2018@gmail.com

    Aditya,a nerd who keeps no interest in being in a relationship,once falls in love with a girl named Rutuja,who is a modern type of girl. Everything between the two seems to be good until the things get nasty and Aditya decides to attempt suicide. Will Aditya give away his life or has destiny written something different for him?

    But at the same time many perennial social problems also grew manifolds, remained inattentive and giving birth to exponential intensification to grievances. The volcanoes of grievances led to Genesis of MIЯЯЯO … MIЯЯЯO’s unpredictable fearless Modus-Operandi breaks all the Laws and leads to the out-of-the-box solutions as Weird Way Ward, to rejuvenate the Eco-Systems of today’s hypocritical SYSTEMS…it’s up to the discretion of the PEOPLE, to allow or not! The Story indicates India’s perennial problems through the eyes of the Protagonist, who always dreamt for the solutions as his own personal aspirations, but, couldn’t succeed meeting even single one, out of his own personal flaws. Time compels him taking help of someone, whom he never believed cordially. Out of gist of many, only 3 problems are selfishly picked-up by the Protagonist, which hurt him most personally. MIЯЯЯO weirdly solves those 3 problems with the essence of absolute cleansing as permanent solutions… Will INDIA wish to have such weird, but, permanent solutions to all other problems? Let TIME tell…

    Thus begins the story of Poonachi, the little orphan goat. As you follow her story from forest to habitation, independence to motherhood, you recognise in its significant moments the depth and magnitude of your own fears and longings, fuelled by the instinct for survival that animates all life. Masterly and nuanced, Perumal Murugan’s tale forces us reflect on our own responses to hierarchy and ownership, selflessness and appetite, love and desire, living and dying. Poonachi is the story of a goat who carries the burden of being different all her life, of a she-goat who survives against the odds. It is equally an expression of solidarity with the animal world and the female condition. The tale is also a commentary on our times, on the choices we make as a society and a nation, and the increasing vulnerability of individuals, particularly writers and artists, who resist when they are pressed to submit. Reviews for Poonachi “Murugan’s sarcasm speaks of the robustness of his spirit … As in all his novels, (his) story is rich in detail … (He) sustains the narrative tension right from the start.”- Elizabeth Kuruvilla, The Hindu Literary Review

    While reams have been written on it - in human rights documents, academic theses, non-fiction accounts of the turmoil, and government and military reports - the effects of the violence on its inhabitants have rarely been rendered in fiction. Feroz Rather's The Night of Broken Glass corrects that anomaly. Through a series of interconnected stories, within which the same characters move in and out, the author weaves a tapestry of the horror Kashmir has come to represent. His visceral imagery explores the psychological impact of the turmoil on its natives - Showkat, who is made to wipe off graffiti on the wall of his shop with his tongue; Rosy, a progressive, jeans-wearing 'upper-caste' girl who is in love with 'lower-caste' Jamshid; Jamshid's father Gulam, a cobbler by profession who never finds his son's bullet-riddled body; the ineffectual Nadim 'Pasture', who proclaims himself a full-fledged rebel; even the barbaric and tyrannical Major S, who has to contend with his own nightmares. Grappling with a society brutalized by the oppression of the state, and fissured by the tensions of caste and gender, Feroz Rather's remarkable debut is as much a paean to the beauty of Kashmir and the courage of its people as it is a dirge to a paradise lost.

    Culling over 300 pages of some of today's most thrilling writers, The Best of 2.13.61 Publications hallmarks our company's ten year existence. Excerpts include new material from Henry Rollins and Hubert Selby, Jr, as well as excerpts from Henry Miller's love letters, Nick Zedd's hilarious nihilistic New York urban spelunkings, Ian Shoales' undeniably witty social commentaries and so much more.

    A cute tale about how a housewife gets her groove back...Indu and Madan Nambiar have lead a well-settled, almost-perfect life for many years — and then, Madan retires.As their seemingly content coexistence is threatened, will they be able to strike a new balance? Will Indu be able to accept this new reality? Or will retirement be a new beginning for both Mr and Mrs Nambiar?Read this funny take on the repercussions of retirement.

    The Stories, set in Calcutta, bring to the fore the darkness lurking in the human psyche and bare the baser instincts. The stories, compactly written and marked by insightly dialogues that raise contemporary issues like man-woman relationships and its strains, moral and ethics, environmental degradation, class inequality, rapid and mass-scale unmindful urbanisation, are devoid of sentimentalisation. The result is they remained focused and move around the central character who is named Rahul in all the stories. We encounter the events that shape, mar, guide Rahul's life and also the lives of those around him, making us question the very essence of existence. Rahul symbolises modern man; he is not just one character, but all of us rolled into one. The story cycle stands out for two reasons - its brilliant narrative and the dispassionate style with which betrayal in personal relationships and resultant loneliness has been handled. The poems weave a maze of dreams, images, reflections and stories. They are written in a reflective and many a time in a narrative tenor within a poetic idiom. The poems are inseparable in a hidden way and are magically sequenced like various kinds of flowers in a garland or chapters of differing shades in a novel. Calcutta features in some of the poems like the looming backdrop of Gotham City in a Batman movie.

    

    We meet the Mishra family in Delhi in 1978, where eight-year-old Ajay and his older brother Birju play cricket in the streets, waiting for the day when their plane tickets will arrive and they and their mother can fly across the world and join their father in America. America to the Mishras is, indeed, everything they could have imagined and more: when automatic glass doors open before them, they feel that surely they must have been mistaken for somebody important. Pressing an elevator button and the elevator closing its doors and rising, they have a feeling of power at the fact that the elevator is obeying them. Life is extraordinary until tragedy strikes, leaving one brother severely brain-damaged and the other lost and virtually orphaned in a strange land. Ajay, the family's younger son, prays to a God he envisions as Superman, longing to find his place amid the ruins of his family's new life.Heart-wrenching and darkly funny, Family Life is a universal story of a boy torn between duty and his own survival."

    

    In this book, Nikhil continues taking his readers along for a journey which try to solve the riddles of basic human existence - riddles of love, of childhood's lost and found, of relationships and of our day to day trials.His characters vary from a gangster who chooses love over looting, a couple trying to steal their first kiss in a right-wing nightmare, children playing one-tip one-hand cricket to an early jobber trying to rise above his mundane job to an old man contemplating the purpose of life after getting replaced by technology.Nikhil's characters are immensely relatable and his stories are his voice speaking out your own stories. This book reminds you of the smell of summer sunshine hitting garden leaves and takes you to back to a kinder gentler and simpler time.

    Novelette.Since childhood, Subhash had been cautious. His mother never had to run after him. He kept her company, watching as she cooked or sewed. While Subhash stayed in clear view, his brother, Udayan, was disappearing: even in their two-room house, when he was a boy, he hid compulsively. Subhash wondered if his placid nature was regarded as a lack of inventiveness, perhaps even a failing, in his parents’ eyes. It became his mission to obey them, given that it wasn’t possible to surprise or impress them. That was what Udayan did.