Ever since she swept into the court of King Solomon three thousand years ago, her story has been told and retold, often getting diluted, amended, and reworked along the way. In a quest to collect clues to the mystery of Sheba, Clapp travels to Ethiopia, Yemen, Israel, and even a village in France. Using the latest technology, including satellite images and carbon-14 dating, and some recent archaeological discoveries, he pieces together the facts behind Sheba's multifaceted myth.

    Its illustrative and popular material promote a deeper appreciation of different themes and approaches. Complete works that have become classics in the field, combined with ones from the modern era, make this collection rich in historical and theoretical context. Selections of non-fiction, fiction, poetry, and drama, include works by Paula Gunn Allen, Elizabeth Cook-Lynn, Carter Revard, Leslie Marmon Silko, Sherman Alexie, Kimberly Blaeser, Peter Blue Cloud, Louise Erdrich, Scott N. Momaday, Simon Ortiz, and many more. An effective introduction to Native American Literature for readers interested in this area of writing.Contents:Nonfiction. Postmodernism, Native American literature, and the real : the Silko-Erdrich Controversy by Susan Pérez CastilloThe American Indian fiction writers : cosmopolitanism, nationalism, the third world, and First Nation sovereignty by Elizabeth Cook-LynnIndian humor by Vine Deloria, Jr.The Ghost Dance War by Charles Eastman OhiyesaThe sacred hoop : a contemporary perspective by Paula Gunn AllenThe man made of word by N. Scott MomadayDecolonializing criticism : reading dialectics and dialogics in Native American literatures by David L. MooreTowards a national Indian literature : cultural authenticity in nationalism by Simon J. OrtizHistory, myth, and identity among Osages and other peoples by Carter RevardThe woman who loved a snake : orality in Mabel McKay's stories by Greg SarrisLanguage and literature from a Pueblo perspective by Leslie Marmon SilkoAn old-time Indian attack conducted in two parts : Part one, imitation "Indian" poemsbyPart two, Gary Snyder's Turtle IslandIntroduction : only the beginning by Brian Swann. Fiction. The approximate size of my favorite tumor ; This is what it means to say Phoenix, Arizona by Sherman AlexieSwimming upstream by Beth BrantA good chance ; The power of horses by Elizabeth Cook-LynnThe red convertible by Louise ErdrichUnfinished business by Eric GansworthAunt Parnetta's electric blisters by Diane GlancyDeer woman by Paula Gunn AllenSleeping in rain by Gordon HenryAunt Moon's young man by Linda HoganAs it was in the beginning by Pauline E. JohnsonBorders ; A seat in the garden by Thomas KingThe hawk is hungry by D'Arcy McNickleVeteran's dance by Jim NorthrupThe killing of a state cop by Simon J. OrtizBlessed sunshine by Louis OwensReport to the nation : repossessing Europe by Carter RevardHow I got to be queen by Greg SarrisThe man to send rain clouds ; Tony's story ; Yellow woman by Leslie Marmon SilkoThe disposal of Mary Joe's children by Mary TallMountainAll the colors of sunset by Luci TapahonsoThe warriors by Anna Lee WaltersThe soft-hearted Sioux by Zitkala-Sa. Poetry. The business of fancydancing ; Capital punishment ; Defending Walt Whitman ; The exaggeration of despair ; How to write the great American Indian novel ; Crazy Horse speaks by Sherman AlexieDear world ; Kopis'taya, a gathering of spirits ; Soundings by Paula Gunn AllenLiving history ; Rewriting your life ; Rituals : yours, and mine ; Where was I that day by Kimberly BlaeserBear : a totem dance as seen by Raven ; The old man's lazy ; Rattle ; To-ta Ti-om ; Turtle ; Yellowjacket ; Drum ; Reflections on milkweed by Peter Blue CloudAbove the line ; Blessing the waters ; Copal, red blood : Chiapas, 1998 by Joseph BruchacToday was a bad day like TB by ChrystosSalmon egg puller, $2.15 an hour by Nora DauenhaurCaptivity ; Indian boarding school : the runaways ; Jacklight ; Old man Potchikoo ; Dear John Wayne ; Turtle Mountain Reservation by Louise ErdrichShe had some horses ; Transformations ; I give you back ; Call it fear ; Eagle poem ; The woman hanging from the thirteenth floor window ; Grace ; The woman who fell from the sky by Joy HarjoBlessing ; Song for my name ; Bamboo ; Celebration : birth of a colt ; Drought ; The new apartment, Minneapolis ; The truth is ; Elk song ; Geraniums ; Heritage ; It must be ; Map ; Morning : the world in the lake by Linda HoganAkwesasne ; Legacy ; Sweetgrass ; The tell me I am lost ; Wild strawberry ; Wolf "aunt" by Maurice KennyWho am I by Joyce carlEtta MandrakeAngle of geese ; The bear ; At risk ; December 29, 1980 : Wounded Knee Creek ; The colors of night ; The eagle-feather fan by N. Scott MomadayBend in the river ; The creation, according to coyote ; Dry root in a wash ; My father's song ; A story of how a wall stands ; The boy and coyote by Simon J. OrtizAnd don't be deaf to the singing beyond ; Driving in Oklahoma ; In Kansas ; An eagle nation ; What the eagle fan says ; Wazhazhe grandmother by Carter RevardI expected my skin and my blood to ripen ; If I am too brown or too white for you ; Three thousand dollar death song by Wendy RoseIndian song : survival ; Untitled ; Untitled, from Ceremony ; Storytelling ; Story from Bear County ; Toe'osh : a Laguna coyote story ; When sun came to Riverwoman by Leslie Marmon SilkoGood grease ; The last wolf ; There is no word for goodbye ; Matmiya by Mary TallMountainBlue horses rush in ; In praise of Texas ; Light a candle ; Raisin eyes by Luci TapahonsoChristmas comes to Moccasin Flat ; Surviving ; Thanksgiving at Snake Butte ; Snow country weavers ; Riding the earthboy 40 by James WelchDream of rebirth ; For Heather, entering Kindergarten ; In the longhouse, Oneida Museum ; Black eagle child quarterly by Roberta Hill WhitemanThe first dimensions of skunk ; Winter of the salamander ; The language of weather ; Morning talking mother ; The significance of a water animal ; Nothing could take away the bear-king's image by Ray Young BearDrama. Harold of Orange : a screenplay by Gerald Vizenor

    When he embarks on a journey with his grandfather, Nyles High Eagle, he learns more and more about his Lakota heritage—in particular, the story of Crazy Horse, one of the most important figures in Lakota history. Drawing inspiration from the oral stories of the Lakota tradition and the Lakota cultural mechanism of the “hero story,” Joseph Marshall provides readers with an insider’s perspective on the life of Tasunke Witko, better known as Crazy Horse. Through his grandfather’s tales about the famous warrior, Jimmy learns more about his Lakota heritage and, ultimately, himself.

    The country’s periphery, however, is dotted with sleepy towns and desolate villages whose people, simply by having more in common with citizens of neighbouring nations than with their own, have to prove their Indian identity every day.It is these specks on the country’s map that Pradeep Damodaran rediscovers as he travels across India’s borders for a little more than a year, experiencing life in far-flung areas that rarely feature in mainstream conversations. In Borderlands, he recounts his encounters with the war-weary fishermen of Dhanushkodi at the southernmost tip of Tamil Nadu, who live in fear both of the Indian Coast Guard and the Sri Lankan navy; farmers in Hussainiwala, a village on Punjab’s border with Pakistan, who are unwilling to build concrete houses for fear of them being destroyed in an ever looming war; Tamil traders of Moreh, a town straddling the Manipur–Myanmar border, who pay bribes to at least ten different militant organizations so they can safely conduct their business; and ex-servicemen in Campbell Bay who were resettled there three generations ago and have long been forgotten by the mainland.From Minicoy in Lakshadweep to Taki in West Bengal, Tawang in Arunachal Pradesh to Raxaul in Bihar, Damodaran’s compelling narrative reinforces the idea that, in India, a land of contrasts and contradictions, beauty and diversity, conflict comes in many forms.

    It meant nearly freezing when sleeping outside in 50-below-zero weather. It meant canoeing upstream for hundreds of miles to reach remote Indian villages. It meant eating wild cat and other stranger things, or eating nothing for days at a time. But it also meant you were privileged to present the good news of the true Great Spirit to those who were often misunderstood and mistreated. The adventures in this book are rivaled only by the incredible conversions of those who saw the Creator in nature and then worshipped Him too. You will be challenged and inspired by the results of one man who went where the Lord led, with little regard for himself. About the Author Egerton Ryerson Young was a teacher, pastor, author, and a brave missionary to remote Canadian Indians. Young’s mother died in 1842, and consequently he was raised by his stepmother, Maria Farley. After a brief stint as a school teacher, Young was ordained and called to a pastorate of the First Methodist Church in Hamilton. In 1868, however, he was invited to become a missionary to the natives of Rupert’s Land. After praying over this with his new wife, Elizabeth, he asked her what she thought about this call. “I think it is from God and we will go,” was her reply. What happens next is the compelling story of this book.

    Are you Canadian, the border guards ask, or American? “Blackfoot.”And when border guards will not accept their citizenship, mother and son wind up trapped in an all-too-real limbo between nations that do not recognize who they are.A powerful graphic-novel adaptation of one of Thomas King’s most celebrated short stories, Borders explores themes of identity and belonging, and is a poignant depiction of the significance of a nation’s physical borders from an Indigenous perspective. This timeless story is brought to vibrant, piercing life by the singular vision of artist Natasha Donovan.

    Ranging from pamphlets to multivolume treatments, these narratives shared a preoccupation with establishing the region as the cradle of an Anglo-Saxon nation and the center of a modern American culture. They also insisted, often in mournful tones, that New England’s original inhabitants, the Indians, had become extinct, even though many Indians still lived in the very towns being chronicled. In Firsting and Lasting, Jean M. O’Brien argues that local histories became a primary means by which European Americans asserted their own modernity while denying it to Indian peoples. Erasing and then memorializing Indian peoples also served a more pragmatic colonial goal: refuting Indian claims to land and rights. Drawing on more than six hundred local histories from Massachusetts, Connecticut, and Rhode Island written between 1820 and 1880, as well as censuses, monuments, and accounts of historical pageants and commemorations, O’Brien explores how these narratives inculcated the myth of Indian extinction, a myth that has stubbornly remained in the American consciousness. In order to convince themselves that the Indians had vanished despite their continued presence, O’Brien finds that local historians and their readers embraced notions of racial purity rooted in the century’s scientific racism and saw living Indians as “mixed” and therefore no longer truly Indian. Adaptation to modern life on the part of Indian peoples was used as further evidence of their demise. Indians did not—and have not—accepted this effacement, and O’Brien details how Indians have resisted their erasure through narratives of their own. These debates and the rich and surprising history uncovered in O’Brien’s work continue to have a profound influence on discourses about race and indigenous rights.

    LaSalle recounts the brutal, poignant clash between Native American Indian tribes and white settlers in the Pacific Northwest with economy and beauty, writing clean, devastating prose that clutches at your heart. This lean, unsparing narrative will make you look away in sorrow--before raising your fist in triumph. A quintessential rendering of the American Experience."- -Richard Barager, author of Altamont Augie, Silver Medal winner 2011 Book of the Year Awards In the early days of the American Pacific Northwest, small settlements dot the wilds of streams and dense woods. Isaac Evers, a community leader and former militiaman, has established a small colony on Whidbey Island. Though the area appears calmer than in the past, the northern indigenous clans still threaten the livelihood of Isaac's growing family. While Isaac is away on expeditions, his wife Emmy tends to the many duties required of a property owner on Whidbey Island. Bold and assertive, Emmy has little time for the restraint of social mores. But as times on the island become more turbulent, her constitution and conviction are tested. Elsewhere, Haida native Anah-nawitka feels the rush of his first kill and the satisfying vengeance cast from his hand to the head of the invading white colonists. Basking in the praise from his tribemates, Anah starts down a violent path that will alter a great many lives. Meanwhile, the British and the U.S. Army are quietly grinding against each other following a boundary dispute, leaving men like Captain George Edward Pickett in a tight situation. In charge of the nearby Union fort, Pickett does his best to maintain his authority while he struggles with tragic events in his past. Weaving these story threads together into a powerful whole, Gerard LaSalle tells the story of an unforgettable American adventure.

    In this superb summation of the ethnohistory of the Nez Perce tribe containing also careful analyses of the military campaigns and political events and a wholly balanced review of facts, opinions, and previous evaluations of the situation and circumstances within have colored the evidence, we have what seems to be the last word...

    With them, he observed for the first time the phenomenon that would inspire him for the rest of his life: the millennia-old migration of the Arctic's caribou herds. He also endured bleak, interminable winters, suffered agonizing shortages of food, and witnessed the continual, devastating intrusions of outsiders bent on exploitation. Here, in this classic and first book to demonstrate the mammoth literary talent that would produce some of the most memorable books of the next half-century, best-selling author Farley Mowat chronicles his harrowing experiences. People of the Deer is the lyrical ethnography of a beautiful and endangered society. It is a mournful reproach to those who would manipulate and destroy indigenous cultures throughout the world. Most of all, it is a tribute to the last People of the Deer, the diminished Ihalmiuts, whose calamitous encounter with our civilization resulted in their unnecessary demise.

    Among them is Jacquie Red Feather, newly sober and trying to make it back to the family she left behind. Dene Oxendene, pulling his life together after his uncle's death and working at the powwow to honor his memory. Fourteen-year-old Orvil, coming to perform traditional dance for the very first time. Together, this chorus of voices tells of the plight of the urban Native American--grappling with a complex and painful history, with an inheritance of beauty and spirituality, with communion and sacrifice and heroism. Hailed as an instant classic, There There is at once poignant and unflinching, utterly contemporary and truly unforgettable.

    For the first month, you're only going to be aday's drive from Melbourne. If it was me, I'd get her across the Nullarbor quick smart so she can'tnick off home.' When Lorna Hendry, her husband James and young kids left Melbourne on a one-year trip around Australia in a 4WD with a camper trailer (having only been camping once before they left), they ignored all advice and drove across the Nullarbor and up the west coast of Australia . They may have been travelling the wrong way around Australia, but it was the best decision they ever made. Lorna returned to Melbourne three years later, having crossed deserts and rivers, taken ill-advisedshort cuts in the most remote areas of the country, stood on the western edge and the northern tip of the country, stumbled onto its geographic centre, and lived in remote communities in Western Australia.Wrong Way Round is a story about four people who had to get out of the city to become a family. It's about this beautiful and harsh country. And it's about the adventures that you can have if you step outside of your door and turn left instead of right.

     About Cold River Rising - If you love thrillers, don't miss this action-filled journey on a modern day Indian reservation, with scenes in South America, the U.S. Senate, and the White House. Thriller and crime writer Ann Rule said, "Smith is a writer on his way straight up." While on spring break from college, Native American Tara Eagle is kidnapped in Peru. With no help from the Unites States government, Tara and her college friends, Indian kids from tribes around the country, struggle to stay alive. On the Cold River Indian Reservation in Oregon, the new Siyapu (white man) police chief, Martin Andrews, is struggling to understand the people and the culture he has been thrust into. Tara's grandfather, Tribal Council Chairman Bluefeathers, asks Martin to lead a group to Peru and rescue his granddaughter. Bluefeathers flies to Washington, D.C. and gives an impassioned speech to a senate subcommittee. He said, "You see some of us as a weak people . . . but before your numbers and your diseases and your promises overwhelmed us . . . we were warriors. Watch us. We are warriors once again. We are the people." Martin and a group of Indians fly to Peru on a perilous journey in an attempt to rescue the students. In Peru, Tara, who has adopted the white ways in college, realizes that she must remember the traditional ways her grandmother taught her, in order to survive. As forces converge on the reservation to take it over, Bluefeathers gives the order to blow the bridges, isolating the reservation. They are a people under siege as the struggle in South America continues. The Cold River Indian Reservation is joined by other Indian tribes in a show of force and solidarity. Cold River Rising - and story of courage, redemption, sacrifice, death, honor, and of a people coming together. Cold River Rising has been a #1 Amazon best seller in two categories, and has over 280 five star reviews. Author Enes Smith has been a panelist with Michael Connelly at The Bouchercon, the World Mystery Writers Conference. He has been a homicide detective, a SWAT commander, and on two different occasions, a tribal police chief. His first novel, Fatal Flowers, was published worldwide by Putnam/Berkley.

    

    The ten selections in this anthology span the early history of this country (1682-1892) and range in literary style from fact-based narrations to largely fictional, spellbinding adventure stories. The women are variously victimized, triumphant, or, in the case of Mary Jemison, permantently transculturated. This collection includes well known pieces such as Mary Rowlandson's A True History (1682), Cotton Mather's version of Hannah Dunstan's infamous captivity and escape (after scalping her captors ), and the "Panther Captivity", as well as lesser known texts.As Derounian-Stodola demonstrates in the introduction, the stories also raise questions about the motives of their (often male) narrators and promoters, who in many cases embellish melodrama to heighten anti-British and anti-Indian propaganda, shape the tales for ecclesiastical purposes, or romanticize them to exploit the growing popularity of sentimental fiction in order to boost sales.