The men blow the glass, and the women decorate and pack it. But when Joost Steinmann passes away unexpectedly one September night, his three daughters must learn to fend for themselves. While feisty Johanna takes a practical approach to looking for work, Ruth follows her heart, aiming to catch the eye of a handsome young villager. But it is dreamy, quiet Marie who has always been the most captivated by the magic—and sparkling possibilities—of the craft of glassblowing. As the spirited sisters work together to forge a brighter future for themselves on their own terms, they learn not only how to thrive in a man’s world, but how to remain true to themselves—and their hearts—in the process.

    But, she needed to know the truth about her mother. Was she still alive, a captive of the Comanche?Luke Howling Wolf can't lose his beloved adopted mother, Sunstar, his Comanche tribe's white medicine woman. Somehow, he must keep Sunstar's identity secret, especially from the interloper claiming to be her daughter, no matter how the young white-woman's determination and innocence challenges his heart.Publisher's Note: Contains graphic sexual situations and violence in keeping with the era.

    Her prospects are promising by the standards of London society, yet, not one of them causes her heart to flutter, or her head to fill with scintillating, forbidden fantasies. Those feelings are reserved for Camden Rycroft, Duke of Avonleah—a man who isn’t even aware of her existence.While attending a scandalous Vauxhall Gardens masquerade, Margaret finds herself in the duke’s arms. His promise of a night of pleasure is tempting, but is it worth it when Avonleah is a known rake notorious for his short attention span and avoidance of marriage?Camden Rycroft is intrigued by the masked vixen he encounters in the Gardens. After one night with her leaves him hungry for more, his desire for her turns into a fiery obsession. Despite the scandal that could ensue from their affair, he finds himself unable to extract himself from a situation destined to end in pain. When faced with losing Margaret to a potential husband, will he rise to the occasion, or risk living without her?

    It is Emma who is amazed. She has naturally concluded that the man reading in the conservatory must be the country cousin (who else in London would actually read?) and is quite vexed to discover that he is the Duke of Trent himself—imagine, stealing the duke’s prize Rhyncholaelia digbyana under his very nose! But her vexation doesn’t last long. For Emma is a practical young lady with a mission: to end her dear sister Lavinia’s engagement to the villainous (and dreadfully dull!) Sir Waldo Windbourne, and she thinks that the famous libertine is just the man for the job. If he would only seduce her sister away from Sir Waldo…. Well, not seduce exactly, but flirt mercilessly and engage her interest. Perhaps then Lavinia would jilt the baron. The Duke of Trent is resistant, of course. Despite his reputation, he does not toy with the affections of innocents. And besides, it’s not her sister he longs to seduce.