Remmy's life of constant schemes and pranks and a lifelong feud with classmate Jim Johnstone and the local oil drilling company proves consequential. This is a hoot."- Publisher's Weekly🏆 finalist for Glimmer Train's Fiction Open.PRANKS. OIL. PROTEST. JOKES BETWEEN NEWLYWEDS.AND ONE HILARIOUS SIEGE OF A MAJOR CORPORATION.Remmy grows up with Beth in Bellhammer, Illinois as oil and coal companies rob the land of everything that made it paradise. Under his Grandad, he learns how to properly prank his neighbors, friends, and foes. Beth tries to fix Remmy by taking him to church. Under his Daddy, Remmy starts the Bell Hammer Construction Company, which depends on contracts from Texarco Oil. And Beth argues with him about how to build a better business. Together, Remmy and Beth start to build a great neighborhood of "merry men" carpenters: a paradise of s’mores, porch furniture, newborn babies, and summer trips to Branson where their boys pop the tops off of the neighborhood’s two hundred soda bottles. Their witty banter builds a kind of castle among a growing nostalgia.Then one of Jim Johnstone’s faulty Texarco oil derricks falls down on their house and poisons their neighborhood's well.Poisoned wells escalate to torched dog houses. Torched dog houses escalate to stolen carpentry tools and cancelled contracts. Cancelled contracts escalate to eminent domain. Sick of the attacks from Texaco Oil on his neighborhood, Remmy assembles his merry men:"We need the world's greatest prank. One grand glorious jest that'll bloody the nose of that tyrant. Besides, pranks and jokes don't got no consequences, right?"

    Two years after his mother and father were murdered in an attack on their California-bound wagon train, little Tommy Dunning crouches in an old root cellar, quivering with cold—and raw fear. Somewhere just above him, men are searching, army men who want to take him away from the only home he remembers. Local settler Eva Dunning believes with every thread of her being that God delivered the orphan to be raised by her. She watches and prays the soldiers will not find the child. But forces beyond her control are closing in. Major James Carleton has orders to collect the boy, Eva’s husband Bennet is threatening to expose their secret, and back in Arkansas, the aging Ruby Seddon is hiring a ruthless gunslinger to help rescue her grandson, no matter the cost in blood or gold. The Last Orphan is the journey of a precocious five-year old and two strong women, each of whom believes God has chosen her to raise the boy in love and the “correct” faith tradition.

    Not long after her arrival, however, tragedy strikes, and Fanny and her brood repair to a quiet artists' colony in France where she can recuperate. There she meets Robert Louis Stevenson, ten years her junior, who is instantly smitten with the earthy, independent and opinionated belle Americaine.A woman ahead of her time, Fanny does not immediately take to the young lawyer who longs to devote his life to literature, and who would eventually write such classics as Treasure Island and The Strange Case of Dr. Jekyll and Mr. Hyde. In time, though, she succumbs to Stevenson's charms. The two begin a fierce love affair, marked by intense joy and harrowing darkness, which spans decades as they travel the world for the sake of his health. Eventually they settled in Samoa, where Robert Louis Stevenson is buried underneath the epitaph: Under the wide and starry sky,Dig the grave and let me lie.Glad did I live and gladly die,And I laid me down with a will. This be the verse you grave for me:Here he lies where he longed to be;Home is the sailor, home from sea,And the hunter home from the hill.(Requiem, Robert Louis Stevenson)

    Living under occupation, the inhabitants of the village harbour a constant fear of losing their homes, jobs, belongings – and each other. On Ahmed’s twelfth birthday, that fear becomes a reality. With his father now imprisoned, his family’s home and possessions confiscated and his siblings quickly succumbing to hatred in the face of conflict, Ahmed embarks on a journey to liberate his loved ones from their hardship, using his prodigious intellect. In so doing, he begins to reclaim a love for others that had been lost over the course of a childhood rife with violence, and discovers new hope for the future.

    Based on little-known history, this timely book will strike a chord with readers of Fiona Davis, Tracey Lange, and Marie Benedict.Based on the true story of America’s only leper colony, The Second Life of Mirielle West brings vividly to life the Louisiana institution known as Carville, where thousands of people were stripped of their civil rights, branded as lepers, and forcibly quarantined throughout the entire 20th century. For Mirielle West, a 1920’s socialite married to a silent film star, the isolation and powerlessness of the Louisiana Leper Home is an unimaginable fall from her intoxicatingly chic life of bootlegged champagne and the star-studded parties of Hollywood’s Golden Age. When a doctor notices a pale patch of skin on her hand, she’s immediately branded a leper and carted hundreds of miles from home to Carville, taking a new name to spare her family and famous husband the shame that accompanies the disease.At first she hopes her exile will be brief, but those sent to Carville are more prisoners than patients and their disease has no cure. Instead she must find community and purpose within its walls, struggling to redefine her self-worth while fighting an unchosen fate.As a registered nurse, Amanda Skenandore’s medical background adds layers of detail and authenticity to the experiences of patients and medical professionals at Carville – the isolation, stigma, experimental treatments, and disparate community. A tale of repulsion, resilience, and the Roaring ‘20s, The Second Life of Mirielle West is also the story of a health crisis in America’s past, made all the more poignant by the author’s experiences during another, all-too-recent crisis.

    Jewish shops have been ransacked and looted, synagogues destroyed. As storm troopers pound on his door, Otto Silbermann, a respected businessman who fought for Germany in the Great War, is forced to sneak out the back of his own home. Turned away from establishments he had long patronized, and fearful of being exposed as a Jew despite his Aryan looks, he boards a train.And then another. And another . . . until his flight becomes a frantic odyssey across Germany, as he searches first for information, then for help, and finally for escape. His travels bring him face-to-face with waiters and conductors, officials and fellow outcasts, seductive women and vicious thieves, a few of whom disapprove of the regime while the rest embrace it wholeheartedly.Clinging to his existence as it was just days before, Silbermann refuses to believe what is happening even as he is beset by opportunists, betrayed by associates, and bereft of family, friends, and fortune. As his world collapses around him, he is forced to concede that his nightmare is all too real.Twenty-three-year-old Ulrich Boschwitz wrote The Passenger at breakneck speed in 1938, fresh in the wake of the Kristallnacht pogroms, and his prose flies at the same pace. Taut, immediate, infused with acerbic Kafkaesque humor, The Passenger is an indelible portrait of a man and a society careening out of control.

    Newly married, Scottie and Michael are seduced by Tuscany's famous beauty. But the secrets they are keeping from each other force them beneath the splendid surface to a more complex view of ltaly, America and each other.When Scottie's Italian teacher--a teenager with secrets of his own--disappears, her search for him leads her to discover other, darker truths about herself, her husband and her country. Michael's dedication to saving the world from communism crumbles as he begins to see that he is a pawn in a much different game. Driven apart by lies, Michael and Scottie must find their way through a maze of history, memory, hate and love to a new kind of complicated truth.Half glamorous fun, half an examination of America's role in the world, and filled with sun-dappled pasta lunches, prosecco, charming spies and horse racing, The Italian Party is a smart pleasure.

    Set during the mid-1800s in the vast grainfields of Russia, Who Is to Blame? follows the lives of two star-crossed serfs, Elizaveta and Feodor, torn apart by their own families and the Church while simultaneously trapped in the inhumane life of poverty to which they were born.At the other end of the spectrum, Count Maximov and his family struggle to maintain harmony amidst a tapestry of deception and debauchery woven by the Count’s son. The plot twists further when the Tsar emancipates twenty million serfs from bondage as the rural gentry’s life of privilege and carelessness takes its final bow, and much of Russia’s nobility faces possible financial ruin.

    With his musician wife, he spends his postwar life seeking redemption—and they find it together.Graduating from Harvard at the height of World War II, brilliant mathematician Charlie Fish is assigned to the Manhattan Project. Working with some of the age’s greatest scientific minds, including J. Robert Oppenheimer, Enrico Fermi, and Leo Szilard, Charlie is assigned the task of designing and building the detonator of the atomic bomb.As he performs that work Charlie suffers a crisis of conscience, which his wife, Brenda—unaware of the true nature of Charlie’s top-secret task—mistakes as self-doubt. She urges him to set aside his qualms and continue. Once the bombs strike Hiroshima and Nagasaki, the feelings of culpability devastate him and Brenda.At the war’s end, Charlie receives a scholarship to pursue a PhD in physics at Stanford—an opportunity he and Brenda hope will allow them a fresh start. But the past proves inescapable. All any of his new colleagues can talk about is the bomb, and what greater atomic weapons might be on the horizon. Haunted by guilt, Charlie and Brenda leave Stanford and decide to dedicate the rest of their lives to making amends for the evil he helped to birth into the world.Based on the life of the actual mathematician Charles B. Fisk, Universe of Two combines riveting historical drama with a poignant love story. Stephen Kiernan has conjured a remarkable account of two people struggling to heal their consciences and find peace in a world forever changed.

    Coco Chanel and Elsa Schiaparelli are fighting for recognition as the most successful and influential fashion designer in France, and their rivalry is already legendary. They oppose each other at every turn, in both their politics and their designs: Chanel's are classic, elegant, and practical; Schiaparelli's bold, experimental, and surreal.When Lily Sutter, a recently widowed young American teacher, visits her brother, Charlie, in Paris, he insists on buying her a couture dress--a Chanel. Lily, however, prefers a Schiaparelli. Charlie's beautiful and socially prominent girlfriend soon begins wearing Schiaparelli's designs as well, and much of Paris follows in her footsteps.Schiaparelli offers budding artist Lily a job at her store, and Lily finds herself increasingly involved with Schiaparelli and Chanel's personal war. Their fierce competition reaches new and dangerous heights as the Nazis and the looming threat of World War II bear down on Paris.

     Surrounded by unimaginable adverse forces, one strong woman would ultimately lead her entire family to survive. Beautiful Hero is an autobiographical narrative told from a daughter’s perspective. The story centers around Meiyeng, the eponymous Beautiful Hero, and her innate ability to sustain everyone in her family. She shepherded her entire family through starvation, diseases, slavery and massacres in war-torn Cambodia to forge a new life in America. Over two million people—a third of the country’s population—fell victim to a devastating genocide in Cambodia. The rise of the Khmer Rouge posed not merely a single challenge to survival, but rather a series of nightmarish obstacles that required constant circumvention, outmaneuvering, and exceptional fortitude from those few who would survive the regime intact. The story eerily unravels the layers of atrocity and evil unleashed upon the people, providing a clear view of this horrific and violent time of the Cambodian revolution.br>

    Since her parents were killed in a bombing raid, Rose Teasdale has spent more hours than usual in Room 60, working double shifts, growing accustomed to the burnt scent of the Prime Minister’s cigars permeating the stale air. Winning the war is the only thing that matters, and she will gladly do her part. And when Rose’s fluency in French comes to the attention of Churchill himself, it brings a rare yet dangerous opportunity.Rose is recruited for the Special Operations Executive, a secret British organization that conducts espionage in Nazi-occupied Europe. After weeks of grueling training, Rose parachutes into France with a new codename: Dragonfly. Posing as a cosmetics saleswoman in Paris, she ferries messages to and from the Resistance, knowing that the slightest misstep means capture or death.Soon Rose is assigned to a new mission with Lazare Aron, a French Resistance fighter who has watched his beloved Paris become a shell of itself, with desolate streets and buildings draped in Swastikas. Since his parents were sent to a German work camp, Lazare has dedicated himself to the cause with the same fervor as Rose. Yet Rose’s very loyalty brings risks as she undertakes a high-stakes prison raid, and discovers how much she may have to sacrifice to justify Churchill’s faith in her . . .

    She also finds herself unexpectedly—and uncontrollably—falling in love with Hemingway, a man already on his way to becoming a legend. In the shadow of the impending Second World War, and set against the tumultuous backdrops of Madrid, Finland, China, Key West, and especially Cuba, where Martha and Ernest make their home, their relationship and professional careers ignite. But when Ernest publishes the biggest literary success of his career, For Whom the Bell Tolls, they are no longer equals, and Martha must make a choice: surrender to the confining demands of being a famous man's wife or risk losing Ernest by forging a path as her own woman and writer. It is a dilemma that will force her to break his heart, and her own.

    In the years since the first settlers arrived, looking to build new lives, the township of Grafton has flourished. Together, European immigrants, Native Americans, indentured servants, and former slaves have established a tight-knit community.As time passes and America becomes a nation, Grafton is swept up in the tumult of the outside world. The Cherokees are rounded up and driven west. The Civil War leaves a long shadow. Newcomers make their mark, fortunes are won and lost, and loyalties are tested in the march of history.

    While great cities were springing up ih in places with names such as St. Louis, Denver, and San Francisco, the lower peninsula of Florida endured. Here, the panther, the alligator, and the bald eagle remained safe from the restless, meddlesome hands of civilization, continuing as they had for eons past. Renegade Indians, pirates, hurricanes, and man-eating animals – not to mention poisonous snakes and bloodthirsty hordes of mosquitoes – reigned supreme. It took a certain kind of person to boldly venture into such an inhospitable environment, a place where a man had only himself and his family upon which to depend. It took men and women with not only vision, but backbone and grit, people like the MacLeods, Dawsons, and Hackensaws, true pioneers who confronted whatever came their way, together, as a family. From shipwrecks, to Indian uprisings, to buried treasure; from blockade runners, to murderous beach tramps, and the sad, lonely life of the solitary beachcomber, Tales of Old Florida takes the reader back to a singular time and place that will never be seen again. Above all, Tales of Old Florida is an epic saga of survival and prosperity, love and love lost, and most importantly, the power of the human spirit to prevail.