The book reflects the revisionist interpretation of 19th-century art.

    Farr presents his choice of the dozen most important and colorful characters from "The Adventures of Tintin." This handsome, lavishly-illustrated volume takes a closer look at the remarkable cast that enriches the adventures.

    Sartre considers the artist’s “function,” and the relation of art and the artist to the human condition. Sartre integrates his deep concern for the sensibilities of the artist with a fascinating analysis of the techniques of the artist as creator. The result is a vibrant manifesto of existentialist aesthetics. By looking at existentialism through the lens of great art, Essays in Aesthetics is just as valuable a read to the artist as it is to the philosopher.

    Sifting through dozens of their daughter's remarkable sketchbooks, our generation's most celebrated graphic artists have, with their only child, Sophie, now selected more than three hundred paintings and drawings that depict her artistic and psychological maturation. Revealing how an original artistic sensibility is both innate and nurtured, the book features six separate developmental stages, including Sophie's earliest drawings, the elaborate fantasy world of her childhood, her late adolescent rebellion, and her coming of age in the milieu of the Paris circus world and New York's "seventh circle of hell." The drawings from her early twenties—of tattoo artists, dangerous men—reflect a personal anguish that finally ends with her becoming a mother and creating a family of her own. Illuminating and intimate, this book is a dramatic yet subtle statement on the evolution of personality as seen through art. This slipcased limited edition is signed by S., R., and A. Crumb, including a signed print.

    Her lifelong friend, Ingrid, has asked her to do the impossible -- authenticate the painting from a photograph. The photograph in question was passed down to Ingrid by her grandfather, Klaus Rettke a key member of the German Einsatzstab Reichsleiter Rosenberg, the Nazi organization appointed to confiscate art from the Jews. Obscure references in Klaus Rettke's diary convince Maggie that Rettke stole the painting from the Nazis. Now she must use science to verify that the painting in the photo is genuine, something that has never been done before. From the National Gallery of Art in Washington, D.C. to the Musee du Jeu de Paume in Paris, Maggie searches for answers. Finally, she confronts the possibility that there is not one painting, but the original and several forgeries. With tens of millions of dollars at stake and a killer at large, she is determined to find the authentic Van Gogh. To do so, Maggie must stay alive . . . something that's proving difficult to do.

    Legendary screen star Aubrey Hepburn and designer Hubert de Givenchy were a brilliant meeting of fashion-forward minds. Over the course of their forty-year friendship and professional partnership, both became fashion icons whose collaborations influenced trends for generations to come -- the words "Audrey style" still conjure images of ballet flats, little black dresses, bateau necklines, capri pants, and countless stunning fashions. With gorgeous photography throughout, Audrey and Givenchy is a celebration of the duo's collaborations both onscreen and off, featuring fashion profiles on such classic films as Sabrina, Breakfast at Tiffany's, Charade, How to Steal a Million, and Funny Face, as well as their greatest off-screen fashion hits for awards shows and events.

    "I'd rather take a photograph than be one," she declares after she arrives in Paris in 1929, where she soon catches the eye of the famous Surrealist Man Ray. Though he wants to use her only as a model, Lee convinces him to take her on as his assistant and teach her everything he knows. But Man Ray turns out to be an egotistical, charismatic force, and as they work together in the darkroom, their personal and professional lives become intimately entwined, changing the course of Lee's life forever.Lee's journey takes us from the cabarets of bohemian Paris to the battlefields of war-torn Europe during WWII, from discovering radical new photography techniques to documenting the liberation of the concentration camps as one of the first female war correspondents. Through it all, Lee must grapple with the question of whether it's possible to reconcile romantic desire with artistic ambition-and what she will have to sacrifice to do so.Told in interweaving timelines, this sensuous, richly detailed novel brings Lee Miller-a brilliant and pioneering artist-out of the shadows of a man's legacy and into the light.

    He lived during the Italian Renaissance, a period known for its creative activity. Civilization made huge strides in science and invention, in literature, and in politics. In art, the age's great achievement, Michelangelo led all others.A short, wide-shouldered man with a face made homely by a broken nose, Michelangelo had a remarkable ability to concentrate his thoughts and energy on the task in hand. Often while working he would eat only a little bread, would sleep on the floor or on a cot beside his unfinished painting or statue, and would continue to wear the same clothes until his work was finished.

    Get mad at him and even cry with him. Here's Don Quixote, Santa Claus, and Faust rolled into one "thick shadow" of a man. A joyous sixty-year-old American street painter lives on the Left Bank in Paris, making a living by creating rentable apartments out of the most unlikely spaces. Mostly, however, he paints with utter delight in the creative act and discovers remarkable characters along his path: crafts-men, students, prostitutes, motorcyclists. He scumbles and fails. He digs twisting tunnels under Paris streets and builds nests: nature nests, rats' nests, birds' nests. He collects clocks and designs his own life from the "inside." Wanting to be true beyond honesty, visible past seeing to being, Scumbler scrambles, tumbles, rumbles, rambles through the ecstatic pleasure of creation and the pangs of ordinary existence.

    

    . . deeply, intimately, totally violated" by a music community that had fundamentally misinterpreted his work. As a profound admirer of Chopin's "promenade of discoveries," Gide intersperses musical notation throughout the text to illuminate his arguments, but most moving is Gide's own poetic expression for the music he so loved.

    The creator of the Barcelona Pavilion (1929), the Farnsworth House in Plano, Illinois (1945?1951) and the Seagram Building in New York (1954?1958), Mies was one of the founders of a new architectural style. Well known for his motto ?less is more, ? he sought a kind of refined purity in architectural expression that was not seen in the reduced vocabulary of other Bauhaus members. His goal was not simply building for those of modest income (Existenzminimum) but building economically in terms of sustainability, both in a technical and aesthetical way; the use of industrial materials such as steel and glass were the foundation of this approach. Though the extreme reduction of form and material in his work garnered some criticism, over the years many have tried?mostly unsuccessfully?to copy his original and elegant style. This book explores more than 20 of his projects between 1906 and 1967, from his early work around Berlin to his most important American buildings. Basic Architecture features: ? Each title contains approximately 120 images, including photographs, sketches, drawings, and floor plans ? Introductory essays explore the architect's life and work, touching on family and background as well as collaborations with other architects ? The body presents the most important works in chronological order, with descriptions of client and/or architect wishes, construction problems (why some projects were never executed), and resolutions ? The appendix includes a list of complete or selected works, biography, bibliography and a map indicating the locations ofthe architect's most famous buildings

    The purpose of his trip was to share the teachings and vision of the Baha'i Faith with the people of the West.This collection of inspiring and uplifting talks documents an extraordinary series of public addresses 'Abdu'l-Baha gave on his historic trip to the West in the early twentieth century. Addressing such subjects as the nature of humankind, the soul, the Prophets of God, the establishment of world peace, the abolition of all forms of prejudice, the equality of men and women, the harmony of science and religion, and the causes of war, Abdu'l-Baha spoke in a profound yet simple manner that transcended all barriers.

    His court at the Palace of Versailles became the most dazzling on the Continent, and through his intelligence and cunning, he made France the leading power of Europe. Now, in this masterful biography, historian Olivier Bernier brilliantly recreates Louis XIV's world to reveal the secrets of this monarch's unequaled sovereignty and to explore the singular mystique that surrounds him today. Not only was Louis heir to his father's throne, he felt he was divinely chosen to rule France. From the year he became king at the age of thirteen, he oversaw every aspect of government, from waging war and making political appointments to supervising the building of his many palaces. Along with political treachery that marked Louis XIV's long reign, Bernier also brings to light the personal scandals. We witness the poignant resignation of Louis XIV's queen to her husband's parade of mistresses and illegitimate children, the infamous intrigue when the king's brother was accused of poisoning his wife in a jealous rage, and the momentous building of Versailles, not an act of monstrous self-indulgence that bankrupted the nation but the visible expression of Louis XIV's new monarchy - his ingenious methods of centering all activity around court life, thus preventing his courtiers from fomenting rebellion. Under the Sun King, architecture, painting, music, and theater flourished, making France not only a great political force but a paradigm of fashion and culture as well. Louis XIV takes us from the grandeur of Versailles to the battlefields of the countryside, from the bedrooms of the king's mistresses to the chambers of his ministers, and presents an engrossing portrait of royal life and a commanding leader.

    Sophie Lefèvre must keep her family safe while her adored husband, Édouard, fights at the front. When their town falls to the Germans, Sophie is forced to serve them every evening at her hotel. From the moment the new Kommandant sets eyes on Sophie’s portrait—painted by her artist husband—a dangerous obsession is born. Almost a century later in London, Sophie’s portrait hangs in the home of Liv Halston, a wedding gift from her young husband before his sudden death. After a chance encounter reveals the portrait’s true worth, a battle begins over its troubled history and Liv’s world is turned upside all over again.