The tales draw on pre-Christian Celtic mythology, international folktale motifs and early medieval historical traditions. While some details may hark back to older Iron Age traditions, each of the tales is the product of a developed medieval Welsh narrative tradition, both oral and written.Lady Charlotte Guest in the mid 19th century was the first to publish English translations of the collection, popularising the name "Mabinogion". The stories appear in either or both of two medieval Welsh manuscripts, the White Book of Rhydderch or Llyfr Gwyn Rhydderch, written c.1350, and the Red Book of Hergest or Llyfr Coch Hergest, written c.1382 – 1410, tho texts or fragments of some of the tales have been preserved in earlier 13th century and later mss.Scholars agree that the tales are older than the existing mss, but disagree over just how much older. The different texts originated at different times. Debate has focused on the dating of the Four Branches of the Mabinogi. Sir Ifor Williams offered a date prior to 1100, based on linguistic and historical arguments, while later Saunders Lewis set forth a number of arguments for a date between 1170 and 1190; Th Charles-Edwards, in a paper published in 1970, discussed both viewpoints, and while critical of the arguments of both scholars, noted that the language of the stories fits the 11th century. More recently, Patrick Sims-Williams argued for a plausible range of about 1060 to 1200, the current scholarly consensus.

    Magic sweeps into her life when a witch invites her, David the Dog and Humphrey the suitcase to move into ‘the House of Living Alone.’ The House of Living Alone a rooming house for the magically inclined, introduces Sarah to witches, wizards, faeries, dragons and flying broomsticks.

    Here, Robin Robertson and his brother Tim Robertson – whose accompanying images are as unforgettable as cave-paintings – raise strange new forms which speak not only of the potency of our myths and superstitions, but how they were used to balance and explain the world and its predicaments.From one of our most powerful lyric poets, this is a book of curses and visions, gifts both desired and unwelcome, characters on the cusp of their transformation – whether women seeking revenge or saving their broken children, or men trying to save themselves. Haunting and elemental, Grimoire is full of the same charged beauty as the Scottish landscape – a beauty that can switch, with a mere change in the weather, to hostility and terror.

    A song of lore returns. Can one man’s quest save the world?Voran can’t help but believe the rumors. As blight ravages the countryside and darkness covers the sun, the young warrior of Vasyllia hears of an ancient spirit that devours souls. He feels powerless to fight the oncoming devastation until a mythical creature entrusts him with a long-forgotten song. Legend has it that such a song can heal the masses, overthrow kingdoms, and raise humans to divine beings…Armed with the memory of the song, Voran must hunt down a dark spirit before it achieves its goal of immortality. His quest takes him through doorways to other worlds and puts him on a collision course with seductive nymphs and riddling giants. With each step of the journey, the strength of the villainous spirit grows, as does Voran’s fear that the only way to save his world… is to let it be destroyed. The Song of the Sirin is an epic fantasy retelling of the Russian fairy tale Prince Ivan and the Grey Wolf.

    Having squandered his wealth, the feckless Guido returns home to claim the hand of the celestial Juliet, but finds himself censured by her father. Petulant at his chastisement, his Byronic temperament gets the better of him, and he is punished with banishment. Plotting his revenge, he witnesses a mighty tempest, and from the raging sea emerges a strange figure. Although he is initially repelled by the dwarfish form before him, the stranger soon makes him an offer he can't refuse, but by surrendering his identity and selling his soul to this mysterious creature, Guido makes yet another fatal error. A macabre, sinister and supernatural tale, Mary Shelley's Transformation is a masterpiece of Gothic writing. It is accompanied by The Mortal Immortal and The Evil Eye, two further stories of the supernatural, both of which display the perfection of Shelley's literary craft.

    He has epilepsy.And, as it turns out, he has much bigger issues too.Esther falls. In love.It’s wonderful – but there’s a shadow that she can’t identify and she can’t make go away just by loving Luke.Luke’s experience has taught him to despise himself; Esther’s self-belief is fragile. And love is not as easy as it looks. Will they be still falling at the end of term?A story about the struggle it can be to love someone who doesn’t love themselves – and why it’s worth it.From the winner of Children’s Books Ireland Honour for Fiction, the CBI Children’s Choice Award and CBI Book of the Year Award for her previous novels Taking Flight and Grounded.

    . . How to spot and identify demons and other subversive spirits . . . And what to do next.Demons, fairies, and fallen angels are everywhere. They lurk at crossroads, crouch behind doors, hide in trees, slip into beds, wait in caves, hover at weddings and childbirths, disguise themselves as friends, relatives-even disguise themselves as you. They are powerful; they are protean; they are enchanting. And, to the uninformed, they are often invisible. This illustrated guide-the first of its kind-reveals the remarkable permutations of the demon and fairy species worldwide. Packed with lore about each demon, detailing its origins, the culture surrounding it, and its reputed antics and exploits, A Field Guide to Demons, Fairies, Fallen Angels, and Other Subversive Spirits is a fascinating exploration of global mythologies. Perfect for the armchair traveler and the intrepid, seasoned demon-spotter alike, this complete guide to subversive spirits offers a behind-the-scenes look at the devilish mishaps, impish irritations, and demonic devastations that punctuate our lives.

     Wren and her brothers, Henry and Max, are orphans. They wish to be adopted, but no one wants to take in all three of them. Wren won’t be separated from her family, but no matter how hard she fights to keep them together, she fears she will lose them nonetheless. She wants more for both of them - for herself. She wants an escape. Prompted by a world she sees in a dream, Wren begins to tell her brothers stories of a place where they can be carefree forever - a place called Nevermor. It is an island at the edge of the universe, where all dreams go. There is a boy who guards it, and he is known only as the Rifter. Wren believes that this place truly exists and desires her own life there, where she can keep her family together without anyone tearing them apart. Wren gets more than she bargained for when she is kidnapped by the arrogant and volatile Rifter and taken to Nevermor against her will. It is not completely unwelcome, however. The land is beautiful and there is freedom. The Rifter and his pack of wild boys accept her, and she feels that her brothers will be happy in this place too. Wren falls in love with Nevermor - and with the Rifter - and yet the more she learns of the conflict between the Rifter and a wicked man called the Scourge, the more she comes to realize that Nevermor is not a place for children. Nevermor is a dark fantasy based on the legend of Peter Pan.

    Spanning the centuries from the first wars of the ancient Irish kings through the Celtic Renaissance of Yeats to our own time, they are set in cities, villages, fields and forestsfrom the wild Gaelic western coast to the modern streets of Dublin and Belfast.Part of the Pantheon Fairy Tale and Folklore Library

    “Coal” is a realist story set in the war years and depression that followed as folks try to find a new place in the world. Senior’s trademark children awakening to self-awareness and to the hypocrisy of adults are here too, from the heartbreaking “Moonlight” and “Silent” to the girls in “Lollipop” and “A Father Like That” who learn to confront loneliness and vulnerability with attitude.

    When she opens her eyes again, leaving behind that weak body, she’s no longer the good-for-nothing miss of yesterday!Holding an ancient treasure within her body, contracting the four divine beasts, even the top experts of Azure Dragon Country are fighting to become her attendant…Pills? That’s nothing, she can refine a handful anytime. Are low level spiritual weapons that strong? Even her subordinates use high level spiritual weapons. You have a high level spiritual beast? Sorry, she already has an army of sacred beasts behind her dominating all!However, could anyone tell her what’s up with this powerful devilishly handsome man?! Why does he keep pestering her shamelessly and why does he refuse to go away?!

    It’s 1919, but in Edenfall, Pennsylvania, the Great War is not over -- not for Vasilisa, at least. Papa is presumed dead on the fields of Flanders, Mama is being courted by an absolute ogre, and now Babka, her beloved grandma, has had a bad spell. Or has she fallen under one? Only the Old Tales, the Russian fables Vasilisa was raised on, offer any comfort or counsel.But what if they are more than child's tales?Enter Ivan, who jumps a train for Edenfall at midnight and finds Vasilisa in a real fix. Old Rus is calling from across time and both worlds, and if they heed the call, they might both get what they want. It won’t be easy. Three witches, two children, one ogre – they’re outnumbered and outclassed. Baba Yaga and Old Koschei are after the same thing -- and each other -- and the children are caught in the crosshairs. Vasilisa has a secret weapon, in the humblest of guises, but will the meek truly inherit the earth? Or will the mighty prevail? One thing is certain: it’s a fairy tale of their own making, a tale whose happy ending is ever in doubt.

    I didn’t get to stop and smell the roses. I didn’t get to indulge in a normal life. Why, you ask? Because I’m Vivian Adair. The only snake shifter known to our kind. I’ve been trained my whole life that my importance rested on my abilities. That I would help tip the scales to make this world a better place. As an assassin in training, I did more missions than most active killers. I took out the bad apples that fell too far from the tree. It became my sole purpose. So, what happens when I find out my cause might not be what I thought it was? The people closest to me, weren’t who I thought they were? I guess we’ll find out, one secret at a time.

    Allen set out to understand why this was so and, more importantly, to remedy the situation. The result is this powerful collection of traditional tales, biographical writings, and contemporary short stories, many by the most accomplished Native American women writing today, including: Louise Erdrich, Mary TallMountain, Linda Hogan, and many others.

    It seems a great opportunity, but Francis has never seen a town, or been away from his family, and he is very afraid."