Arranged alphabetically, One Hundred Lyrics and a Poem presents an overview of his considerable achievement as a chronicler of modern life: the romance, the break-ups, the aspirations, the changing attitudes, the history, the politics, the pain. The landscape of Tennant's lyrics is recognisably British in character - restrained and preoccupied with the mundane, occasionally satirical, yet also yearning for escape and theatrical release. Often surprisingly revealing, this volume is contextualised by a personal commentary on each lyric and an introduction by the author which gives a fascinating insight into the process and genesis of writing. Flamboyant, understated, celebratory and elegiac, Neil Tennant's lyrics are a document of our times.

    *Shortlisted for the Forward Prize for Best First Collection 2019*Jay Bernard’s extraordinary debut is a fearlessly original exploration of the black British archive: an enquiry into the New Cross Fire of 1981, a house fire at a birthday party in south London in which thirteen young black people were killed.Dubbed the ‘New Cross Massacre’, the fire was initially believed to be a racist attack, and the indifference with which the tragedy was met by the state triggered a new era of race relations in Britain.Tracing a line from New Cross to the ‘towers of blood’ of the Grenfell fire, this urgent collection speaks with, in and of the voices of the past, brought back by the incantation of dancehall rhythms and the music of Jamaican patois, to form a living presence in the absence of justice.A ground-breaking work of excavation, memory and activism – both political and personal, witness and documentary – Surge shines a much-needed light on an unacknowledged chapter in British history, one that powerfully resonates in our present moment.

    But the threesome faces their first separation when Nina goes away the summer before their senior year. And in ten short weeks, everything changes.Nina returns home bursting with stories about Steve, the quirky yet adorable eco-warrior she fell for hard while away. But when she asks her best friends about their summer romances, an awkward silence follows.Nina soon learns the shocking truth when she sees Mel and Avery...kissing. Their friendship is rocked by what feels like the ultimate challenge. But it's only the beginning of a sometimes painful, sometimes funny, always gripping journey as three girls discover who they are and what they really want.

    Now, during the its first free elections, Patrick has returned to the country he defended; the place where he fell in love for the first and only time. With the country poised to change forever, Patrick is forced to revisit his past and scale the wall that he has built around his painful memories of love and war, and loss.

    I’m now tempted to believe that Blake himself has sent us Derrick Austin and his remarkable collection, Trouble the Water. At once gospel and troubadour song, these deeply spiritual and expansively erotic poems are lucid, unflinching, urgent. This is an extraordinary debut." —Mary Szybist, winner of the National Book AwardRich in religious and artistic imagery, Trouble the Water is an intriguing exploration of race, sexuality, and identity, particularly where self-hood is in constant flux. These intimate, sensual poems interweave pop culture and history—moving from the Bible through several artistic eras—to interrogate what it means to be, as Austin says, fully human as a “queer, black body” in 21st century America.

    That was all. To show the world Mason Bloom could be more than a small-town doctor living a medium-sized life. Private doctor on a swanky island with a posh resort? Check.But from the moment I set foot on this island, nothing went according to plan.I didn’t expect to find the resort falling apart.I didn’t expect the people here to be so charming and crazy and welcoming and real.I didn’t expect legends about shipwrecks and buried treasure.And I definitely didn’t expect Fenn Reardon, the island’s incredibly attractive, incredibly infuriating, incredibly male resident tour guide, to become the one person I can’t live without.Thirty-five’s a bit late for me to realize I'm not straight, though, right? And I have big dreams that won’t fit on Whispering Key, anyway—dreams that do not include tying myself to a tiny island stuck in the past or to a man who refuses to think about the future. My head’s telling me I have to leave Whispering Key… My heart’s telling me there might be treasure on this island after all.

    And definitely no falling for his new roommate-tattooed bad-boy Max, who may or may not be a drug dealer.Most of all, it means no working at a porn store. But Christian's aunt has cancer, and her beloved Rear Entrance Video will go bankrupt if Christian doesn't take over managerial duties. Soon enough, Christian finds himself juggling sticky twenty-five cent peep show booths, a blackmailing employee, and a demanding professor who likes to make an example of him.And then there's Max, who doesn't know anything about the store, but hates Christian's preppy sweater vests and the closet Christian forces him into when they're together. Max just wants Christian to be himself-even though Max is keeping secrets of his own. Christian struggles to find the impossible balance between his real life and the ideal one he thinks a teacher needs to live . . . all while trying to keep his aunt's dream alive without losing his own.

    A couple in their thirties live in a small rented cottage in a quiet part of Tokyo; they work at home, freelance copy-editing; they no longer have very much to say to one another. But one day a cat invites itself into their small kitchen. It leaves, but the next day comes again, and then again and again. Soon they are buying treats for the cat and enjoying talks about the animal and all its little ways. Life suddenly seems to have more promise for the husband and wife — the days have more light and color. The novel brims with new small joys and many moments of staggering poetic beauty, but then something happens….As Kenzaburo Oe has remarked, Takashi Hiraide’s work "really shines." His poetry, which is remarkably cross-hatched with beauty, has been acclaimed here for "its seemingly endless string of shape-shifting objects and experiences,whose splintering effect is enacted via a unique combination of speed and minutiae."

    Jennani Durai is an exciting new voice in literature, a writer to watch!” –Tayari Jones, multi-award-winning author of An American MarriageA teenager discovers his grandfather's secret identity only after his death. A young immigrant to 1940s Singapore is convinced the end-times are nigh. A man is tasked with bringing the corpse of his estranged brother home from Phuket. A reporter is torn between doing her a job and respecting her friend’s privacy.From obituaries and job ads to crime reports and horoscopes, Regrettable Things That Happened Yesterday is a collection of ten short stories connected by the motif of newspapers, and the unexpected ways they end up affecting our lives.

    While visiting, Grey must confront a painful past riddled in homophobia, secrets, religious hypocrisy and fear."-- Queerty "Anyone who has come out in small-town America will understand how difficult it is to be who you are when the majority of customers at your family restaurant are the same ones you just saw in church....Some Go Hungry is at its best when confronting religious prejudice, and is even pulse-quickening when the narrator sits through one of his friend's sermons aimed directly at him....Only someone who has grown up in rural America could write so convincingly of the pressures there. It's also refreshing to find a book that relates the experience of being gay somewhere other than in a large city."-- Gay & Lesbian Review "A gay murder mystery that takes readers from Miami Beach, Florida to Fort Sackville, Indiana, as Grey Daniels 'struggles to live his authentic, openly gay life' amidst the fundamentalist Christians in his hometown."-- Bay Area Reporter "Captivating debut...[Protagonist] Grey's tale is a lesson for us all that only when we consider our own feelings first will we find happiness--and acceptance."--Edge Media Network"Redmond's fiction isn’t an attempt to recap historical events. The fictional news reports of character Robbie Palmer's alleged murder interspersed between chapters, and the 'homophobia' that engulfs the fictional town of Fort Sackville, is a platform from which the author can express his sincere concern regarding real-life situations that occur in our modern world."-- Boomer Magazine "I was totally engrossed in what I read...An important tale that in some ways is timeless...We read of bigotry, religion, murder, and personal redemption in small-town America as told by a new writer who is a master storyteller and whom I expect to be hearing about in the near future."--Reviews by Amos Lassen"Patrick Redmond has filled his first novel with passion--the passion to tell a story that resonates far beyond the confines of the small Indiana town where it is set. Some Go Hungry tells an important tale that in some ways is timeless, and in other ways could have been ripped from today's headlines."--Mark Childress, author of Crazy in AlabamaPart of Akashic's Kaylie Jones Books imprint.Some Go Hungry is a fictional account drawn from the author's own experiences working in his family's provincial Indiana restaurant--and wrestling with his sexual orientation--in a town that was rocked by the scandalous murder of his gay high school classmate in the 1980s.Now a young man who has embraced his sexuality, Grey Daniels returns from Miami Beach, Florida, to Fort Sackville, Indiana, to run Daniels' Family Buffet for his ailing father. Understanding that knowledge of his sexuality may reap disastrous results on his family's half-century-old restaurant legacy--a popular Sunday dinner spot for the after-church crowd--Grey struggles to live his authentic, openly gay life. He is put to the test when his former high school lover--and fellow classmate of the murdered student--returns to town as the youth pastor and choir director of the local fundamentalist Christian church.Some Go Hungry is the story of a man forced to choose between the happiness of others and his own joy, all the while realizing that compromising oneself--sacrificing your soul for the sake of others--is not living, but death.

    His mother’s second husband is a licensed psychologist who eats like an ape, his stepsister is a stoner slut, and his father is engaged to a Southern belle. Rick’s only solace is his growing collection of original Broadway-cast LPs, bought on the sly at Wax Trax.    After he brings two girls in speech class to tears by reading a story aloud, Rick is coaxed onto the interscholastic forensics team to perform an eight-minute dramatic interpretation of The Boys in the Band, the controversial sixties play about homosexuality. Unexpectedly successful at this oddball event, Rick begins winning tournaments and making friends with his teammates.    Rick also discovers the joys of sex—with a speech coach from a rival school—just as his mother, reacting to a deteriorating home environment, makes an unnerving commitment to Christ. The newly confident Rick assumes this too shall pass—until the combined forces of family, sex, and faith threaten to undo him at the state meet in Peoria.    James Magruder’s Sugarless offers a ruefully entertaining take on the simultaneous struggles of coming-out, coming-of-age, and coming-to-Jesus.  A selection of InsightOut Book Club Finalist, Lambda Book Award for Gay Debut Fiction, Lambda Literary Foundation Finalist, TLA Gaybie Award for Best Gay Fiction Semi-finalist, James Branch Cabell First Novelist Award, Virginia Commonwealth University Semi-finalist, William Saroyan International Prize For Writing, Stanford University

    In each chapter, titled after a letter of the alphabet, an anonymous narrator details his experiences, travelling to cruising grounds and sex clubs, exploring the boundaries of sex, desire, pleasure, and the body, while reflecting on the limits of language and the act of writing.In the tradition of Georges Bataille, Kathy Acker and Jean Genet, these pieces take us to places language doesn't often go. Kemp powerfully stages a series of anonymous encounters, describing the relentless pursuit of sexual pleasure with luminous intensity, while at the same time facing the impossibility of capturing the moments he describes. This is a bold and challenging work, unashamedly sensual and searching. Kemp beautifully counterpoises explicit description with a searing interrogation of the extreme measures taken in the quest for sexual fulfillment.

    Vera Kelly is struggling to make rent and blend into the underground gay scene in Greenwich Village. She's working night shifts at a radio station when her quick wits, sharp tongue, and technical skills get her noticed by a recruiter for the CIA. Next thing she knows she's in Argentina, tasked with wiretapping a congressman and infiltrating a group of student activists in Buenos Aires. As Vera becomes more and more enmeshed with the young radicals, the fragile local government begins to split at the seams. When a betrayal leaves her stranded in the wake of a coup, Vera learns war makes for strange and unexpected bedfellows, and she's forced to take extreme measures to save herself.An exhilarating page turner and perceptive coming-of-age story, WHO IS VERA KELLY? introduces an original, wry and whip-smart female spy for the twenty-first century.

    Trained in classical Greek and Latin, Phillips seems to excavate as he forms words into lines, breaking images into tiny parts of thought as he digs for meaning and accuracy. As part of this excavation, Pastoral explores what flesh, wanting, and belief are made of. A finalist for both the National Book Award and the National Book Critics Circle Award, Phillips has produced four collections of accomplished verse in the past few years. In each book, the influence of classical syntax and rhythm can be heard. And with each book, Phillips refines his poetic voice, combining the prayerlike and the erotic, and often elegantly swooping from a whisper to a scream in the space of a few stanzas.This time, the poems fall along a wide range of tones, from italicized commands like "Let me" and "Now" in the poem "Lay Me Down" to a hesitant question, or a deepening well of self-doubt. Phillips is always original, and he's always remembering, even when a poem is firmly written in present tense. He is hyperaware not only of the ancient poets, but also of history, especially the great destructions.In the ominously titled "The Kill," he remembers a familiar daily scene. The speaker analyzes his own love for another in clinical detail that suddenly veers into longing. The way these lines break adds to the sense of tragic fragment, of an ache:      The last time I gave my body up,      to you, I was minded       briefly what it is made of,       what yours is, that      I'd forgotten, the flesh      which always       I hold in plenty no       little sorrow for because -- oh, do      but think on its predicament,      and weep.In just four stanzas, Phillips moves from an image of both love and surrender to a consideration of temporality -- the bald fact that his lover is mortal. This thought of "its predicament" makes him weep, even though death is not a stated issue here.In "The Kill," the last poem in the volume, the speaker anticipates the need to remember. The second poem in the book referred to Pompeii, and the shadow of Pompeii is still resonant as the speaker describes his lover's body, still current and alive despite the title's warning.He remembers a body he has felt before, and probably will feel again -- judging by the present tense of "what yours is." And yet, the speaker here feels the need to freeze that body in time, to memorialize it. The next stanza explains this strong urge to hold on:      We cleave most entirely      to what most we fear      losing. We fear loss      because we understand       the fact of it, its largeness, its      utter indifference to whether      we do, or don't,       ignore it. The "largeness" of loss is what these poems are loath to accept, even as they seek to understand. Each poem tries to break loss down into questions, confessions, prayers, or simple expressions of doubt. While the poems fight against death and inevitable loss, they also seem to seek moral guidance to help with these losses.Nowhere is the search for answers and guidance more apparent than at the endings of these poems, which are frequently questions. Phillips is fond of abrupt, mysterious dashes as conclusions. In his quest for a moral compass, he also quotes from "Lamentations" and draws on familiar Biblical stories. The wanderings of Cain, for example, seem to appear in the backgrounds of poems where man seeks. What's more, the epigraph is from George Herbert, the great poet of faith and the war between faith and flesh. The sense of struggle between opposing ideas is something Phillips incorporates and modernizes into a contemporary parable of carnal love and constant questioning of that love. There's a frequent seesawing in the book, a back-and-forth on the big questions that permeates even the simplest narrative. For example, in "Favor," the second section of a five-part poem called "And Fitful Memories of Pan," Phillips sees a man in the distance:      Even from a distance, I can tell:       a man, clearly.       Gods cast no shadow. The struggle between man and God, between flesh and faith, is hinted at in the first stanza. Man, for Phillips, is an instrument of struggle, a tortured wanderer. The poem continues:      Also, that he tires,       stops to rest, looks like      sleeping, or could use some.       How long he has been,       coming, how long it takes, just      to cross it, the lush      measure that -- all summer -- has      been these well-groomed,       well-fed grounds, the lake      unswum and gleaming, the light      catching, losing      the useless extravagancePhillips basically forms the scene of a man walking into a discussion of man's temporality, the fact that man tires. While what God makes -- "the lake unswum and gleaming" -- needs to make no effort to be beautiful, man exhausts himself just surviving. By the last two stanzas, the speaker concludes that the body must make bets with itself:      Always, the body      wagering --      up, through itself --       Give. What he wants, he shall have.In Phillips's work, man -- though mortal -- still has great power. Man can demand, man can inspire love, and man can pray. In the struggle between man and God, in that constant "wagering," man sometimes wins.&3151;Aviya Kushner

    When four fans jokingly invite him on a cross-country road trip, they are shocked that he actually takes them up on it. Chased by paparazzi and hounded by reporters, this unlikely crew takes off on a journey of a lifetime--but along the way they discover that the star they love has deep secrets he's been keeping. What they come to learn about the life of the mysterious person they thought they knew will teach them about the power of empathy and the unbreakable bond of true friendship.