Never too deep, never enough to die. But enough to feel the pain. Enough to feel the scream inside.Now she's at Sea Pines, a "residential treatment facility" filled with girls struggling with problems of their own. Callie doesn't want to have anything to do with them. She doesn't want to have anything to do with anyone. She won't even speak.But Callie can only stay silent for so long...

    Now, after years in a juvenile ward, he is ready for a fresh start. But the ghosts of his past soon demand justice, and he must reveal his painful secret. How can Kip tell anyone that he really is--or was--a murderer?

    Isabelle describes the scene at school with bemused accuracy--the self-important (but really not bad) English teacher, the boy that is constantly fixated on Ashley Barnum, the prettiest girl in class, and the dynamics of the lunchroom, where tables are turf in a all-eyes-open awareness of everybody's relative social position.But everything is not normal, really. Since the dealth of her father, Isabelle's family has only functioned on the surface. Her mother, who used to take care of herself, now wears only lumpy, ill-fitting clothes, cries all night, and has taken every picture of her dead husband and put them under her bed. Isabelle tries to make light of this, but the underlying tension is expressed in overeating and then binging. As the novel opens, Isabelle's little sister, April, has told their mother about Isabelle's problem. Isabelle is enrolled in group therapy. Who should show up there, too, but Ashley Barnum, the prettiest, most together girl in class.

    Hilariously candid, shows that the roller coaster ride of being a teenager is every bit as fun as we remember--and every bit as harrowing.Life is pretty complicated for Elizabeth Clarry. Her best friend Celia keeps disappearing, her absent father suddenly reappears, and her communication with her mother consists entirely of wacky notes left on the fridge. On top of everything else, because her English teacher wants to rekindle the "Joy of the Envelope," a Complete and Utter Stranger knows more about Elizabeth than anyone else. But Elizabeth is on the verge of some major changes. She may lose her best friend, find a wonderful new friend, kiss the sexiest guy alive, and run in a marathon. So much can happen in the time it takes to write a letter… A #1 bestseller in Australia, this fabulous debut is a funny, touching, revealing story written entirely in the form of letters, messages, postcards - and bizarre missives from imaginary organizations like The Cold Hard Truth Association. Feeling Sorry for Celia captures, with rare acuity, female friendship and the bonding and parting that occurs as we grow. Jaclyn Moriarty's hilariously candid novel shows that the roller coaster ride of being a teenager is every bit as fun as we remember -- and every bit as harrowing.

    See the world through his hilariously self-deprecating eyes as he learns to shed his comic-book-loving, computer-game playing ways. Join him as he makes new friends, tries to hide from his past, and ultimately learns to face the world with a genuine smile. With a fresh and funny combination of text and fully integrated art, Happyface is an original storytelling experience.

    With a distinct lack of boobage and an arse so big that birds of prey could nest within its shadows, Jess Jordan is saddled with the Goddess Flora for a best friend, a Britney Spears look-alike so gorgeous that one grain of her divine dandruff could make the blind see again. Jess knows that her soul mate is Ben Jones, a divine mixture of Leonardo diCaprio, Prince William, and Brad Pitt who oozes mystery and charisma. But the campaign to get Ben to notice her brings on a cavalcade of mortification and disaster, including, but not limited to, a minestrone soup explosion that takes place in her bra and a schoolwide viewing of a videotape that features a topless Jess referring to her breasts as “Bonnie” and “Clyde.”Meanwhile, Jess’s death-obsessed Granny moves into her bedroom, along with her grandfather’s remains; her hypochondriac dad, who sends her daily “horrorscopes” like “You will fall asleep with your mouth open, and a family of earwigs will move in,” acts strange about Jess staying with him this summer; and her longtime friend Fred, a television violence addict and closet thumbsucker, has decided that he can’t stand being around her. Jess is determined to make things right . . . but with her offbeat sense of humor and her wildly active imagination, things get complicated along the way.

    Her parents, her teachers, her friends, people on the street. But she stands by her decision to embrace her faith and all that it is, even if it does make her a little different from everyone else.Can she handle the taunts of "towel head," the prejudice of her classmates, and still attract the cutest boy in school? Brilliantly funny and poignant, Randa Abdel-Fattah's debut novel will strike a chord in all teenage readers, no matter what their beliefs.

    Now it’s her final year at a wealthy Catholic high school. The nuns couldn’t be any stricter—but that doesn’t seem to stop all kinds of men from coming into her life.Caught between the old-world values of her Italian grandmother, the nononsense wisdom of her mom, and the boys who continue to mystify her, Josephine is on the ride of her life. This will be the year she falls in love, the year she discovers the secrets of her family’s past—and the year she sets herself free.Told with unmatched depth and humor, this novel—which swept the pool of Australian literary awards and became a major motion picture—is one to laugh through and cry with, to cherish and remember.

    We knew who our friends were, and were careful what we said. If people thought we were haters, it would only be a matter of time....Lines are clearly marked at South Bay High School. It's mixed territory for the Crips and the Bloods, which means the drama never stops. Julia DiVino wants none of it. No colors, no C-Walks -- it's just not her thing. But when Eric Valiente jumps into her life, everything changes. Lines are redrawn. And then they're crossed.

    Parents and children alike have been best friends, so it's no surprise that in high school Chris and Emily's friendship blossoms into something more. They've been soul mates since they were born.So when midnight calls from the hospital come in, no one is ready for the appalling truth: Emily is dead at seventeen from a gunshot wound to the head. There's a single unspent bullet in the gun that Chris took from his father's cabinet—a bullet that Chris tells police he intended for himself. But a local detective has doubts about the suicide pact that Chris has described.

    A popular boy has asked Jane out -- and she's never even dated before. Stan is tall and good-looking, friendly and hard-working -- everything Jane ever dreamed of. But is she ready for this? Does she have the right clothes? Will he like her?Suppose her parents won't let her go? What if she's nervous and makes a fool of herself? Maybe he'll think she's too young. If only she knew all the clever things to say. If only she were prettier. If only she were ready for this...With her usual warmth, perceptiveness, and humor, Beverly Cleary creates the joys and worries of a young girl's first crush.

    Besides being homesick for her father and Connecticut, she isn't sophisticated like the other girls, and discussions about boys leave her tongue-tied. Her happiest times are spent apart from the others, sketching or wandering in the mountains.But the day she's out walking alone and meets a French boy, Paul, things change for Flip. As their relationship grows, so does her self-confidence. Despite her newfound happiness, there are times when Paul seems a stranger to her. And since dating is forbidden except to seniors, their romance must remain a secret. With so many new feelings and obstacles to overcome in her present, can Flip help Paul to confront his troubled past and find a future?

    Ages 12-up.Josh Swensen is not your average 17-year-old. At the age of two, he was figuring out algebraic equations with colored magnetic numbers. He is a prodigy who only wants to make the world a better place. Josh’s wish comes true when his virtual alter ego, Larry, becomes a huge media sensation. Larry has his own Web site where he posts sermons on anti-consumerism and has a large following of adults and teens. Meanwhile, Larry’s identity is a mystery to everyone. While it seems as if the whole world is trying to figure out Larry’s true identity, Josh feels trapped inside his own creation. What will happen to the world, and to Larry, if he is exposed?

    The problem with that: she’s not. She’s smart and creative and a little bit funky. She’s also an unwilling player in her parents’ modern-hippy, let’s-live-on-a-goat-farm experiment (regretfully, instigated by a younger, much more enthusiastic Janie). This, to put it simply, is not helping Janie reach that “normal target.” She has to milk goats every day…and endure her mother’s pseudo celebrity in the homemade-life, crunchy mom blogosphere. Goodbye the days of frozen lasagna and suburban living, hello crazy long bus ride to high school and total isolation--and hovering embarrassments of all kinds. The fresh baked bread is good…the threat of homemade jeans, not so much. It would be nice to go back to that old suburban life…or some grown up, high school version of it, complete with nice, normal boyfriends who wear crew neck sweaters and like social studies. So, what’s wrong with normal? Well, kind of everything. She knows that, of course, why else would she learn bass and join Jam Band, how else would she know to idolize infamous wild-child and high school senior Emma (her best friend Sarah’s older sister), why else would she get arrested while doing a school project on a local freedom school (jail was not part of the assignment). And, why else would she kind of be falling in "like" with a boy named Monster—yes, that is his real name. Janie was going for normal, but she missed her mark by about ten miles…and we mean that as a compliment. Frances O’Roark Dowell’s fierce humor and keen eye make her YA debut literary and wise. In the spirit of John Green and E. Lockhart, Dowell’s relatable, quirky characters and clever, fluid writing prove that growing up gets complicated…and normal is WAY overrated.

    The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Khalil was unarmed.Soon afterward, his death is a national headline. Some are calling him a thug, maybe even a drug dealer and a gangbanger. Protesters are taking to the streets in Khalil’s name. Some cops and the local drug lord try to intimidate Starr and her family. What everyone wants to know is: what really went down that night? And the only person alive who can answer that is Starr.But what Starr does—or does not—say could upend her community. It could also endanger her life.Inspired by the Black Lives Matter movement, this is a powerful and gripping YA novel about one girl's struggle for justice.