While her almost-but-not-quite ex-boyfriend Adam is on a work assignment in Europe, Anna finds herself tricked into a ditch-the-loser intervention by her supportive yet meddling girlfriends. More frustrated than ever, Anna starts to smoke, asks Buddy, the backyard squirrel, for advice, and finally seeks out the help of a caring but fashion-challenged therapist. Adding to the emotional overload, Anna's beautiful but rash sister decides to move to the Middle East. Luckily, Anna has a resource even better than Buddy or the therapist: her devoted grandmother, who tells it like it is, refuses to conform to anyone's expectations, and who continues to live on her prairie farm all alone, half-blind, and completely happy. In her richly rewarding debut novel, Daria Salamon explores the bonds that make and break family, friendship, and love with warmth and good humor.

    This beautifully produced, keepsake coffee-table book is the ultimate celebration of the series, the town, the characters, and the state of mind that is Schitt's Creek. Capturing the essence and alchemy of all six seasons of what is now considered to be one of the most groundbreaking comedy television series of the last decade, Best Wishes, Warmest Regards is a gift to fans everywhere who have made the show their own.Included are character profiles from the cast of Johnny, Moira, David, and Alexis, and all of the characters that populate the town, major moments from Moira's endorsement of Herb Ertlinger Winery, to Patrick and David's first kiss, to Cabaret and the Rose Family Christmas episode. Also included are special features, such as the complete, illustrated catalogs of David's knits and Moira's wigs, Moira's vocabulary, Alexis's adventures, and behind-the-scenes moments from Dan and Eugene Levy and the cast of Schitt's Creek.

    George Grinnell was one of six young men who set off on the 1955 expedition led by experienced wilderness canoeist Art Moffatt. Poorly planned and executed, the journey seemed doomed from the start. Ignoring the approaching winter, the men became entranced with the peace and beauty of the arctic in autumn. As winter closed in, they suddenly faced numbing cold and dwindling food. When the crew is swept over a waterfall, Moffatt is killed and most of the gear and emergency food supplies destroyed. Confronting freezing conditions and near starvation, the remaining crew struggled to make it back to civilization. For Grinnell, the three-month expedition was both a rite of passage and a spiritual odyssey. In the Barrens, he lost his sense of identity and what he had been conditioned to think about society and himself. Forever changed by the experience, he unsparingly describes how the expedition influenced his adult life and what powerful insights he was able to glean from this life-altering experience.

    Four years later, she was proud to carry the Canadian flag at the head of the Canadian team as they participated in the opening ceremony of the Vancouver Olympic Winter Games. But there’s another story behind her celebrated career as an athlete, behind her signature billboard smile.While most professional athletes devote their entire lives to training, Clara spent her teenage years using drugs and drinking to escape the stifling home life her alcoholic father had created in Elmwood, Winnipeg. She was headed nowhere fast when, at sixteen, she watched transfixed in her living room as gold medal speed skater Gaétan Boucher effortlessly raced in the 1988 Calgary Olympics. Dreaming of one day competing herself, Clara channeled her anger, frustration, and raw ambition into the endurance sports of speed skating and cycling. By 2010, she had become a six-time Olympic champion.But after more than a decade in the grueling world of professional sports that stripped away her confidence and bruised her body, Clara began to realize that her physical extremes, her emotional setbacks, and her partying habits were masking a severe depression. After winning bronze in the last speed skating race of her career, she decided to retire, determined to repair herself. She has emerged as one of our most committed humanitarians, advocating for a variety of social causes both in Canada and around the world. In 2010, she became national spokesperson for Bell Canada’s Let’s Talk campaign in support of mental health awareness, using her Olympic standing to share the positive message of the power of forgiveness.Told with honesty and passion, Open Heart, Open Mind is Clara’s personal journey through physical and mental pain to a life where love and understanding can thrive. This revelatory and inspiring story will touch the hearts of readers everywhere.

    He makes a deal with a crusty old Scot, Angus McLintock — an engineering professor who will do anything, anything, to avoid teaching English to engineers — to let his name stand in the election. No need to campaign, certain to lose - or is he?

    Where everyone is kind. Where you can be your truest self. It was the summer of 1980, and Marianne Boucher was ready to chase her figure skating dream. Fuelled by the desire to rise above her mundane high-school life, she sought a new adventure as a glamorous performer in L.A.And then a chance encounter on a California beach introduced her to a new group of people. People who shared her distrust of the status quo. People who seemed to value authenticity and compassion above all else. And they liked her. Not Marianne the performer, but Marianne the person.Soon, she'd abandoned school, her skating and, most dramatically, her family to live with her new friends and help them fulfill their mission of "saving the world." She believed that no sacrifice was too great to be there—and to live with real purpose. They were helping people, and they cared about her . . . didn't they?Talking to Strangers is the true story of Marianne Boucher's experiences in a cult, where she was subjected to sophisticated brainwashing techniques that took away her freedom, and took over her mind. Told in mesmerizing graphic memoir form, with vivid text and art alike, Marianne shares how she fell in with devotees of a frightening spiritual abuser, and how she eventually, painfully, pulled herself out.

    Everything changes and Harvey’s favorite movie, The Incredible Shrinking Man, suddenly begins to dominate his fantasy life. When relatives try to get him to look at his father in his coffin, Harvey finds himself disappearing.Brilliantly illustrated, emotionally true and devastatingly sad, this book is an artful and utterly convincing study of one boy’s response to great loss.

    In lushly evocative language, Smart recounts her love affair with the poet George Barker with an operatic grandeur that takes in the tragedy of her passion; the suffering of Barker's wife;the children the lovers conceived. Accompanied in this edition by The Assumption of the Rogues and Rascals, a short novel that may be read as its sequel, By Grand Central Station I Sat Down and Wept has been hailed by critics worldwide as a work of sheer genius.

    In other words, perfect." - The Huffington PostAn amusing and captivating tale that's a delightful primer for laughing at the inevitable: If you're a dinosaur, all of your friends are dead. If you're a pirate, all of your friends have scurvy. If you're a tree, all of your friends are end tables. Each page of this laugh-out-loud, illustrated humor book showcases the downside of being everything from a clown to a cassette tape to a zombie. Cute and dark all at once, this hilarious children's book for adults teaches valuable lessons about life.From the sock whose only friends have gone missing to the houseplant whose friends are being slowly killed by irresponsible plant owners (like you), All My Friends Are Dead presents hilariously entertaining stories about life and existential predicaments.The simple yet effective imagery, the personification of inanimate objects, and short, hilarious quips come together to create an amusing adventure through each character's unique grievance and wide-eyed dilemmas.Written by Avery Monsen, an actor, artist, and writer and Jory John, a writer, editor, and journalist. They are friends, and neither is dead. Yet.All My Friends Are Dead is both the saddest funny book and the funniest sad book you'll ever read.Children's book written for adults Displayed in an accessible cartoon form

    08’ follows the epic 2008 presidential campaign and its dramatic cast of characters: the inevitable former first lady with a terrible plan to win, the freshman African-American Senator who skyrockets onto the national stage, and a former POW’s hangdog campaign that overcomes both a Mormon Governor and a thrice-married (occasionally cross-dressing) Mayor. Taking its cur from campaign classics like Fear and Loathing on the Campaign Trail ’72 and The Making of the President Series, 08 brings politico journalism into the graphic novel form. Reflect on all the single-issue candidates, the pundits, the meltdowns, the awkward missteps, and the ruthless maneuvers of the scorched-earth campaign trail as they knit themselves into a political tale of the present-day battle for the future of America.

    After all, the ogre never gets the princess. And since fairy tales are the foundational myths of our culture, how can a girl with a disability ever think she'll have a happy ending?By examining the ways that fairy tales have shaped our expectations of disability, Disfigured will point the way toward a new world where disability is no longer a punishment or impediment but operates, instead, as a way of centering a protagonist and helping them to cement their own place in a story, and from there, the world. Through the book, Leduc ruminates on the connections we make between fairy tale archetypes—the beautiful princess, the glass slipper, the maiden with long hair lost in the tower—and tries to make sense of them through a twenty-first-century disablist lens. From examinations of disability in tales from the Brothers Grimm and Hans Christian Andersen through to modern interpretations ranging from Disney to Angela Carter, and the fight for disabled representation in today's media, Leduc connects the fight for disability justice to the growth of modern, magical stories, and argues for increased awareness and acceptance of that which is other—helping us to see and celebrate the magic inherent in different bodies.

    This discovery set her on a time-sensitive mission: to understand how her own family had somehow wound up in Canada.Chop Suey Nation weaves together Hui’s own family history with those dozens of Chinese restaurant owners from coast to coast. Along her trip, she meets a Chinese-restaurant owner/small-town mayor, the owner of a Chinese restaurant in a Thunder Bay curling rink, and the woman who runs a restaurant alone on the very remote Fogo Island. Hui also explores the fascinating history behind “chop suey” cuisine, detailing the invention of classics like “ginger beef” and “Newfoundland chow mein,” and other uniquely Canadian fare like the “Chinese pierogi” of Alberta.Hui, who grew up in authenticity-obsessed Vancouver, starts out her journey with a dim view of “fake" small-town Chinese food. But along the way she comes to understand the values that drive these restaurants — perseverance, entrepreneurialism and deep love for family. Using her own family’s story as a touchstone, she reveals the importance of these restaurants to this country’s history and makes the case for why chop suey cuisine is quintessentially Canadian.

    Living in the port city of Halifax, Goyette’s days are bounded by the substantial fact of the North Atlantic, both by its physical presence and by its metaphoric connotations. And like many of life’s overwhelming facts, our awareness of the ocean’s importance and impact waxes and wanes as the ocean sometimes lurks in the background, sometimes imposes itself upon us, yet always, steadily, is. This collection is not your standard “Oh, Ocean!” versifying. Goyette plunges in and swims well outside the buoys to craft a sort of alternate, apocryphal account of our relationship with the ocean. In these linked poems, Goyette’s offbeat cast of archetypes (fog merchants, lifeguards, poets, carpenters, mothers, daughters) pronounce absurd explanations to both common and uncommon occurrences in a tone that is part cautionary tale, part creation myth and part urban legend: how fog was responsible for marriages, and for in-laws; why running, suburbs and chairs were invented; what happens when you smoke the exhaust from a pride of children pretending to be lions. All the while, the anthropomorphized ocean nibbles hungrily at the shoreline of our understanding,refusing to explain its moods and winning every staring contest. “I wrote these poems,” comments Goyette, “because I know very little about the ocean and yet rely on it like a mirror, a compass.” In Ocean, Goyette demonstrates how a spirited, playful and richly mythopoetic engagement with the world can actually strengthen our grasp on its bigger truths.

    What do you do when your outspoken, passionate, and quick-witted mother starts fading into a forgetful, fearful woman? In this powerful graphic memoir, Sarah Leavitt reveals how Alzheimer's disease transformed her mother Midge--and her family--forever.

    An anonymous music file surfaces on the internet and a cult springs up in its wake. A group of city animals briefly open their minds to us. Helen finds her clothes growing baggy, her shoes looser, and as she shrinks, the world around her recedes. A lifetime of romantic relationships are charted against the rise and fall of the celebrity cast of a classic film.Jillian Tamaki brings her characteristic blend of realism and humor to her first collection of short stories. Boundless explores the lives of women and how the expectations of others influence their real and virtual selves. Mixing objective reality, speculative fiction, out-and-out fantasy, and a deep understanding of the contemporary world's contradictions, Tamaki shows herself to be a short story talent equal to her peers Adrian Tomine and Eleanor Davis. Tamaki's styles shift from story to story, each delicately setting the mood for her characters' inner turmoil: thick chunky blocks of ink become hyper-realist detailing which become brushy drawings of plants, all effortlessly rendered in Tamaki's distinctive hand.