It is a story of survival -- how nine-year-old Jamie, his mother, and his baby sister Nin leave an abusive situation, move to a small trailer in the woods, and slowly learn how to trust the people around them -- and each other.

    She is cool and streetwise, too, and afraid of no one. It's easy for her to watch out for her little, first-grade brother, Andrew. But their mother, a legal professional and a widow, is concerned about crime and drugs in her children's Chicago school. She moves them all to a smaller and, she hopes, smaller town.Yolanda, at first, is scornful of her new town. And Andrew, who never talks much, is having trouble learning to read. What he loves to do is play on the old harmonica given to him as a baby by his father to teethe on and which he's kept blowing ever since. He can imitate any sound he hears, like bacon sizzling, or express any mood he feels, like the freshness of an early morning. Yolanda understands that that's the way he "talks." She is convinced Andrew is a true genius with a great musical gift. But no one else believes it--not her mother, nor Andrew's teachers, not even wonderful Aunt Tiny in Chicago. Yolanda sets out to open up adult eyes, a task whose strategies will call on far more than her physical toughness. Her plans crystallize on a visit back to Chicago to enjoy the great annual blues festival with Aunt Tiny.Carol Fenner, whose previous book "Randall's Wall" has reached a wide audience throughout the country, has created a daring heroine in Yolanda and a warm portrayal of an African-American family in a story that moves with mounting intensity to a dramatic, believable, and a wholly satisfying conclusion.

    When Hollis is sent to Josie, an elderly artist who is quirky and affectionate, she wants to stay. But Josie is growing more forgetful every day. If Social Services finds out, they'll take Hollis away and move Josie into a home. Well, Hollis Woods won't let anyone separate them. She's escaped the system before; this time, she's taking Josie with her. Still, even as she plans her future with Josie, Hollis dreams of the past summer with the Regans, fixing each special moment of her days with them in pictures she'll never forget. Patricia Reilly Giff captures the yearning for a place to belong in this warmhearted story, which stresses the importance of artistic vision, creativity, and above all, family.

    Even waffles! Eleven-year-old Primrose Squarp loves this homey place, especially its owner, Kate Bowzer, who takes her under her wing, teaches her how to cook, and doesn't patronize or chastise her, even when she puts her guinea pig too close to the oven and it catches fire. Primrose can use a little extra attention. Her parents were lost at sea, and everyone but her thinks they are dead. Her Uncle Jack, who kindly takes her in, is perfectly nice, but doesn't have much time on his hands. Miss Perfidy, her paid babysitter-guardian, smells like mothballs and really doesn't like children, and her school guidance counselor, Miss Honeycut, an uppity British woman of the world, is too caught up in her own long-winded stories to be any kind of confidante. Nobody knows what exactly to think of young Primrose, and Primrose doesn't quite know what to make of her small community, either.

    There the boys listen eagerly to all of Uncle David's tales of superheroes.Then one night Uncle David tells the story, The Woodcutter, and what happens next is terrible--then wonderful.

    Now in sixth grade, Leigh lives with his mother and is the new kid in school. He's lonely, troubled by the absence of his father, a cross-country trucker, and angry because a mysterious thief steals from his lunchbag. Then Leigh's teacher assigns a letter-writing project. Naturally Leigh chooses to write to Mr. Henshaw, whose surprising answer changes Leigh's life. (back cover)

    But plenty of excitement (and shocks) are coming Jack's way once his mom loans him out to help a feisty old neighbor with a most unusual chore—typewriting obituaries filled with stories about the people who founded his Utopian town. As one obituary leads to another, Jack is launched on a strange adventure involving molten wax, Eleanor Roosevelt, twisted promises, a homemade airplane, Girl Scout cookies, a man on a trike, a dancing plague, voices from the past, Hells Angels . . . and possibly murder. Endlessly surprising, this sly, sharp-edged narrative is the author at his very best, making readers laugh out loud at the most unexpected things in a dead-funny depiction of growing up in a slightly off-kilter place where the past is present, the present is confusing, and the future is completely up in the air.

    That's how Katie Takeshima's sister, Lynn, makes everything seem. The sky is kira-kira because its color is deep but see-through at the same time. The sea is kira-kira for the same reason and so are people's eyes. When Katie and her family move from a Japanese community in Iowa to the Deep South of Georgia, it's Lynn who explains to her why people stop on the street to stare, and it's Lynn who, with her special way of viewing the world, teaches Katie to look beyond tomorrow, but when Lynn becomes desperately ill, and the whole family begins to fall apart, it is up to Katie to find a way to remind them all that there is always something glittering -- kira-kira -- in the future.

    The lack of a name is appropriate, because he and his mother are but poor peasants in 14th century medieval England. But this thirteen-year-old boy who thought he had little to lose soon finds himself with even less - no home, no family, or possessions. Accused of a crime he did not commit, he may be killed on sight, by anyone. If he wishes to remain alive, he must flee his tiny village. All the boy takes with him is a newly revealed name - Crispin - and his mother's cross of lead.

    The girl known only as Brat has no family, no home, and no future until she meets Jane the Midwife and becomes her apprentice. As she helps the sharp-tempered Jane deliver babies, Brat--who renames herself Alyce--gains knowledge, confidence, and the courage to want something from life: "A full belly, a contented heart, and a place in this world." Medieval village life makes a lively backdrop for the funny, poignant story of how Alyce gets what she wants. A concluding note discusses midwifery past and present. A Newbery Medal book.

    So begins the journal of a girl coming of age in nineteenth-century New Hampshire. Catherine records both the hardships of pioneer life and its many triumphs. Even as she struggles with her mother’s death and father’s eventual remarriage, Catherine’s indomitable spirit makes this saga an oftentimes uplifting and joyous one. Quiet yet powerful, this Newbery Medal–winning book is sure to touch all who read it.

    She runs away toward San Francisco, toward her pen pal, who calls her Julie. But soon Miyax is lost in the Alaskan wilderness, without food, without even a compass. Slowly she is accepted by a pack of Arctic wolves, and she comes to love them as though they were her brothers. With their help, and drawing on her father’s training, she struggles day by day to survive. In the process, she is forced to rethink her past, and to define for herself the traditional riches of Eskimo life: intelligence, fearlessness, and love.

    Join Joey and his sister Mary Alice as they spend nine unforgettable summers with the worst influence imaginable--their grandmother!

    The meanness gland in her heart and the crevices full of questions in her brain make running away from Hard Pan, California (population 43), the rock-bottom only choice she has. It's all Brigitte's fault -- for wanting to go back to France. Guardians are supposed to stay put and look after girls in their care! Instead Lucky is sure that she'll be abandoned to some orphanage in Los Angeles where her beloved dog, HMS Beagle, won't be allowed. She'll have to lose her friends Miles, who lives on cookies, and Lincoln, future U.S. president (maybe) and member of the International Guild of Knot Tyers. Just as bad, she'll have to give up eavesdropping on twelve-step anonymous programs where the interesting talk is all about Higher Powers. Lucky needs her own -- and quick. But she hadn't planned on a dust storm. Or needing to lug the world's heaviest survival-kit backpack into the desert.

    Kidnapped by the crew of an Africa-bound ship, a thirteen-year-old boy discovers to his horror that he is on a slaver and his job is to play music for the exercise periods of the human cargo.