In writing that is inventive, bold, and generous, Axiomatic introduces an unforgettable voice.

    It is the inside account of the hopes, achievements and bitter failures of the Labor Government from 2007 to 2013. Kevin Rudd and Julia Gillard came together to defeat John Howard, formed a brilliant partnership and raised the hopes of the nation. Yet they fell into tension and then hostility under the pressures of politics and policy. Veteran journalist Paul Kelly probes the dynamics of the Rudd–Gillard partnership and dissects what tore them apart. He tells the full story of Julia Gillard’s tragedy as our first female prime minister - her character, Rudd’s destabilisation, the carbon tax saga and how Gillard was finally pulled down on the eve of the 2013 election. Kelly documents the most misunderstood event in these years - the rise of Tony Abbott and the reason for his success. It was Abbott’s performance that denied Rudd and Gillard the chance to recover. Labor misjudged Abbott and paid the price. Kelly writes with a keen eye and fearless determination. His central theme is that Australian politics has entered a crisis of the system that, unless corrected, will diminish the lives of all Australians.

    A charismatic, well-respected doctor by day, Tim's father became a roaring madman at night.The house was our castle, and Dad was our king. He was an unpredictable king, tyrannous and moody, lethal one day, loving the next.This is an extraordinary memoir of growing up with a parent afflicted by mental illness: a complex elegy, powerfully told, loaded with love, rage and surprising humour. It is about the lengths children will go to protect themselves - and their families - from shame or harm, and how adapting to that adversity becomes and intractable part of who we are as adults.PRAISE FOR TIM ELLIOT"...he has brought us a most extraordinary memoir - bitter-sweet, tragicomic - and in the end redemptive." Sydney Morning Herald"Searing piece on mental illness... Bravo" Jessica Rowe"One of the finest, most moving pieces on mental illness you'll ever read" Professor Simon Chapman

    His logical mind draws him towards the pursuit of science and knowledge. Mary, who loves to draw, is passionate and impetuous. The small country town in which they live, in the aftermath of World War II, is not enough to contain her ambitions for life and for love.When Mary escapes to Melbourne in pursuit of sensuality and art, Dominic must shoulder the mantle of family responsibility. Mary begins a new life, exploring the bohemian haunts of a rapidly changing post-war city. Dominic studies hard and eventually finds himself drawn into the field of eugenics, a fraught pseudo-science based on ideology. Then he meets Hanna, the daughter of Jewish refugees, who begins to show him the limitations of his scientific view.But Dominic and Mary are destined to come together, and the past cannot be left behind so easily. When Dominic comes looking for his sister, Mary must decide where her loyalties lie: to her family or to her art.Dominic, meanwhile, bears a secret of his own.This is a powerful novel about the choices we make in pursuit of our ideas, and the inexorable pull of the past. Set in an era of social constraint but profound genetic discovery, The Science of Appearances examines how the complex interplay of heredity and environment makes, shapes, and sometimes breaks us.

    It argued that classical Aboriginal society was more sophisticated than Australians had been led to believe because it resembled more closely the farming communities of Europe.In Farmers or Hunter-gatherers? Peter Sutton and Keryn Walshe ask why Australians have been so receptive to the notion that farming represents an advance from hunting and gathering. Drawing on the knowledge of Aboriginal elders, previously not included within this discussion, and decades of anthropological scholarship, Sutton and Walshe provide extensive evidence to support their argument that classical Aboriginal society was a hunter-gatherer society and as sophisticated as the traditional European farming methods.Farmers or Hunter-gatherers? asks Australians to develop a deeper understanding and appreciation of Aboriginal society and culture.

    When their mother's appetite for destruction leads the little family into the arms of Ray Crow, Jesse sees the brooding violence and knows that, this time, the trouble is real. But Jesse is just a kid and even as he tries to save his sister, he makes a fatal error that exposes them to the kind of danger from which he has sworn to protect Rachel. As their little world is torn to pieces, the children learn that when you are lost and alone, the only thing you can trust is what's in your blood.

    In the months that followed, the "Black Dog" (as he calls it) ruled his life. He raged at his wife and children. He ducked a parking ticket on grounds of insanity, and begged a police officer to shoot him rather than arrest him. For days on end he lay in despair, a state in which, as he puts it precisely, "you feel beneath help."Killing the Black Dog is Murray's recollection of those awful days: brief, pointed, wise, and full of beauty in the way of his poetry. The prose text—delicately balanced between personal and informative—gives a glimpse of the imprint that depression can leave on a life. The accompanying poems show their roots in his crisis—a crisis from which, he reports toward the close of this poignant book, he has fully recovered. "My thinking is no longer jammed and sooty with resentment," he recalls. "I no longer wear only stretch-knit clothes and drawstring pants. I no longer come down with bouts of weeping or reasonless exhaustion. And I no longer seek rejection in a belief that only bitterly conceded praise is reliable."Killing the Black Dog is a crucial chapter in the life of an outstanding poet.

    Staff nursing in a ward where she's challenged by an inventory driven ward sister, she reckons it's time to swap such trivialities for life as a district nurse.Independent thinking is one thing, but Jane's about to find that the drama on district can demand instant reaction; and without hospital back up, she's usually the one having to provide it. She meets a rich cast of patients all determined to follow their own individual star, and goes to Edinburgh where Queen Victoria's Jubilee Institute's nurse training is considered the cr me de la cr me of the district nursing world.Call Me Sister recalls Jane's challenging and often hilarious route to realizing her own particular dream.

    Sam's personal message at the end of the book has resonated powerfully with readers - where, pulling no punches, she writes about what it is really like to face life in a wheelchair.In Sam Bloom, Sam tells her own story for the first time - how a shy but determined Australian girl became a nurse and travelled across Africa. How she fell in love with a like-minded free spirit, raised three boys and built a life together on Sydney's Northern Beaches. And then, in a single horrific moment, how everything changed. Sam's journey back from the edge of death and the depths of despair is so much more than an account of overcoming adversity. Sam's captivating true story - written by close friend, New York Times bestselling author Bradley Trevor Greive, and featuring extraordinary photographs taken by Sam's husband, Cameron Bloom - is humbling, heartbreaking and uplifting in equal measure. A triumph of raw emotion and incredible beauty, Sam Bloom: Heartache & Birdsong is a truly unforgettable book.Penguin Bloom is soon to be a major motion picture starring Naomi Watts, Andrew Lincoln, Jacki Weaver and Rachel House.PRAISE FOR PENGUIN BLOOM 'A unique and remarkable insight into a family dealing with tragedy and finding their way through it with love, courage and hope' - Naomi Watts'a coffee-table book that will make hearts soar' - Daily Telegraph

    It is a time of war, tyranny and terror. Napoleon Bonaparte wants to conquer all of Europe, and Hessen-Cassel is one of the first kingdoms to fall. Forced to live under oppressive French rule, the Grimm brothers decide to save old tales that had once been told by the firesides of houses grand and small all over the land.Dortchen knows many beautiful old stories, such as Hansel and Gretel, The Frog King and Six Swans. As she tells them to Wilhelm, their love blossoms. Yet the Grimm family is desperately poor, and Dortchen's father has other plans for his daughter. Marriage is an impossible dream.Dortchen can only hope that happy endings are not just the stuff of fairy tales.

    Told in an unfurling narrative of interlinking stories, in a style reminiscent of David Mitchell's Cloud Atlas, McKinnon weaves together the stories of Will Martin together with the stories of four others: a desperate ex-convict, Hawker, who commits an act of terrible brutality; Lola, who in 1900 runs a dairy farm on the Illawarra with her brother and sister, when they come under suspicion for a crime they did not commit; Bel, a young girl who goes on a rafting adventure with her friends in 1998 and is unexpectedly caught up in violent events; and in 2033, Nada, who sees her world start to crumble apart. Intriguingly, all these characters are all connected - not only through the same land and water they inhabit over the decades, but also by tendrils of blood, history, memory and property...Compelling, thrilling and ambitious, Storyland is our story, the story of Australia. 'The land is a book waiting to be read' as one of the characters says - and this novel tells us an unforgettable and unputdownable story of our history, our present and our future.

    From the civil rights struggle in the United States to the Nazi crimes against humanity in Europe, there are more stories than people passing one another every day on the bustling streets of every crowded city. Only some stories survive to become history.Recently released from prison, Lamont Williams, an African American probationary janitor in a Manhattan hospital and father of a little girl he can’t locate, strikes up an unlikely friendship with an elderly patient, a Holocaust survivor who was a prisoner in Auschwitz-Birkenau.A few blocks uptown, historian Adam Zignelik, an untenured Columbia professor, finds both his career and his long-term romantic relationship falling apart. Emerging from the depths of his own personal history, Adam sees, in a promising research topic suggested by an American World War II veteran, the beginnings of something that might just save him professionally, and perhaps even personally.As these men try to survive in early-twenty-first-century New York, history comes to life in ways neither of them could have foreseen. Two very different paths—Lamont’s and Adam’s—lead to one greater story as The Street Sweeper, in dealing with memory, love, guilt, heroism, the extremes of racism and unexpected kindness, spans the twentieth century to the present, and spans the globe from New York to Chicago to Auschwitz.Epic in scope, this is a remarkable feat of storytelling.

    In a time of uncertainty, the country chose in 2019 to turn to a man with no obvious beliefs, no clear purpose and no famous talents. That we wanted Scott Morrison was the secret we did not know about ourselves. What precisely that secret is forms the subject of this book.In The Game, Sean Kelly gives us a portrait of a man, the shallow political culture that allowed him to succeed and the country that crowned him.Morrison understands – in a way that no other recent politician has – how politics has become a game. He also understands something essential about Australia – something many of us are unwilling to admit, even to ourselves.But there are things Scott Morrison does not understand. This is the story of those failures, too – and the way that, as his prime ministership continues, Morrison’s failure to think about politics as anything other than a game has become a dangerous liability, both to him and to us. ‘An engrossing, illuminating and often disquieting study of Scott Morrison. Sean Kelly’s forensic analysis of the man he describes as the “symbolic perfection of a certain version of Australia ” compels us all to consider our complicity in his creation.’—Niki Savva‘It’s been almost impossible to get a handle on Scott Morrison. Until now. Sean Kelly has done it, comprehensively.’ —Barrie Cassidy‘Sean Kelly exposes Morrison with wit and righteous precision. After reading this insightful, funny and absolutely maddening dissection of the man, I can now clearly see him for what he is.’ —Tom Ballard

    If a man can still ride, if he hasn't totally lost the use of his legs, if he hasn't died to the part of his heart that understands such things, then he should go for a gallop. At the very least he should stand at the road by the river imagining that he's pushing a horse up the steep hill that leads to the house on the farm once known as One Tree.

    These were the starting point for One Life, the story of a woman whose life spanned a century of tumult and change. In many ways Nance’s story echoes that of many mothers and grandmothers, for whom the spectacular shifts of the twentieth century offered a path to new freedoms and choices. In other ways Nance was exceptional. In an era when women were expected to have no ambitions beyond the domestic, she ran successful businesses as a registered pharmacist, laid the bricks for the family home, and discovered her husband’s secret life as a revolutionary.One Life is an act of great imaginative sympathy, a daughter’s intimate account of the patterns in her mother’s life. It is a deeply moving homage by one of Australia’s finest writers.