. .After losing her mum in a tragic accident, Chrissy Moss fought to survive on one of the East End's most notorious estates. When a fifteen-year-old girl disappears, hours after delivering a message for a local gang leader, the residents take the law into their own hands causing buried secrets to resurface.AND YOU MUST FIGHT TO SURVIVE.With rumours flying about the girl's disappearance, the truth about Chrissy's mother is called into question, and Chrissy begins to suspect her death was no accident: it was murder. But people on the estate are refusing to talk, and to find answers Chrissy must unravel an age-old web of deceit that runs right into the heart of London's East End.As Chrissy grows nearer to the truth, she unwittingly inches closer to danger. Could it be that she, like her mother, has put her trust in the wrong person?

    The Soho that Precious and Tabitha live and work in is barely recognisable anymore. And now, the building they call their home is under threat; its billionaire-owner Agatha wants to kick the women out to build expensive restaurants and luxury flats. Men like Robert, who visit the brothel, will have to go elsewhere. The collection of vagabonds and strays in the basement will have to find somewhere else to live. But the women are not going to go quietly. They have plans to make things difficult for Agatha but she isn't taking no for an answer.Hot Stew is an insightful and ambitious novel about property, ownership, wealth and inheritance. It is about the place we occupy in society, especially women, and the importance placed on class and money. It doesn't shy away from asking difficult questions but does so with humour and intelligence.

    From career struggles to astronomical student debt to climate change angst, there's a lot to worry about. Look I Bought Plants: And Other Poems about Life and Stuff was dreamt up by two twenty-somethings—Taylor Garron and Eva Victor—who love jokes and sex, in that order. From silly slices of life to R-rated encounters, their witty, irreverent, and satirical poetry reflects on everyday challenges, relationships, and everything else there is to be anxious about.For the millennial trying to put together their IKEA furniture, your cool niece with the septum piercing, or anyone who has ever dated someone in their head, Look I Bought Plants is a funny, charming reminder that you aren't alone and we can all commiserate.• TIMELY AND RELATABLE CONTENT: Millennials may be exhausted, but their own amusing attitudes towards their exhaustion never tire! This book takes a cynical yet laughable approach—the millennial experience perfectly encapsulated in verse. Each poem is highly relatable and you may find yourself saying, "Okay, this is me."• RISING STAR AUTHORS: Eva Victor's writing is published in The New Yorker and she has appeared on various media outlets including Forbes. Taylor Garron's work has been featured in The New Yorker, The Onion, and Vulture.• GREAT PRESENT OR SELF-PURCHASE: With a vivid design, a low price point, and relatable content, Look I Bought Plants begs to be shared with all of your friends and gifted to you by your family. It's trendy and affordable—just the way millennials like it!

    When her younger sister sends her an invite to her Christmas wedding on the other side of the country in Vancouver, she decides to kill two birds with one stone and plans a ski trip to Whistler with some old friends. However, her dreams of a snowy Christmas on skis are thwarted by her sister’s dog sitting crisis.Instead of spending Christmas enjoying the après ski alcohol, she is instead stuck minding Hamish McDuff for the next week. They say that every cloud has a silver lining and for Verity, the silver lining comes in the guise of her sexy new neighbour, Nikau Taylor. Nikau seems determined to help Verity eradicate her ghosts of Christmas past, but what will happen when her time is up and it’s time to go home to Toronto?

    For three months, this humble fishing village will serve as the playground for New York City’s wealthy elite. Beatrice Bordeaux was looking forward to a summer of reigniting the passion between her and her husband, Harry. Instead, tasked with furthering his investment interest in Montauk as a resort destination, she learns she’ll be spending twelve weeks sequestered with the high society wives at The Montauk Manor—a two-hundred room seaside hotel—while Harry pursues other interests in the city. College educated, but raised a modest country girl in Pennsylvania, Bea has never felt fully comfortable among these privileged women, whose days are devoted not to their children but to leisure activities and charities that seemingly benefit no one but themselves. She longs to be a mother herself, as well as a loving wife, but after five years of marriage she remains childless while Harry is increasingly remote and distracted. Despite lavish parties at the Manor and the Yacht Club, Bea is lost and lonely and befriends the manor’s laundress whose work ethic and family life stir memories of who she once was. As she drifts further from the society women and their preoccupations and closer toward Montauk’s natural beauty and community spirit, Bea finds herself drawn to a man nothing like her husband –stoic, plain spoken and enigmatic. Inspiring a strength and courage she had almost forgotten, his presence forces her to face a haunting tragedy of her past and question her future. Desperate to embrace moments of happiness, no matter how fleeting, she soon discovers that such moments may be all she has, when fates conspire to tear her world apart…

    But when they start crashing the same parties, the mittens are off!As much as she loves Christmas, after her mother’s death, events planner Nat can’t face the jolly season anymore. So to get her festive hit she crashes everyone else’s party. It’s a sweet gig, until she meets her competition, tech empire millionaire, Dean, under the mistletoe…!When it comes to relationships, Dean doesn’t do serious—being left at the altar will do that to a guy. So when he meets feisty Nat, the first woman in ten years to pique his interest, he’s tempted to break his one-night rule…just for the holidays!Nat and Dean might get more than they bargained for in their stockings this Christmas!

    But after the death of her mother, she's decided it's time to face her past and return to the place she called home. Her father needs her, and perhaps she needs him more than she's willing to admit?Tackling town gossip, home renovations and a flame from her past, it's not quite smooth sailing for Kerra. Ross is the bad boy she was meant to forget, not a man who still sets her heart aflutter. As he helps bring her dream home to life, they begin to break down the barriers that have been holding them back and in the process learn things about themselves they never thought possible.As friends old and new come together, the future in Penvennan looks bright.

    How are we to learn to grieve when it feels unrelenting? How are we to adore and memorialize small moments of appreciation? How are we to shape our grief into something worth celebrating, and begin to understand the grief we give?

    Now, he’s on the run from the authorities and his former employer. But when Yassen seeks refuge with an old friend, he’s offered an irresistible deal: defend the heir of Ravence from the Arohassin, and earn his freedom. Elena Ravence prepares to ascend the throne. Trained since birth in statecraft, warfare, and the desert ways, Elena knows she is ready. She only lacks one thing: the ability to hold Fire. With the coronation only weeks away, she must learn quickly or lose her kingdom.Leo Ravence is not ready to give up the crown. There’s still too much work to be done, too many battles to be won. But when an ancient prophecy threatens to undo his lifetime of work, Leo wages war on the heavens themselves to protect his legacy.The first of The Ravence Trilogy, The Boy with Fire is the tale of a world teetering on the edge of war and prophecy, of fate and betrayal, of man’s irrevocable greed for power — and the sacrifices that must come with it.

    She can’t imagine how waiting tables at a 24-hour pancake diner and moving in with too many weird roommates could possibly change that. And there’s certainly no chance of her subway commute being anything more than a daily trudge through boredom and electrical failures.But then, there’s this gorgeous girl on the train.Jane. Dazzling, charming, mysterious, impossible Jane. Jane with her rough edges and swoopy hair and soft smile, showing up in a leather jacket to save August’s day when she needed it most. August’s subway crush becomes the best part of her day, but pretty soon, she discovers there’s one big problem: Jane doesn’t just look like an old school punk rocker. She’s literally displaced in time from the 1970s, and August is going to have to use everything she tried to leave in her own past to help her. Maybe it’s time to start believing in some things, after all.Casey McQuiston’s One Last Stop is a magical, sexy, big-hearted romance where the impossible becomes possible as August does everything in her power to save the girl lost in time.

    She had dark hair, like mine. 2. She wasn’t very happy at the end.Anna has always believed that her mother, Debbie, died 30 years ago on the night she disappeared.But when her father gets a strange note, she realises that she’s never been told the full story of what happened that night on the cliff.Confused and upset, Anna turns to her husband Jack – but when she finds a love letter from another woman in his wallet, she realises there’s no-one left to help her, least of all her family.And then a body is found…

    None of these he allows to overwhelm his spirit or his poems, which demonstrate, through breath and cadence and unrepentant enthrallment, that a gentle palm on a chest can calm the fiercest hungers.

    This Penguin Classics edition of Sonnets and A Lover's Complaint is edited by John Kerrigan.'Shall I compare thee to a summer's day?'The language of Shakespeare's sonnets has become inseparable from the language of love in English; but the force and tenderness of these poems is undiminished by age. When this volume of Shakespeare's poems first appeared in 1609, he had already written most of the great plays that made him famous. The 154 sonnets - all but two of which are addressed to a beautiful young man, 'Mr W.H.', or a treacherous 'dark lady' - contain some of the most exquisite and haunting poetry ever written, and deal with eternal subjects such as love and infidelity, memory and mortality, and the destruction wreaked by Time. Also included is A Lover's Complaint, originally published with the sonnets, in which a young woman is overheard lamenting her betrayal by a heartless seducer.In his illuminating introduction, John Kerrigan examines how the sonnets are intertwined, the ways in which these works have been interpreted and the themes running through them. This edition also includes further reading, commentaries on each poem, a textual history, variant and further sonnets and an index of first lines.If you enjoyed Sonnets and A Lover's Complaint, you might like John Milton's Paradise Lost, also available in Penguin Classics.'Shakespeare led a life of allegory: his works are the comments on it'John Keats

    Along with Jean Mermoz and Henri Guillaumet, he was chosen to pioneer new mail routes across the globe. No distance was too far and no mountain too high—each letter had to reach its destination. The three friends soared through the air, while back on solid ground, they dealt with a world torn apart by wars and political factions.This is a gripping narrative of friendship and exploration, and an homage to Antoine de Saint-Exupéry, an unforgettable writer who touched the lives of millions of readers, and who was able to see the world through the eyes of a child.

    Space Struck explores the wonders and cruelties occurring within the realms of nature, science, and religion, with the acuity of a sage, the deftness of a hunter, and a hilarious sensibility for the absurd. The universe is seen as an endless arrow “. . . and it asks only one question: How dare you?”The poems are physically and psychologically tied to the animal world, replete with ivory-billed woodpeckers, pelicans, and constellations-as-organisms. They are also devastatingly human, well anchored in emotion and self-awareness, like art framed in a glass that also holds one’s reflection. Silky and gruesome, the poems of Space Struck pulse like starlight.