I NEVER write romances. If you're after one, please don't read this.)“…We are all animals, Sophie, all of us. We think we are so smart—masters of our destinies, yes? We lie to ourselves that we have control. But if it does not rain, we die of thirst. If it rains too much, we drown…”Everyone needs to discover his or her own special place in the world, but Sophie has found it almost impossible. Late one night, in the tumbledown waiting room of a derelict Cambodian train station, she meets a stranger who offers to change her life.Having seen how fleeting and cruel life can be, Alex has found his own way to deal with its uncertainty. With the help of Marcus, his mentor, he has come to believe it is only through artificially imposed order and physical discipline that one can find a semblance of serenity.Alex is certain he knows how to cure Sophie of her existential angst. But lurking beneath his altruism, does he have his own agenda?The Waiting Room is a dark erotica novella exploring the limits of sexual domination and submission.

    Funny by Name. Funny by Nature. Jasper Spam is mad about science, the problem is that all of his experiments tend to end in a BANG, until one day quite accidentally Jasper manages to invent something that will change the world forever ...One crazy experiment involving a shed, a mallet, and a poorly aimed laser beam results in Jasper's cat Rover, becoming the world's first talking cat. Finally an invention that works - the Cat Chat 2000! Soon people are handing over all of their cash to get a talking cat. With his new found wealth Jasper can finally live the life he's always dreamed of - buying a mansion, sports team, and producing a Hollywood blockbuster. But is there a huge price to pay for bringing talking cats to the world, and money won't be able to solve the problem that the Cat Chat 2000 has caused.

     “One never knows where fate will take us. Cairo taught me that. Expect the unexpected. Little did I realise when I left London that I would walk out of one nightmare into another.” 1943. SOE agent Larry Hadley leaves Cairo for German and Italian occupied Greece. His mission is to liaise with the Poseidon network under the leadership of the White Rose. It’s not long before he finds himself involved with a beautiful and intriguing woman whose past is shrouded in mystery. In a country where hardship, destruction and political instability threaten to split the Resistance, and terror and moral ambiguity live side by side, Larry’s instincts tell him something is wrong. After the devastating massacre in a small mountain village by the Wehrmacht, combined with new intelligence concerning the escape networks, he is forced to confront the likelihood of a traitor in their midst. But who is it? Time is running out and he must act before the network is blown. The stakes are high. From the shadowy souks and cocktail parties of Cairo’s elite to the mountains of Greece, Athens, the Aegean Islands, and Turkey, The Poseidon Network, is an unforgettable cat-and-mouse portrait of wartime that you will not want to put down.

    Her dad is getting remarried, which makes no sense according to Odessa. If the prefix "re" means "to do all over again," shouldn't he be remarrying Mom? Meanwhile, Odessa moves into the attic room of their new house. One day she gets mad and stomps across the attic floor. Then she feels as if she is falling and lands . . . on the attic floor. Turns out that Odessa has gone back in time a whole day! With this new power she can fix all sorts of things--embarrassing moments, big mistakes, and even help Oliver be less of a toad. Her biggest goal: reunite Mom and Dad.From the Hardcover edition.

    Between the closing of the city's largest steel mill and the worst blizzard in more than 40 years, the table is set for remarkable change. Unemployed steel worker Bobby Wayland is trying hard to help his family and still pay for his wedding, but the only solution he can think of involves breaking the law. On the other side of town, a little girl named Hope is keeping a big secret, one she won't even share with her Great Uncle Joe―she can make things move without touching them. Watching over both of them is the city herself, and she has something to say and something to do about all of this.The Heebie-Jeebie Girl is the story of an era ending and the uncertainty that awakens. It's the story of what happens when the unconscionable meets the improbable. It's the story of dreams deferred, dreams devoured, and dreams dawning. It is likely to be the most distinctive novel you read this year, but it will startle you with its familiarity. Author Susan Petrone has created an unforgettable tale of family, redemption, and magic.

    In these 115 titled chapters, a man, who learns he has a 5-year-old son, is caught between the life he knows and a life he may not yet be ready for. This is a book that tears down the boundaries in relationships, sentences, origin and identity, no matter how quickly its narrator tries to build them up.“In Matt Salesses’s smart novel-in-shorts, a newly-minted father flees telling his own story by any means necessary—by sarcasm, by denial, by playful and precise wordplay—rarely allowing space for his emerging feelings to linger. But the truth of who we might be is not so easily escaped, and it is in the accumulation of many such moments that our narrator, like us, is revealed: both the people we have been, and the better people we might be lucky enough to one day hope to become.”– Matt Bell, author of In the House upon the Dirt between the Lake and the Woods“Matthew Salesses has written an extraordinary and startlingly original novel that explores connection and disconnection, the claims and limitations of the self, and the shifting terrain of truth. Poetic, unforgettable, shot through with fury and yearning, I’m Not Saying, I’m Just Saying captures in clear and chilling flashes our capacity for the cruelty and tenderness of love.”–Catherine Chung, author of Forgotten Country“Matthew Salesses’ I’m Not Saying, I’m Not Saying is an absolute stunner of a novel. Told is short, sharp vignettes with prose that is taut, yet overflowing with meaning, this is the story of a year in the life of a complex and haunted, cobbled together family. The beauty of Salesses’ writing here lies in his fearlessness, the emotional blows to the heart and head and gut he’s willing to deliver, as if to say: This, this is life! And we are all, in one way or another, survivors.”– Kathy Fish, author of Together We Can Bury It“I’m not Saying, I’m just Saying renders the messiness of life, family, love in its myriad complex forms—romance lost and found, blood ties, squandered, unrequited—via 115 micro-stories that add up to a pointillist masterpiece.”– Marie Myung-Ok Lee, author of Somebody’s Daughter

    I wrote them because I felt we were almost invisible and I wanted to make sure our story was told, and also in the hope that life would get better for the small unloved girl that was me, and my even smaller unloved brother. And if life didn’t get better or at least more interesting I was going to make it up – to put in witches and castles and rides in fast cars. But I didn’t need to. Life got exciting all by itself…It’s 1987 and Ira and Zac are being uprooted once again, this time to Skilly House, a home for social care children. Their lives over the next few years are beautifully realised amongst the antipathy of the authorities, the drama of the poll tax riots and the moments of peace and hope Ira finds at Skilly and further afield. This is a memorable and moving tale about growing up, making friends and finding a home.

    I thought I’d leave the red-headed stranger with dark green eyes behind and good freaking riddance. Except he’s not even close to being gone. Mason McConnell is everywhere, drawing me in, like an invisible thread. I just hope that string doesn't snap and break my heart. Mason: Two weeks was all I needed to go home, spread my cat’s ashes, and visit my brother. But one foolish decision at the airport managed to throw all my plans off track. Somehow, I had unknowingly cast the line, and Charlotte Kelley took the bait. The chatty, prying American somehow had a way of bringing me back to life. I didn’t want her under my skin, and I certainly wasn’t expecting her to make her way into my heart, yet once she did, I didn’t want her to leave. But with one secret wedged between us, I'm not sure I have the right to ask her to stay.

    Elijah Turner is quickly becoming the fourth.He's been around as long as I can remember. But now he's much more than just the annoying guy at school.My life was working out perfectly...until it got turned upside down.

    But while artistic, creative Linc is her parents' daughter biologically, it's smart, popular Holly, adopted from Ghana as a baby, who exemplifies the family's high-achieving model of academic success.Linc is desperate to pursue photography, to find a place of belonging, and for her family to accept her for who she is, despite her surgeon mother's constant disapproval and her growing distance from Holly. So when she comes up with a plan to use her photography interests and skills to do better in school--via a project based on Seneca Village, a long-gone village in the space that now holds Central Park, where all inhabitants, regardless of race, lived together harmoniously--Linc is excited and determined to prove that her differences are assets, that she has what it takes to make her mother proud. But when a long-buried family secret comes to light, Linc must decide whether her mother's love is worth obtaining.

    At the eco-farm Noa Noa, she comes under the influence of its charismatic and domineering owner, Paul. As his hold over her tightens and her plans come unstuck, she finds herself entangled in a strange, uneven relationship.On a fraught road trip across the South of France, both are forced to reckon with uncomfortable truths. A compelling and perturbing story of power, passivity and the cage of being 'good', Paul introduces a novelist of extraordinary perspicacity and lyricism.

    Songs and Portobellos is a magical story that captures the creativity and clarity of perception that young people possess.The book centres on the development of teenagers Conor and Melanie during the summer of 1967 and explores the influences that bring them to understand their uniqueness.By the end of the summer they have transcended the ordinary, discovered who they are and determined what they stand for.

    Four-leaf clovers really do bring good fortune, and owning a rabbit's foot is the secret to success.However, there aren't enough charms in the universe to help Sadie Bleeker. She can't pass a ladder without walking under it, and black cats won't leave her alone.That's because Sadie is an Unlucky. And things will only get worse as she gets older, which is why Unluckies are sent away at age twelve to protect those around them.Sadie can't stand the thought of leaving home, so she and her friend, Cooper, devise a plan to reverse her bad luck. But when their scheme accidentally results in a broken mirror, the situation turns dire. Because for Sadie, seven years bad luck isn't an inconvenience-it's practically a death sentence.Can a girl who's never so much as found a single lucky penny change her fortune? Or will she be forced to celebrate her twelfth birthday by saying farewell to everyone she loves?

    From expressing themselves through graffiti or cutting loose on the dance floor, the party is always raging- that is, until the Brotherhood of the Cracker catches wind of the good time and decides to crack down. The Brotherhood is an evil alliance that controls the world's power structure from behind the scenes, and they don't like the Grrls hoarding in on their business. Before they know it, the Grrls are being hunted by assassins and are on the run for their lives. From the comic shop to homogenized suburbs and the ivory towers of corporate greed, Grrl Scouts is an action-packed, hip hop comics adventure that attacks society with both fists and never stops punching.

    Now, in the summer of 2006, as two wars rage and the fifth anniversary of 9/11 approaches, George has fallen into a coma, control of the company has been wrenched away by a military contracting conglomerate, and Fred has moved back in with his parents. Broke and alone, he’s led by an attractive woman, Mira, into a neurological study promising to give him "peak" experiences and a newfound spiritual outlook on life. As the study progresses, lines between the subject and the experimenter blur, and reality becomes increasingly porous. Meanwhile, Fred finds himself caught up in what seems at first a cruel prank: a series of bizarre emails and texts that purport to be from his comatose brother.Moving between the research hospitals of Manhattan, the streets of a meticulously planned Florida city, the neighborhoods of Brooklyn and the uncanny, immersive worlds of urban disaster simulation;  threading through military listserv geek-speak, Hindu cosmology, the maxims of outmoded self-help books and the latest neuroscientific breakthroughs, Luminarium is a brilliant examination of the way we live now, a novel that’s as much about the role technology and spirituality play in shaping our reality as it is about the undying bond between brothers, and the redemptive possibilities of love."Luminarium is dizzyingly smart and provocative, exploring as it does the state of the present, of technology, of what is real and what is ephemeral. But the thing that separates Luminarium from other books that discuss avatars, virtual reality and the like is that Alex Shakar is committed throughout with trying, relentlessly, to flat-out explain the meaning of life. This book is funny, and soulful, and very sad, but so intellectually invigorating that you'll want to read it twice." — Dave Eggers "This fascinating, hilarious novel, though set in the past, is the story of the future: technology has outlapped us, reality is blinking on and off like a bad wireless connection,  the ones we love are nearby in one sense, but far away in another. Yet at the book’s galloping heart, it’s the story of what one man is willing to go through to find—in our crowded, second-rate space—something like faith. This novel is sharp, original, and full of energy—obviously the work of a brilliant mind.” — Deb Olin Unferth, author of Revolution: The Year I Fell in Love and Went to Join the War