These four constant companions become one in this brilliantly witty, time-jumping, loving tribute (and cautionary tale) dedicated to the people-and machines-upon which we all depend.

    In the century since its first performance, The Cherry Orchard has undergone a wide range of conflicting interpretations: tragic and comic, naturalistic and symbolic, reactionary and radical. Beginning with the 1904 premiere at Stanislavsky's Moscow Art Theatre, this study traces the performance history of one of the landmark plays of the modern theatre. Considering the work of such directors as Anatoly Efros, Giorgio Strehler, Peter Brook, and Peter Stein, Chekhov: The Cherry Orchard explores the way different artists, periods and cultures have reinvented Chekhov's poignant comedy of failure and hope.

    Her boss made a pass at her and she said no so she got a pink slip with her check. Julie's broke and disillusioned, so she drinks and turns on the stereo full blast to make the pain go away. Then her roommate comes home in the midst of an eating frenzy; her boyfriend has gone back to his wife so Alice has turned to food to forget. Julie suggests another way to vent their man

    But at the moment, she's living in New York City and writing advertising jingles to pay the rent while her fiancé, Jack, pursues his singing career. So when Amanda's mother, Kim, calls one evening from New Hampshire and asks for her help with something she can't discuss over the phone, Amanda is only too happy to leave New York. Once home, Kim reveals that she's leaving Amanda's father and needs help packing. Amanda balks and ends up (gently) hitting the postman, who happens to be her first boyfriend. They spend the night together in an apple orchard, where Amanda tries to tell Billy how her life got sidetracked. It has something to do with being a young woman in a profession that only recognizes famous men. Billy acts like he might have the answer, but doesn't. Neither does Amanda's mother. Or, for that matter, her father. A Feminine Ending is a gentle, bittersweet comedy about a girl who knows what she wants but not quite how to get it. Her parents are getting divorced, her fiancée is almost famous, her first love reappears, and there's a lot of noise in her head but none of it is music. Until the end. "Ending′ is a promising beginning...the playwright has a sense of humor that brings to mind a budding Wendy Wasserstein and a liberated sense of form that evokes a junior Paula Vogel."-Los Angeles Times "Darkly comic. FEMININE ENDING has undeniable wit." -New York Post. "Appealingly outlandish humor." -The New York Times. "Courageous. The 90-minute piece swerves with nerve and naivete. Sarah Treem has a voice all her own." -Newsday.

    After all, it’s just a bit of harmless flirting, right?And when she calls to ask for my help one night, I can’t resist having a little fun with her. She thinks I’m a player, and I can’t deny it, but I want to show her there’s more to me than that.I never thought it would happen, but flirting soon turns to burning desire. The more time I spend with her, the more I take a long, hard look at myself, and the harder I’m falling under her captivating spell. Now, I need to convince her my feelings are real.And I can’t even begin to think how I’m going to tell my best friend about us—aka, her country music superstar brother. He warned me to stay away, and he’ll kill me, I’m sure.SiobhanI had it all planned out. It should have all been so simple.Go to LA, see my brother, then get back to my quiet life in Ireland. Love and romance were not in the picture at all, until he picks me up from the airport. I can’t deny I’m attracted to him, but it’s not happening. No way could we ever work.He’s a player.He’s older than me.We live an ocean apart.And, duh… for the love of Mary, he’s my brother’s best friend.But when I find myself stranded, he’s the only one I can call. He’s more than happy to help me out—and even more happy to remind me I owe him for coming to my rescue—but I tell myself not to fall for his charms.I’m only there for a week, so the last thing I expect is to wake up in his bed.Irish Love is the second book in The Claddagh Trilogy. A contemporary short story of love, friendship and family life that can be read as a standalone, though you may want to read Irish Affair first to familiarize yourself with the characters. This book ends on a mild cliffhanger / happy-for-now, and the conclusion to Ben and Siobhan’s steamy romance will be in the third book, Irish Heart, out March 2018.

    Kilkenny were beaten in that final by Tipperary but Tyrrell’s inner-most thoughts from his diary, both in the lead-up to, and after the game, provide the narrative to a compelling life story. His unique insights paint the picture of a relentless individual and a relentless team – the most successful side in the history of Irish male sport. The intrigue and aura around Kilkenny coach Brian Cody and his players was always heightened because very little ever emerged from the camp, or the dressing room. Now, for the first time, Tyrrell opens a unique window into the elite mindset and attitude which forged such unprecedented success. Tyrrell’s own journey is chronicled with brutal and unwavering honesty. The hurling legend’s constant drive to be a winner with his beloved county have pushed him towards breaking point many times. Tyrrell operates somewhere between obsessed and maniacal. On the pitch, he displayed the ruthless mentality of an assassin but behind it all, he had to conquer crippling self-doubt and fear. It took until his fourth successive All-Ireland final for Tyrrell to believe he had finally arrived as a senior inter-county hurler, going on to become one of the most feared and respected defenders in the game.

    Book by McLure, James