Rich with magic and achingly beautiful, they speak of a land of heroic battles, intense love and warrior ideals, in which the otherworld is explored and men mingle freely with the gods. From the vivid adventures of the great Celtic hero Cu Chulaind, to the stunning 'Exile of the Sons of Uisliu' - a tale of treachery, honour and romance - these are masterpieces of passion and vitality, and form the foundation for the Irish literary tradition: a mythic legacy that was a powerful influence on the work of Yeats, Synge and Joyce.

    What makes his book so valuable, however, are the quirky subjects he chooses to illustrate how history really works: the great winter freeze of 1740 and the famine that followed; crime and dueling; an emigrant voyage; evictions. These episodes get behind the historical headlines to give a glimpse of past realities that might otherwise be lost to view. The author has retained the original episodic structure of the radio programs. The result is a marvelous mosaic of the Irish past, delivered with clarity and narrative skill.

    In this, his brilliant and shocking debut novel, Eoin McNamee announced his arrival as one of the leading chroniclers of Ireland's fractured past.

    'Are you Irish?' he asked me. 'No' I said 'as a matter of fact, I'm Yemenite Arab.' Two detectives came forward who were evidently there to meet me. 'Apparently he is Brendan Behan,' they said. The immigration officer shook my hand and his hard face softened. 'Cead mile failte romhat abhaile.' (A hundred thousand welcomes home to you.) I could not answer. There are no words and it would be impertinence to try. I walked down the gangway. I was free. First published after Brendan Behan's tragic death, Confessions of an Irish Rebel picks up where Borstal Boy left off. Not only is it the last instalment of a unique and unorthodox autobiography, but of a unique and unorthodox life that was as touched with genius as it was with doom.

     The story that inspired it was not. In 1990, a box of very old documents was found on a small farm in the west of Ireland. They had been stored for well over a hundred years and told an incredible story of suffering, of love and of courage. In 1846, a young couple met during the worst days of the Great Irish Famine. 'The Killing Snows' is a way to imagine what led to their meeting and what followed from it.

    Strikingly beautiful she has an extraordinary talent for mimicry, like the famous Australian Lyrebird. The crew, fascinated, make her the subject of her story, and bestow the nickname upon her.When they leave, they take Lyrebird with them back to the city. But as she leaves behind her peaceful life to learn about a new world, is she also leaving behind a part of herself? For her new friend Solomon the answer isn’t clear. When you find a rare and precious thing, should you share it – or protect it…

    Included in this volume is the work from Eavan Boland's five early volumes of poetry: New Territory, The War Horse, In Her Own Image, Night Feed, and The Journey.The poems from Boland's first book, New Territory, show her to be, at twenty-two, a master of formal verse reflecting Irish history and myth. This collection charts the ways in which Boland's work breaks from poetic tradition, honors it, and reinvents it. Poems like "Anorexic," "Mastectomy," and "Witching" have an intensity reminiscent of Sylvia Plath and Anne Sexton. In later poems, her subjects become more personal, sequencing Boland's life as a woman, poet, and mother. Boland writes, "I grew to understand the Irish poetic tradition only when I went into exile with it," becoming, in effect, "a displaced person / in a pastoral chaos."This collection demonstrates how Boland's mature voice developed from the poetics of inner exile into a subtle, flexible idiom uniquely her own.

    General Juan del Águila has been sprung from a prison cell to command the last great Spanish armada. His mission: to seize a bridgehead in Queen Elizabeth's England and hold it.Facing him is Charles Blount, a brilliant English strategist whose career is also under a cloud. His affair with a married woman edged him into a treasonous conspiracy—and brought him to within a hair’s breadth of the gallows.Meanwhile, Irish insurgent Hugh O’Neill knows that this is his final chance to drive the English out of Ireland. For each man, this is the last throw of the dice. Tomorrow they will be either heroes or failures.These colorful commanders come alive in this true story of courage and endurance, of bitterness and betrayal, and of drama and intrigue at the highest levels in the courts of England and Spain.

    Broderick's Catholic family lived in County Tyrone --the heart of rebel country. In That’s That, he brings us into this world and delivers a deeply personal account of what it was like to come of age in the midst of a war that dragged on for over two decades.  We watch as he and his brothers play ball with the neighbor children over a fence for years, but are never allowed to play together because it is forbidden. We see him struggle to understand why young men from his community often just disappear. And we feel his frustration when he is held at gunpoint at various military checkpoints in the North. At the center of his world—and this story—is Colin’s mother. Desperate to protect her children from harm, she has little patience for Colin’s growing need to experience and understand all that is happening around them. Spoken with stern finality, "That's that" became the refrain of Colin's childhood.      The first book to paint a detailed depiction of Northern Ireland's Troubles, That’s That is told in the wry, memorable voice of a man who's finally come to terms with his past.

    This is the story of Harry McKee – sleazy local chat show host. A once loving husband, he’s become a drunken unfaithful slob and even his kids won’t speak to him. His wife is divorcing him and taking him to the cleaners. On his last night as a married man he winds up drunk and is beaten up. When he keels over the next day at the divorce hearing his wife and solicitor assume he’s pulling a fast one. He eventually wakes from a week-long coma but he’s lost his memory – everything since 1974. Inside his sagging middle-aged body he feels eighteen. Though he doesn’t know it yet, Harry has been given the chance to get back his life, his wife and his self-respect. If only he could remember how it all went wrong and why his family hate him. As the pieces of his past slowly begin to fall into place we watch Harry attempt to persuade Ruth to fall in love with him all over again, and witness his failure to resurrect his career. Clinging on to the past, he at least still fits into his teenage tank-top and flares – but he’s only got two weeks until the next divorce hearing, when he will be homeless, childless and clueless!

    But a perpetually dieting housewife still comes in to escape her husband's stick-thin mistress, a struggling artist pens love letters to actor Nicolas Cage, and a woman returns to search for a long-lost soulmate. Behind the cherry cheesecakes and chocolate cappuccinos are the stirrings of a change that will redefine and heal lives. And lead Penny and Daniel to discover what truly matters in life--and love.

    They were helpless. It sounds like a familiar story, but these people were not African. They were Irish, and they were slaves before African slavery became widespread. This is their story.

    Conn Iggulden's Wars of the Roses Ebook Bundle contain the following:TrinityStormbirdBloodlineRavenspur

    Peppered with dark humour, this book tells Tommy's story from fending for himself as the runt of a big Catholic litter in the 1960s to driving for a deluded billionaire madman and then gun-toting Mexicans in the 1990s.

    To be fair, Ellmann does have some distinct advantages. For starters, there's his deep mastery of the Irish milieu--demonstrated not only in this volume but in his books on Yeats and Wilde. He's also an admirable stylist himself--graceful, witty, and happily unintimidated by his brilliant subjects. But in addition, Ellmann seems to have an uncanny grasp on Joyce's personality: his reverence for the Irishman's literary accomplishment is always balanced by a kind of bemused affection for his faults. Whether Joyce is putting the finishing touches on Ulysses, falling down drunk in the streets of Trieste, or talking dirty to his future wife via the postal service, Ellmann's account always shows us a genius and a human being--a daunting enough task for a fiction writer, let alone the poor, fact-fettered biographer. Richard Ellmann has revised and expanded his definitive work on Joyce's life to include newly discovered primary material, including details of a failed love affair, a limerick about Samuel Beckett, a dream notebook, previously unknown letters, and much more.