A story about cultural difference and acceptance. For fans of Driving Over Lemons, Under a Tuscan Sun and A Year in Provence, this is a funny, heart-warming holiday read for people of all ages.’ Mature Times ‘A charming true story of a couple who move from London to a rustic Croatian island.’ Choice magazine ‘A good read.’ Tariq Ali A London art dealer and his wife, tired of the stress and turmoil of metropolitan life, discover the idyllic island of Vis. Impulsively they sell their home and business, say farewell to their adult children and move to the island, but being the first foreigners to live on the island, the close-knit community is highly suspicious of them. The book charts their attempts to gain acceptance and the many rebuffs that they suffer. Their efforts often land them in very awkward (and sometimes hilarious) situations, but they persist and find themselves caught up in the bitter rivalries, love affairs and family dramas of the village. Through this they learn a lot about the islanders’ attitude to marriage, morality, health and death, and the effect that communism has had on everyone’s lives.

    Margaret Forster's father was not a man to answer questions - least of all questions about life and death, so she attempts to answer them for herself. As Forster looks back at Arthur's life and indomitable character, she evokes incidents from her childhood, his working life and stubborn old age, trying to make sense of their largely unspoken relationship, and of his tenacious hold on life, and on his family. Arthur and Marion's lives were ordinary, and apparently unremarkable, but, when faced with death, lives like these become strangely precious.

    From the early days of independence in Ghana to the ongoing ethnic genocide in Rwanda, Kapuscinski has crisscrossed vast distances pursuing the swift, and often violent, events that followed liberation. Kapuscinski hitchhikes with caravans, wanders the Sahara with nomads, and lives in the poverty-stricken slums of Nigeria. He wrestles a king cobra to the death and suffers through a bout of malaria. What emerges is an extraordinary depiction of Africa--not as a group of nations or geographic locations--but as a vibrant and frequently joyous montage of peoples, cultures, and encounters. Kapuscinski's trenchant observations, wry analysis and overwhelming humanity paint a remarkable portrait of the continent and its people. His unorthodox approach and profound respect for the people he meets challenge conventional understandings of the modern problems faced by Africa at the dawn of the twenty-first century.

    Over the next three months, 800,000 Tutsis were murdered in the most unambiguous case of genocide since Hitler's war against the Jews. Philip Gourevitch's haunting work is an anatomy of the killings in Rwanda, a vivid history of the genocide's background, and an unforgettable account of what it means to survive in its aftermath.

    Broom's mother Ivory Mae bought a shotgun house in the then-promising neighborhood of New Orleans East and built her world inside of it. It was the height of the Space Race and the neighborhood was home to a major NASA plant--the postwar optimism seemed assured. Widowed, Ivory Mae remarried Sarah's father Simon Broom; their combined family would eventually number twelve children. But after Simon died, six months after Sarah's birth, the Yellow House would become Ivory Mae's thirteenth and most unruly child.A book of great ambition, Sarah M. Broom's The Yellow House tells a hundred years of her family and their relationship to home in a neglected area of one of America's most mythologized cities. This is the story of a mother's struggle against a house's entropy, and that of a prodigal daughter who left home only to reckon with the pull that home exerts, even after the Yellow House was wiped off the map after Hurricane Katrina. The Yellow House expands the map of New Orleans to include the stories of its lesser known natives, guided deftly by one of its native daughters, to demonstrate how enduring drives of clan, pride, and familial love resist and defy erasure. Located in the gap between the "Big Easy" of tourist guides and the New Orleans in which Broom was raised, The Yellow House is a brilliant memoir of place, class, race, the seeping rot of inequality, and the internalized shame that often follows. It is a transformative, deeply moving story from an unparalleled new voice of startling clarity, authority, and power.

    The rebels had come at night—wielding weapons, torches, machetes. She watched as her mother and six-year-old sister were gunned down in a refugee camp, far from their home in the Democratic Republic of the Congo. The rebels were killing people who weren’t from the same community, the same tribe. In other words, they were killing people simply for looking different.“Goodbye, life,” she said to the man ready to shoot her. Remarkably, the rebel didn’t pull the trigger, and Sandra escaped into the night. Thus began a new life for her and her surviving family members. With no home and no money, they struggled to stay alive. Eventually, through a United Nations refugee program, they moved to America, only to face yet another ethnic disconnect. Sandra may have crossed an ocean, but there was now a much wider divide she had to overcome. And it started with middle school in New York. In this profoundly moving memoir, Sandra tells the story of her survival, of finding her place in a new country, and of her hope for the future.

    Clemantine and her fifteen-year-old sister, Claire, ran and spent the next six years wandering through seven African countries searching for safety--hiding under beds, foraging for food, surviving and fleeing refugee camps, finding unexpected kindness, witnessing unimaginable cruelty. They did not know whether their parents were alive.At age twelve, Clemantine, along with Claire, was granted asylum in the United States--a chance to build a new life. Chicago was disorienting, filled with neon lights, antiseptic smells, endless concrete. Clemantine spoke five languages but almost no English, and had barely gone to school. Many people wanted to help--a family in the North Shore suburbs invited Clemantine to live with them as their daughter. Others saw her only as broken. They thought she needed, and wanted, to be saved. Meanwhile Claire, who had for so long protected and provided for Clemantine, found herself on a very different path, cleaning hotel rooms to support her three children.Raw, urgent, yet disarmingly beautiful, The Girl Who Smiled Beads captures the true costs and aftershocks of war: what is forever lost, what can be repaired, the fragility and importance of memory, the faith that one can learn, again, to love oneself, even with deep scars.

    Naipaul, a haunting memoir of a dangerous and disorienting year of self-discovery in one of the world's unhappiest countries.

    “One day I will tell you the story of my life,” promises Emma Brockes’s mother, “and you will be amazed.” Brockes grew up hearing only pieces of her mother’s past—stories of a rustic childhood in South Africa, glimpses of a bohemian youth in London—and yet knew that crucial facts were still in the dark. A mystery to her friends and family, Paula was clearly a strong, self-invented woman; glamorous, no-nonsense, and frequently out of place in their quaint English village. In awe of Paula’s larger-than-life personality, Brockes never asked why her mother emigrated to England or why she never returned to South Africa; never questioned the source of her mother’s strange fears or tremendous strengths. Looking to unearth the truth after Paula’s death, Brockes begins a dangerous journey into the land—and the life—her mother fled from years before. Brockes soon learns that Paula’s father was a drunk megalomaniac who terrorized Paula and her seven half-siblings for years. After finally mustering the courage to take her father to court, Paula is horrified to see the malevolent man vindicated of all charges. As Brockes discovers, this crushing defeat left Paula with a choice: take her own life, or promise herself never to be intimidated or unhappy again. Ultimately she chooses life and happiness by booking one-way passage to London—but not before shooting her father five times, and failing to kill him. Smuggling the fateful gun through English customs would be Paula’s first triumph in her new life.She Left Me the Gun carries Brockes to South Africa to meet her seven aunts and uncles, weighing their stories against her mother’s silences. Brockes learns of the violent pathologies and racial propaganda in which her grandfather was inculcated, sees the mine shafts and train yards where he worked as an itinerant mechanic, and finds in buried government archives the court records proving his murder conviction years before he first married. Brockes also learns of the turncoat stepmother who may have perjured herself to save her husband, dooming Paula and her siblings to the machinations of their hated father. Most of all, She Left Me the Gun reveals how Paula reinvented herself to lead a full, happy life. As she follows her mother’s footsteps back to South Africa, Brockes begins to find the wellsprings of her mother’s strength, the tremendous endurance which allowed Paula to hide secrets from even her closest friends and family. But as the search through cherished letters and buried documents deepens, Brockes realizes with horror that her mother’s great success as a parent was concealing her terrible past—and that unearthing these secrets threatens to undo her mother’s work. A beguiling and unforgettable journey across generations and continents, She Left Me the Gun chronicles Brockes’s efforts to walk the knife-edge between understanding her mother’s unspeakable traumas and embracing the happiness she chose for her daughter.

    This riveting true account of the first ever trial of an American citizen in North Korea’s highest court carries readers deep inside the world’s most secretive nation while it poignantly explores the powerful, inspiring bonds of sisterly love.

    Strength in What Remains is a wonderfully written, inspiring account of one man’s remarkable American journey and of the ordinary people who helped him – a brilliant testament to the power of will and of second chances. Deo arrives in America from Burundi in search of a new life. Having survived a civil war and genocide, plagued by horrific dreams, he lands at JFK airport with two hundred dollars, no English, and no contacts. He ekes out a precarious existence delivering groceries, living in Central Park, and learning English by reading dictionaries in bookstores. Then Deo begins to meet the strangers who will change his life, pointing him eventually in the direction of Columbia University, medical school, and a life devoted to healing. Kidder breaks new ground in telling this unforgettable story as he travels with Deo back over a turbulent life in search of meaning and forgiveness. An extraordinary writer, Tracy Kidder once again shows us what it means to be fully human by telling a story about the heroism inherent in ordinary people, a story about a life based on hope.

    She is forced to hide her pregnancy from the religious authorities until she can marry, navigate Byzantine wedding customs and raise a newborn in a country far from home.

    It was also a land withered by drought and hunger, and a place where hope and opportunity were hard to find. But William had read about windmills in a book called Using Energy, and he dreamed of building one that would bring electricity and water to his village and change his life and the lives of those around him. His neighbors may have mocked him and called him misala—crazy—but William was determined to show them what a little grit and ingenuity could do.Enchanted by the workings of electricity as a boy, William had a goal to study science in Malawi's top boarding schools. But in 2002, his country was stricken with a famine that left his family's farm devastated and his parents destitute. Unable to pay the eighty-dollar-a-year tuition for his education, William was forced to drop out and help his family forage for food as thousands across the country starved and died.Yet William refused to let go of his dreams. With nothing more than a fistful of cornmeal in his stomach, a small pile of once-forgotten science textbooks, and an armory of curiosity and determination, he embarked on a daring plan to bring his family a set of luxuries that only two percent of Malawians could afford and what the West considers a necessity—electricity and running water. Using scrap metal, tractor parts, and bicycle halves, William forged a crude yet operable windmill, an unlikely contraption and small miracle that eventually powered four lights, complete with homemade switches and a circuit breaker made from nails and wire. A second machine turned a water pump that could battle the drought and famine that loomed with every season.Soon, news of William's magetsi a mphepo—his "electric wind"—spread beyond the borders of his home, and the boy who was once called crazy became an inspiration to those around the world.Here is the remarkable story about human inventiveness and its power to overcome crippling adversity. The Boy Who Harnessed the Wind will inspire anyone who doubts the power of one individual's ability to change his community and better the lives of those around him.

    ‘Why you not stay with me tonight—in my cave.’ He seemed enthusiastic. And we were looking for adventure." Thus begins the story of how Marguerite van Geldermalsen—a New Zealand-born nurse—became the wife of Mohammad Abdallah Othman, a Bedouin souvenir-seller of the Manaja tribe, and lived with him and their children in a community of 100 families in the ancient caves of Petra in Jordan. Marguerite and a friend were traveling through the Middle East in 1978 when she met the charismatic Mohammad and decided that he was the man for her. Their home was a lofty 2,000 year-old cave carved into the red rock of a hillside. She became the resident nurse and learned to live like the Bedouin—cooking over fires, hauling water on donkeys, and drinking sweet black tea—and over the years she became as much of a curiosity as the cave-dwellers to tourists. This is her extraordinary story.

    Now, in this uproarious collection, she sneaks her sharp wit through airport security and delivers her most absurd and hilarious stories ever.On safari in Africa, it's anyone's guess as to what's more dangerous: the wildlife or Chelsea. But whether she's fumbling the seduction of a guide by not knowing where tigers live (Asia, duh) or wearing a bathrobe into the bush because her clothes stopped fitting seven margaritas ago, she's always game for the next misadventure.The situation gets down and dirty as she defiles a kayak in the Bahamas, and outright sweaty as she escapes from a German hospital on crutches. When things get truly scary, like finding herself stuck next to a passenger with bad breath, she knows she can rely on her family to make matters even worse. Thank goodness she has the devoted Chunk by her side-except for the time she loses him in Telluride.Complete with answers to the most frequently asked traveler's questions, hot travel trips, and travel etiquette, none of which should be believed, UGANDA BE KIDDING ME has Chelsea taking on the world, one laugh-out-loud incident at a time.