They find a beautiful old country mansion on Long Island -- restful, secluded, with pool and private beach -- perfect, for the right people. But their "perfect" summer home hides terrors beyond their wildest imaginings. During that long summer the house becomes a nightmare from which there seems to be no escape.

    They buy low, clean out the old occupants' junk, and try to make a profit. Enter Hemmings House on Bedlam Street in scenic Cold Spring Harbor, Long Island. Too good a deal to pass up, but with an ominous secret. The old Victorian Mansion has dwellers that do not want to be dispossessed. As the house reveals its past, will the couple's marriage survive The Flip?From Publisher's Weekly- The FlipMichael Phillip CashDETAILS Cash (Stillwell) again succeeds in setting an engaging supernatural thriller in the world of Long Island real estate, though he’s stronger at depicting human relationships than he is at generating scares. Julie and Brad Evans have hinged their hopes of financial security on house flipping, a work-intensive strategy that offers them few opportunities for relaxation. Brad has misgivings about their latest acquisition, a creepy Victorian mansion, ominously situated on Bedlam Street in Cold Spring Harbor. Those feelings are validated when he’s victimized by Tessa, a voracious female ghost with very carnal appetites. Cash is effective at creating his version of the afterlife, where ghosts like Tessa exist in fear of more powerful entities known as the Sentinels. His best work comes, however, in his plausible portrayal of a marriage under stress from the need to hustle to stay solvent. (BookLife)

    At its heart was a beautiful, enigmatic woman called Pandora Gibson-Hoare, a photographer of genius whose only legacy is a handful of photographs and the clues to a mystery.Just weeks after four students cross the threshold of the derelict Fischer House, one of them has committed suicide and the other three are descending into madness.Nick Mason's sister is one of them. To save her, Nick must join ranks with Paul Seaton--the only person to have visited the house and survive. But Paul is a troubled man, haunted by otherworldly visions that even now threaten his sanity.Desperate, Nick forces Paul to go back into the past, to the secret journal of beautiful photographer Pandora Gibson-Hoare and a debauched gathering in the 1920s, and to the dark legacy of Klaus Fischer--master of the unspeakable crime and demonic proceedings that have haunted the mansion for decades.Because now, the Fischer House is beckoning, and some old friends have gathered to welcome Paul back. . . .

    Long ago, it was the Piven Institute for the Care and Correction of Troubled Females—an insane asylum nicknamed “Hysteria Hall.” However, many of the inmates were not insane, just defiant and strong willed. Kind of like Delia herself.But the house still wants to keep “troubled” girls locked away. So, in the most horrifying way, Delia gets trapped.And that’s when she learns that the house is also haunted.Ghost girls wander the halls in their old-fashioned nightgowns. A handsome ghost boy named Theo roams the grounds. Delia finds that all the spirits are unsettled and full of dark secrets. The house, as well, harbors shocking truths within its walls—truths that only Delia can uncover, and that may set her free.But she’ll need to act quickly, before the house’s power overtakes everything she loves.From master of suspense Katie Alender comes a riveting tale of twisted memories and betrayals, and the meaning of madness.

    She has a good life as a music teacher now, and might rekindle her relationship with her one true love. However, the number 314 haunts her, and threatens to bring her back to the day that her brother disappeared. When a reporter shows up, just days before March 14th, Alma realizes that her past is coming back to haunt her. What happened on March 14th, at 3:14, 16 years ago? No one but The Skeleton Man can remember.

    Only one person knows the truth: Adrienne Beauvier, granddaughter of the Comte de Challembelles and cousin to the man who built the castle.Clairvoyant from the time she could talk, Adrienne’s visions show her the secrets of those around her. When her visions begin to reveal dark mysteries of her own aristocratic French family, Adrienne is confronted by her formidable Aunt Marie, who is determined to keep the young woman silent at any cost. Marie wrenches Adrienne from her home in France and takes her to America, to Miramont Castle, where she keeps the girl isolated and imprisoned. Surrounded by eerie premonitions, Adrienne is locked in a life-or-death struggle to learn the truth and escape her torment.Reminiscent of Daphne du Maurier’s Rebecca, this hauntingly atmospheric tale is inspired by historical research into the real-life Miramont Castle in Manitou Springs, Colorado.

    . . They were wrong. The House on Cold Hill is a chilling and suspenseful ghost story from the multi-million copy bestselling author of Dead Simple, Peter James.Moving from the heart of Brighton and Hove to the Sussex countryside is a big undertaking for Ollie and Caro Harcourt and their 12-year-old daughter Jade. But when they view Cold Hill House—a huge, dilapidated Georgian mansion—Ollie is filled with excitement. Despite the financial strain of the move, he has dreamed of living in the country since he was a child, and he sees Cold Hill House as a paradise for his animal-loving daughter, the perfect base for his web-design business, and a terrific long-term investment. Caro is less certain, and Jade is grumpy about being separated from her friends.Within days of moving in, it becomes apparent that the Harcourt family aren't the only residents of the house. A friend of Jade's is the first to see the spectral woman, standing behind her as the girls talk on FaceTime. Then there are more sightings, as well as increasingly disturbing occurrences in the house. As the haunting becomes more malevolent and the house itself begins to turn on the Harcourts, the terrified family discover Cold Hill House's dark history, and the horrible truth of what it could mean for them.

     Robert Watts is having the worst day of his entire life: first he's laid off, then he finds out that his wife is having an affair... with his boss no less. And that's only the beginning. Before the month is out, Robert finds himself alone to raise his daughter with no money, no job, and a house that is minutes from being repossessed. Just when he hits rock bottom, a strange visitor arrives at the doorstep of his soon to be foreclosed house with a letter from an Aunt he didn't know existed. The offer is simple: look after Aunt Ruth during her dying days, and in return Robert will be bequeathed the Harlop Estate in which she currently resides. It's a no brainer and Robert jumps at the opportunity, equally motivated by the prospect of financial security as he is for a fresh start. Problem is, it only takes a few nights in the Harlop Estate before he begins to question Aunt Ruth's claims that they are the home's only inhabitants... It's the scratching he hears during the night, the voices that he can barely make out over the constant rain, and then there's the girl with the rat... With their house foreclosed and their bank accounts liquidated, Robert and his daughter Amy desperately need a place to live. But the question Robert soon finds himself struggling with is whether living in the Harlop Estate is worth it... and if he can survive until Aunt Ruth passes to collect his inheritance. Shallow Graves is the first book in the Haunted Series, chilling, gruesome, and truly haunting tales with a twist that you will never see coming.

    When a new boy starts school, he surprises Mary by befriending her. That's a rare thing for the school freak, but her unusual abilities put a rift in their budding friendship when Mary has to tell Cy that his home is haunted and not by Casper, the friendly ghost. Mary has to get rid of the ghost, thwart the school bully, do her homework, and not get detention. Mary's sure she can do all of that except for the last part.

    She’s been able to see ghosts since her mother tried to murder her when she was five years old. No way does she want anyone to know she can talk to spooks. Being a foster kid is hard enough without being labeled a freak too. Normally, she just ignores the ghosts and they go away. That is until she see’s the ghost of her foster sister… Sally. Everyone thinks Sally’s just another runaway, but Mattie knows the truth—she’s dead. Murdered. Mattie feels like she has to help Sally, but she can’t do it alone. Against her better judgment, she teams up with a young policeman, Officer Dan, and together they set out to discover the real truth behind Sally’s disappearance. Only to find out she’s dealing with a much bigger problem, a serial killer, and she may be the next victim… Will Mattie be able to find out the truth before the killer finds her?

    His sermons declared the existence of God s Second Son- whose mission is to undo all of Jesus work on Earth. McFall had the church painted red to summon the First Son to defeat the Second. But when he sacrificed a child to support his rantings, his congregation hung him from the rafters of his own sanctuary...For twenty years, the red church has stood empty. Crumbling to ruin, it has become a site for Halloween pranks and the setting for ghost stories- including one about the thing that lives in the bell tower, a creature being blamed for a brutal murder that occurred in the church s graveyard...Now, Archer McFall has purchased the church to house his Temple of the Two Sons, whose zealous worshippers will stop at nothing to see the Second Son return to his rightful glory...

    In the apartment of Oliver's old professor at Cambridge, there is a painting on the wall, a mysterious depiction of masked revelers at the Venice carnival. On this cold winter's night, the old professor has decided to reveal the painting's eerie secret. The dark art of the Venetian scene, instead of imitating life, has the power to entrap it. To stare into the painting is to play dangerously with the unseen demons it hides, and become the victim of its macabre beauty.By the renowned storyteller Susan Hill--whose first ghost story, The Woman in Black, has run for eighteen years as a play in London's West End--here is a new take on a form that is fully classical and, in Hill's able hands, newly vital. The Man in the Picture is a haunting tale of loss, love, and the very basest fear of our beings.

    Part detective, part paranormal exterminator, Ellie operates out of Savannah, Georgia, the most haunted city in the United States.When a family contacts her to deal with a disturbing presence in the old mansion they’ve recently purchased, Ellie first believes it to be a typical, by-the-book specter, a residual haunting by a restless spirit. Instead, she finds herself confronting an evil older and more powerful than she’d ever expected, rooted in the house’s long and sordid history of luxury, sin, and murder. The dangerous entity seems particularly interested in her clients’ ten-year-old daughter.Soon her own life is in danger, and Ellie must find a way to exorcise the darkness of the house before it can kill her, her clients, or their frightened young child.

    The house, abandoned for 40 years, harbors a dark family secret--a grim bloodline poisoned by suicide, strange disappearances, voodoo rituals, and rumors of murder.

    But business is lean and times are tight, so he’s thrilled when the aged and esteemed Augusta Withrow appears in his office, bearing an offer he really ought to refuse. She has a massive family estate to unload - lock, stock, and barrel. For a check and a handshake, it’s all his.It’s a big check. It’s a firm handshake. And it’s enough of a gold mine that he assigns his daughter Dahlia to personally oversee the project.Dahlia preps a couple of trucks, takes a small crew, and they caravan down to Chattanooga, Tennessee, where the ancient Withrow house is waiting - and so is a barn, a carriage house, and a small, overgrown cemetery that Augusta Withrow left out of the paperwork.Augusta Withrow left out a lot of things.The property is in unusually great shape for a condemned building. It’s empty, but it isn't abandoned. Something in the Withrow mansion is angry and lost. This is its last chance to raise hell before the house is gone forever, and there's still plenty of room in the strange little family plot.New from Cherie Priest, a modern master of supernatural fiction, The Family Plot is a haunted house story for the ages - atmospheric, scary, and strange, with a modern gothic sensibility that every bit as fresh as it is frightening.