He said in an interview: "What is remarkable about Christmas? The fact that what we're dealing with here is the calculation of life--or, at the very least, existence--in the consciousness of an individual, a specific individual." He continued, "I liked that concentration of everything in one place--which is what you have in that cave scene." There resulted a remarkable sequence of poems about time, eternity, and love, spanning a lifetime of metaphysical reflection and formal invention.In Nativity Poems six superb poets in English have come together to translate the ten as yet untranslated poems from this sequence, and the poems are presented in English in their entirety in a beautiful, pocket-sized edition illustrated with Mikhail Lemkhin's photographs of winter-time St. Petersburg.

    Sophia is stunned, halting in mid-step. This is rare praise from her cold mother, so she must, indeed, look very good. At Frederick's side during the elaborate court dinner, Sophia shines and sparkles with youth and wit. The monarch is very pleased with his choice. Indeed, he is so enamored with the girl that he opens his purse to outfit mother and daughter, both woefully deficient in material matters appropriate for court life.So begins the transformation of Princess Sophia of Anhalt-Zerbst into Catherine the Great of Russia. The personal and professional triumphs and tribulations of this remarkable woman are retold by Sigrid Weidenweber, whose research into the life of Catherine reveals a new perspective on Catherine, from the inside out. Sigrid portrays with heartfeld understanding what it was like to have been such a major European political and military, social and cultural figure during the eighteenth century. WHAT OTHERS ARE SAYING ... “The admirers of literature and history will welcome this trilogy as a ray of light suddenly invading our age of darkness. Well researched and well written, it gives a unique insight into the tragic and fascinating story of Volga Germans over three centuries. Pasrts of it (such as volume 3) can and should be turned into an excellent movie, too. A reader who prides himself in his knowledge of history will still learn much from this book. A reader of most refined literary taste will still find it difficult to put down. Both will be eagerly waiting for Sigrid's next work.” – Vladimir Bukovsky, Russian political activist and author“With great skill and passion Sigrid Weidenweber unveils an epic and important historical journey, bringing to life the danger, violence, and intrigue of European royalty through the eyes of one of its most prominent and fascinating members.” – Tim Green, New York Times bestselling author“Great nations become great because of great people. Sigrid has combined her research and writing skills to trace the story of one of Russia’s great leaders. Catherine is superb reading about an exciting monarch who changed the course of European history – a real ‘page turner’!” – John Van Diest, Founder, Multnomah Press, & Associate Publisher, Tyndale House Publishers “Sigrid Weidenweber has carefully researched the history of the times, and presented it so colorfully that one would think she was an eyewitness to all the intrigue at the Russian court in the 18th century. It's excellent, engrossing reading!” – Paul L. Maier, Western Michigan University“… a splendid fictional, yet historical romp through the fragile crystal of the eighteenth century.” – Dona Reeves-Marquardt, Texas State University

    Between the two Revolutions of 1905 and 1917 Leonid Andreyev was without a doubt the foremost writer in Russia. His name was always spoken with veneration, in mysterious whispers, as a grim portentous magician who descended into the ultimate depths of the nether side of life and fathomed the beauty and tragedy of the struggle. Leonid Nickolayevitch was born in the province of Oryol, in 1871, and studied law at the University of Moscow. Those were days of suffering and starvation; he gazed into the abyss of sorrow and despair. In January 1894 he made an unsuccessful attempt to kill himself by shooting, and then was forced by the authorities to severe penitence, which augmented the natural morbidness of his temperament. As a lawyer his career was short-lived, and he soon abandoned it for literature, beginning as a police-court reporter on the Moscow Courier. In 1902 he published the short story In the Fog, which for the first time brought him universal recognition. He was imprisoned during the revolution of 1905, together with Maxim Gorky, on political charges. Such are the few significant details of his personal life, for the true Andreyev is entirely in his stories and plays.

    Gardening helps us collect ourselves, much as praying does. For rich and poor- it makes no difference- a garden is a place where body and soul are in harmony. In Inheriting Paradise Vigen Guroian offers an abundant vision of the spiritual life found in the cultivation of God's good creation. Capturing the earthiness and sacramental character of the Christian faith, these uplifting meditations bring together the experience of space and time through the cycle of the seasons in the garden and relate this fundamental human experience to the cycle of the church year and the Christian seasons of grace. The tilling of fresh earth; the sowing of seeds; the harvesting of rhubarb and roses, dillweed and daffodils-Guroian finds in the garden our most concrete connection with life and God's gracious giving. His personal reflections on this connection, complemented here by delicate woodcut illustrations, offer a compelling entry into Christian spirituality.

    Written during this time, this is the account of prison life and the people he encountered.There is the guard who delivers blows with no visible traces. The fraudster stitched up by the police for murder. The man who refuses to lie for a packet of cigarettes. The abandoned teenager, the down-and-out, the grass... He describes a hidden world of brutality and corruption, yet one where moments of humanity still manage to shine through.One in ten Russian men pass through prison at some point in their lives. This book is a denunciation of an entire system of bureaucratic criminality, and a passionate call to recognise a human tragedy.

    Not that it matters to anyone living in the House, a hulking old structure that its residents know is alive. From the corridors and crawl spaces to the classrooms and dorms, the House is full of tribes, tinctures, scared teachers, and laws—all seen and understood through a prismatic array of teenagers’ eyes.But student deaths and mounting pressure from the Outsides put the time-defying order of the House in danger. As the tribe leaders struggle to maintain power, they defer to the awesome power of the House, attempting to make it through days and nights that pass in ways that clocks and watches cannot record.

    Stephen Pearl's new translation, the first major English-language publication of Oblomov in more than fifty years, succeeds exquisitely to introduce this astonishing and endearing novel to a new generation of readers.

    / Now barefoot I tread / on shards.Such is the elegant simplicity—a whole poem in ten words, vibrating with image and emotion—of the best-selling Russian poet Vera Pavlova. The one hundred poems in this book, her first full-length volume in English, all have the same salty immediacy, as if spoken by a woman who feels that, as the title poem concludes, “If there was nothing to regret, / there was nothing to desire.”Pavlova’s economy and directness make her delightfully accessible to us in all of the widely ranging topics she covers here: love, both sexual and the love that reaches beyond sex; motherhood; the memories of childhood that continue to feed us; our lives as passionate souls abroad in the world and the fullness of experience that entails. Expertly translated by her husband, Steven Seymour, Pavlova’s poems are highly disciplined miniatures, exhorting us without hesitation: “Enough painkilling, heal. / Enough cajoling, command.” It is a great pleasure to discover a new Russian poet—one who storms our hearts with pure talent and a seemingly effortless gift for shaping poems.

    The narrative traces the ebb and flow of their relationships and the changes wrought in their lives by the birth of a son to one of the women. Grekova conveys vividly not only the decisive differences between the postwar generation and those who participated in the defense of their country, but also the extraordinary capacity of human nature to endure and overcome seemingly unendurable suffering and deprivation. Above all, this text spotlights female experiences of the war: the fate of those who did not engage in battle at the front, but fought just as desperately to survive starvation, cold, and exhaustion, to maintain homes and, in a sense, a country to which soldiers could return. Ship of Widows provides a cultural key to an understudied period of Russia's history and an understudied segment of its population - women. This new paperback edition includes an illuminating foreword by Helena Goscilo.

    In a sweltering New York City apartment, a group of Russian émigrés gathers round the deathbed of an artist named Alik, a charismatic character beloved by them all, especially the women who take turns nursing him as he fades from this world. Their reminiscences of the dying man and of their lives in Russia are punctuated by debates and squabbles: Whom did Alik love most? Should he be baptized before he dies, as his alcoholic wife, Nina, desperately wishes, or be reconciled to the faith of his birth by a rabbi who happens to be on hand? And what will be the meaning for them of the Yeltsin putsch, which is happening across the world in their long-lost Moscow but also right before their eyes on CNN? This marvelous group of individuals inhabits the first novel by Ludmila Ulitskaya to be published in English, a book that was shortlisted for the Russian Booker Prize and has been praised wherever translated editions have appeared. Simultaneously funny and sad, lyrical in its Russian sorrow and devastatingly keen in its observation of character, The Funeral Party introduces to our shores a wonderful writer who captures, wryly and tenderly, our complex thoughts and emotions confronting life and death, love and loss, homeland and exile.From the Hardcover edition.

    In 1912, Korczak established a unique orphanage that is to this day a beacon for educators. There he gave children the freedom to develop and manage their talents. They learned about mutual responsibility and caring and how to create a righteous human society. Korczak was murdered by the Nazis at the Treblinka Death Camp when he refused to abandon his children. I will never forget those times; this is a memorial volume The author, Itzchak Belfer, was raised and educated in Korczak's orphanage. We read of his flight from the Nazis through the Polish forests to Russia to become the only survivor in his large family and his attempt to immigrate to Israel, only to be waylaid in a Cypress deportation camp, where he studied art. Then of his renewed life in Israel, where his art commemorates Janusz Korczak, the Holocaust, and the family he lost. Scroll up now to get your copy of White House in a Gray City!

    Yet this guidance remains largely inaccessible to parents and often disconnected from the parenting challenges we face in our homes. Parenting Toward the Kingdom will help you make the connections between the spiritual life as we understand it in the Orthodox Church and the ongoing challenges of raising children. It takes the best child development research and connects it with the timeless truths of our Christian faith to offer you real strategies for navigating the challenges of daily life.

    Masha lives in the forest with her dog, goat, and pig and every day Masha forces the forestal animals to play with her causing them to be afraid of her. The bear tries to get rid of Masha when he catches her making a mess in his home but is unsuccessful and he learns that Masha is very resourceful, smart, and mischievous--something that causes her to get into a lot of funny situations.

    Estranged from her turbulent family for many years, Abbie is heartbroken to hear that they blame her for the tragedy.Determined to uncover her mother’s past, Abbie approaches her beloved grandmother, Millie, in search of answers. As the old woman recounts her own past, Abbie is transported back to the grandeur of the Russian Empire in 1911 with tales of her grandmother’s life as a governess and the revolution that exploded around her.As Abbie struggles to reconcile with her family, and to support herself and her child, she realizes that those long-ago events created aftershocks that threaten to upset the fragile peace she longs to create.