While she's packing her possessions, she finds a clue to the whereabouts of her twin sister, who disappeared from the little-known Jewish mecca of Boyle Heights on the eve of WWII when the girls were eighteen. Plunging back into memories of her childhood and the momentous historical facts that impacted her family, Elaine recalls her family's stories-those from the Old Country, and tales of immigration travails, and the heartache of being the "smart" one of the twins instead of the "popular" one.In an utterly unforgettable, salty voice, Elaine revives the memories of growing up with her twin sister Barbara, her parents, her Zayde, her aunts and her younger sisters as the Greensteins bear the disappointments, heartbreaks, and fallout from the immigrant baggage that they have been unable to shed despite settling in southern California-the land of sunshine and opportunity, fig trees and equality.Janice Steinberg's novel is not only about the stories that make up our family histories, but also about those we tell ourselves in order to believe in who we've made ourselves out to be.

    Grace Strasser-Mendana controls much of the country's wealth and knows virtually all of its secrets; Charlotte Douglas knows far too little. "Immaculate of history, innocent of politics," she has come to Boca Grande vaguely and vainly hoping to be reunited with her fugitive daughter. As imagined by Didion, her fate is at once utterly particular and fearfully emblematic of an age of conscienceless authority and unfathomable violence.

    Maryna, who has renounced her career, is accompanied by her small son and husband; in her entourage is a rising young writer who is in love with her. The novel portrays a West that is still largely empty, where white settlers confront native Californians and Asian coolies. The image of America, and of California-as fantasy, as escape, as radical simplification-constantly meets a more complex reality. The commune fails and most of the migrants go home, but Maryna stays and triumphs on the American stage.In America is a big, juicy, surprising book-about a woman's search for self-transformation, about the fate of idealism, about the world of the theater-that will captivate its readers from the first page. It is Sontag's most delicious, most brilliant achievement.

    After spending months digging trenches as a deterrent for Russian tanks, Karl and his brother are captured by the Russians. Known for their atrocities, Karl in immense danger, flees Russian captivity and surrenders to the Americans. What happens to his brother? As an American POW Karl helps clean up Mauthausen-Gusen, where he finds his neighborhood friend Michael whose entire family had gone missing. Karl remains in American prison camp for five months: will the American GIs set him free or hand him over to the Russians? The Russians are demanding that prisoners in their territory are handed back. Will Karl make it home alive?

    An improbable match, they meet in New York City and fall in love. Simon—inventor of the jigsaw puzzle—eventually makes his fortune. Now wealthy, but still outsiders, Flora and Simon become obsessed with rescuing the loved ones they left behind in Europe whose fates are determined by growing anti-Semitism on both sides of the Atlantic. Inspired by her family’s legends, Betsy Carter weaves a memorable tale. In the tradition of Suite Française or Amy Bloom's Away, she explores a fascinating moment in history and creates a cast of characters who endure with dignity, grace, and hope for the future.

    The CIA has learned that the Kremlin is about to launch a sophisticated propaganda operation aimed at discrediting and disrupting the United States and ultimately restoring Russia to great nation status. Intercepted intelligence suggests that the operation will hinge on a single, breaking news event in Eastern Europe, supported by a sustained campaign of disinformation and cyberattacks. Code-named the "Children’s Game"--a chess stratagem that leads to checkmate in four moves--it was probably conceived by a Russian billionaire and former FSB officer named Andrei Turov. For years Turov has been developing the infrastructure for a new kind of warfare that exploits weaknesses in western democracies and manipulates public opinion. His organization offers the Kremlin plausible deniability. But the United States has its own secret weapon: Christopher Niles, a former CIA intelligence officer, who understands Turov's ambitions and capabilities. It falls to him and his small team--composed of his journalist half-brother Jon, a special forces operative he would trust with his life, and Anna Carpenter, a resourceful US senator with deep roots in the intelligence community--to unravel Turov's plot and restore truth to a world spiraling into chaos.The Children's Game is a frighteningly realistic, timely thriller that delves into the secret corners of Vladimir Putin's Russia, exploring the shifting world order and the murky realm of US-Russia relations.

    Their marriage, forged in the fervor of anti-Vietnam-war protests, now bears the fractures of time, both personal and historical, with the couple trapped in an existence of morning coffee and solitary jogging and separate offices. For Robert and Darla, the cracks remain under the surface, whereas the divisions in Robert’s own family are more apparent: he has almost no relationship with his brother Jimmy, who became estranged from the family as the Vietnam War intensified. Robert and Jimmy’s father, a veteran of WWII, is coming to the end of his life, and aftershocks of war ripple across their lives once again, when Jimmy refuses to appear at his father’s bedside. And an unstable homeless man whom Robert at first takes to be a fellow Vietnam veteran turns out to have a deep impact not just on Robert, but on his entire family.

    Life is hell for all the slaves, but especially bad for Cora; an outcast even among her fellow Africans, she is coming into womanhood—where even greater pain awaits. When Caesar, a recent arrival from Virginia, tells her about the Underground Railroad, they decide to take a terrifying risk and escape. Matters do not go as planned—Cora kills a young white boy who tries to capture her. Though they manage to find a station and head north, they are being hunted.In Whitehead’s ingenious conception, the Underground Railroad is no mere metaphor—engineers and conductors operate a secret network of tracks and tunnels beneath the Southern soil. Cora and Caesar’s first stop is South Carolina, in a city that initially seems like a haven. But the city’s placid surface masks an insidious scheme designed for its black denizens. And even worse: Ridgeway, the relentless slave catcher, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom.Like the protagonist of Gulliver’s Travels, Cora encounters different worlds at each stage of her journey—hers is an odyssey through time as well as space. As Whitehead brilliantly re-creates the unique terrors for black people in the pre–Civil War era, his narrative seamlessly weaves the saga of America from the brutal importation of Africans to the unfulfilled promises of the present day. The Underground Railroad is at once a kinetic adventure tale of one woman’s ferocious will to escape the horrors of bondage and a shattering, powerful meditation on the history we all share.

    After the ceremony, the women begin their adult lives: traveling to Europe, tackling the worlds of nursing and publishing, and finding love and heartbreak in the streets of New York City. Through the years, some of the friends grow apart and some become entangled in each other's affairs, but all vow not to become like their mothers and fathers. It is only when one of them dies that they all come back together again to mourn the loss of a friend, a confidante, and most importantly, a member of the group.

    This fascinating heroine worked in the silver mines and had two scandalous marriages, one to a philandering opium addict and one to a Senator and silver baron worth $24 million in the late 19th century. A divorcee shunned by Denver society, Lizzie raised two daughters in a villa where 100 peacocks roamed the lawns, entertained Sarah Bernhardt when the actress performed at Tabor's Opera House, and after her second husband's death, moved to a one-room shack at the Matchless Mine in Leadville. She lived the last 35 years of her life there, writing down thousands of her dreams and noting visitations of spirits on her calendar. Hers is the tale of a fiercely independent woman who bucked all social expectations by working where 19thcentury women didn't work, becoming the key figure in one of the West's most scandalous love triangles, and, after a devastating stock market crash destroyed Tabor's vast fortune, living in eccentric isolation at the Matchless Mine. An earlier version of this novel won the PEN/New England Discovery Award in Fiction."

    In a series of variations, Gass gives us a mosaic of a life—futile, comic, anarchic—arranged in an array of vocabularies, altered rhythms, forms and tones, and broken pieces with music as both theme and structure, set in the key of middle C.It begins in Graz, Austria, 1938. Joseph Skizzen's father, pretending to be Jewish, leaves his country for England with his wife and two children to avoid any connection with the Nazis, who he foresees will soon take over his homeland. In London with his family for the duration of the war, he disappears under mysterious circumstances. The family is relocated to a small town in Ohio, where Joseph Skizzen grows up, becomes a decent amateur piano player, in part to cope with the abandonment of his father, and creates as well a fantasy self—a professor with a fantasy goal: to establish the Inhumanity Museum . . . as Skizzen alternately feels wrongly accused (of what?) and is transported by his music. Skizzen is able to accept guilt for crimes against humanity and is protected by a secret self that remains sinless.Middle C tells the story of this journey, an investigation into the nature of human identity and the ways in which each of us is several selves, and whether any one self is more genuine than another.

    Beautiful, fearless, tormented, at forty-five she has lived a life of lovers and adventures. Now, Dalva begins a journey that will take her back to the bosom of her family, to the half-Sioux lover of her youth, and to a pioneering great-grandfather whose journals recount the bloody annihilation of the Plains Indians. On the way, she discovers a story that stretches from East to West, from the Civil War to Wounded Knee and Vietnam -- and finds the balm to heal her wild and wounded soul.

    That all ends when a soldier from William's mountain regiment reappears, calling in a bargain struck during the war. William must return to that perilous ground, reliving the terror of the war and confronting new dangers in "a narrative so strong in imagery and detail that the reader can almost feel the gusts of an Alpine blizzard" (Library Journal).

    Annie Proulx’s Accordion Crimes is a masterpiece of storytelling that spans a century and a continent. Proulx brings the immigrant experience in America to life through the eyes of the descendants of Mexicans, Poles, Africans, Irish-Scots, Franco-Canadians and many others, all linked by their successive ownership of a simple green accordion. The music they make is their last link with the past—voice for their fantasies, sorrows and exuberance. Proulx’s prodigious knowledge, unforgettable characters and radiant language make Accordion Crimes a stunning novel, exhilarating in its scope and originality.

    It explores the gaping national disconnect between the war at home and the war abroad.Ben Fountain’s remarkable debut novel follows the surviving members of the heroic Bravo Squad through one exhausting stop in their media-intensive "Victory Tour" at Texas Stadium, football mecca of the Dallas Cowboys, their fans, promoters, and cheerleaders.