George Orwell's prophetic, nightmarish vision of "Negative Utopia" is timelier than ever-and its warnings more powerful in this three-act adaptation.

    He is also remarkable for the prominence he gave to female characters, whether heroines of virtue or vice. This new translation does full justice to Euripides's range of tone and gift of narrative. A lucid introduction provides substantial analysis of each play, complete with vital explanations of the traditions and background to Euripides's world.Contains: Medea; Hippolytus; Electra; HelenAbout the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

    A dizzyingly intelligent political satire on the (ir)resistibleness of political thuggery, Arturo Ui satirizes the rise of Hitler in Nazi Germany by dressing it up as “the gangster film” we thought we knew. In Arturo Ui, the metamorphosis of thug-to-politician through corruption, intimidation and all manner of brutality is thinly masked by a Chicago gangland epic where the young Arturo Ui stages a violent takeover of the green grocer trade.

    It is a verse tragedy, written in 1865 and first performed in Stockholm, Sweden on 24 March 1867. Brand was an intellectual play that provoked much original thought.Brand is a priest who wants to take consequence of his choices, and is therefore deeply bound to doing the "right thing". He believes primarily in the will of man, and lives by the device "all or nothing". To make compromises is therefore difficult, or by his moral standards questionable at best.

    Searching Manchester in desperation, she finds all roads lead to Pomona - an abandoned concrete island at the heart of the city.Here at the centre of everything, journeys end and nightmares are born.A sinister and surreal thriller from Alistair McDowall, Pomona received its world premiere at the Orange Tree Theatre, London, on 12 November 2014.

    Book by McLure, James

    She has an internship with her famous film director uncle, a hit BookTube channel with her actress cousin Sadie and is fully determined to get her world on track as a true adult person, complete with happiness and sparkly love in spades. But nothing is going to plan. She applied to all the wrong colleges, is the only one of her friends still single and is majorly crushing on 23-year-old cinema genius wunderkind Leo Landis, even though he may or may not be breaking up with his girlfriend and may or may not even notice her. But Saoirse's not giving up.She steels herself with hyper-romantic hope and sets out to be her best positive self, which works fabulously until it doesn't and things get complicated. Luckily, life turns in Saoirse's favor as her Hollywood family spins out of control and a sweet and equally quirky street artist, Hector Rojas, spots her magical sparkle and inspires her to see things from a kaleidoscope of angles, even her own beautiful self.Uniquely charming in a Bridget Jones's Diary way with a Cyrano de Bergerac twist, Saoirse Berger takes us on an 18-year-old's hilariously painful journey through love, self-doubt, rejection and the search for belonging as a new adult, ultimately discovering she's already right where she's supposed to be.

    Along for the ride is Lisbeth Salamander, famed computer hacker and Pippi Longstocking look-alike. This 40 page parody takes on the Stieg Larssonn phenomenon, mystery-thrillers, and "the girl":"Tell me more about her, Gustaf. I want to know what makes her tick.""She weighs about 62 pounds or 28.1227269 kilograms as we say here in Sweden, although we wouldn't really say it in English unless this was a story written primarily for English readers.""Go on.""Very skinny, smallish breasts, bony legs, knocked knees, flaming orange hair when she doesn't have it dyed. Many body piercings and tattoos. Never smiles. Bad teeth. Underarm hair, also orange. Sometimes has some pretty bad gas. It's the whole package that fits together well. Most men find her attractive."-----Blöhärdt and the girl solve some old mysteries along the way including what happened to Jimmy Hoffa, and who is really buried in Elvis's grave at Graceland.

    Two brothers live in a house in North Philly. Although adults, there is something child-like about these orphans. The eldest supports himself and his slightly retarded brother by petty thievery. One night he brings home a rich older man to get him drunk and rob him. It turns out that the man-Harold is very rich and on the lam from a hitman. Harold establishes the house as a base of operations and, in a strange, hilarious and moving way, becomes the father figure the boys have always yearned for. "A weird, wonderful thriller filled with suspense, pathos and packing an emotional wallop."-WMCA Radio "Keeps you transfixed."-New York Daily News

    I may act like a normal teenage girl during the day, but I’m the most fearful street racer the moment the night falls. The thing is that nobody knows I’m a girl. In their eyes I’m just a guy who has a talent for street racing. My whole world turns upside down when Blaze, my sworn enemy, finds out my secret. That, my friend, is the very moment that hell breaks loose.

    But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. Then it's up to Gillette himself, as he assumes the persona of his beloved Holmes, to track down the killer before the next victim appears. The danger

    He fakes suicides to shock his self-obsessed mother, drives a customized Jaguar hearse, and attends funerals of complete strangers. Seventy-nine-year-old Maude Chardin, on the other hand, adores life. She liberates trees from city sidewalks and transplants them to the forest, paints smiles on the faces of church statues, and “borrows” cars to remind their owners that life is fleeting—here today, gone tomorrow! A chance meeting between the two turns into a madcap, whirlwind romance, and Harold learns that life is worth living. Harold and Maude started as Colin Higgins’ master’s thesis at UCLA Film School, and the script was purchased by Paramount. The film, directed by Hal Ashby, was released in 1971 and it bombed. But soon this quirky, dark comedy began being shown on college campuses and at midnight-movie theaters, and it gained a loyal cult following. This novelization was written by Higgins and published shortly after the film’s release but has been out of print for more than 30 years. Even fans who have seen the movie dozens of times will find this companion valuable, as it gives fresh elements to watch for and answers many of the film’s unresolved questions.

    John doesn't believe in relationships. He has seen the devastating cost of having one and wants no part of it. Crash doesn’t do strings, but for a friend, someone he thought was special, he was willing to bend his rules slightly, but she left. Determined to live his life the way he wants, Crash is surprised when everything comes back full circle… well, sort of. Different chick and messed up circumstances, but he finds he is the one who wants strings, and she is the one who wants nothing to do with them. Braya Collins lives a very sedate life. She gets up every day, goes to work at the preschool she runs, then goes home… rinse and repeat, day after day. At one point, she thought that life was her rebellion from her over-controlling mother and what she coined her social responsibilities. Now, she realizes she was hiding, just in a different way. When her step-sister comes up missing, and a letter is delivered to Braya, asking her to take it to Ryker St. John, she does it immediately not realizing how much that one request will change her life. Reluctantly, Crash and Braya join forces and set off on a journey that knocks them both for a loop. Past hurts and betrayals come to the surface. Danger lurks around every corner. Every second counts. They can’t give up, or someone they care about will be lost. The only question left is, when all the dust settles, what will be left? Will these two opposites make it, or is the attraction just a product of their situation? Content Warning: Explicit love scenes and naughty language. Intended for mature audiences. This book is part of a series and can be read as a standalone although to get full enjoyment, it is suggested you read in series order, starting with Whiskey: RBMC Book 1.