. . . Ruhl's unique, breezily elegant dialogue is fully present, as is her pleasingly loopy logic."—Variety"In the smart, rollicking Stage Kiss . . . passion and fidelity engage in a kind of elegant pas de deux. . . . The play manages to be both wholly original and instantly recognizable . . . with its combination of hilarity and trenchancy."—John Lahr, The New YorkerAward-winning playwright Sarah Ruhl brings her unique mix of lyricism, sparkling humor, and fierce intelligence to her new romantic comedy Stage Kiss. When estranged lovers He and She are thrown together as romantic leads in a long-forgotten 1930s melodrama, the line between off-stage and on-stage begins to blur. A "knockabout farce that channels Noël Coward and Michael Frayn" (Chicago Tribune), Stage Kiss is a thoughtful and clever examination of the difference between youthful lust and respectful love. Ruhl, one of America's most frequently produced playwrights, proves that a kiss is not just a kiss in this whirlwind romantic comedy.Sarah Ruhl's other plays include the Pulitzer Prize finalists In the Next Room (or the vibrator play) and The Clean House, as well as Passion Play, Dean Man's Cell Phone, Demeter in the City, Eurydice, Melancholy Play, and Late: a cowboy song. She is the recipient of a Whiting Writers' Award, a PEN/Laura Pels Award, and a MacArthur Fellowship. Her plays have premiered on Broadway, off-Broadway, and in many theaters around the world.

    Unfolding over a single scene, this "delirious tragicomedy" (Chicago Sun-Times) by acclaimed young playwright Stephen Karam "infuses the traditional kitchen-sink family drama with qualities of horror in his portentous and penetrating work of psychological unease" (Variety), creating an indelible family portrait.

    The topics include feminism and the role of women in the drama, the American Dream, business and capitalism, the significance of technology, the legacy that Willy leaves to Biff, and Miller's use of symbolism. The authors of the essays include prominent Arthur Miller scholars such as Terry Otten and the late Steven Centola as well as young, emerging scholars. Some of the essays, particularly the ones written by the emerging scholars, tend to employ literary theory while the ones by the established scholars tend to illustrate the strengths of traditional criticism by interpreting the text closely. It is fascinating to see how scholars at different stages of their academic careers approach a given topic from distinct perspectives and sometimes diverse methodologies. The essays offer insightful and provocative readings of Death of a Salesman in a collection that will prove quite useful to scholars and students of Miller's most famous play.

     We were never supposed to meet. I was warned to stay away from her. Chrissie was young, beautiful, and off limits. That didn’t stop me from being her first, but it was my heart that was changed forever by our first night together. I knew then she was The Girl. The only one on this earth perfect for me. I knew what I wanted. I wanted to love her forever. She was too unsure to take what I offered, but then she was only eighteen. She walked away. I’ve never let go. Not in my heart. Sure, I’ve had other girls since her. I’m the number one rock star on the planet. I can have any girl I want. My name is practically a household word. I’m rich, dangerous, famous, and an international heartthrob. And SHE walked away. Married two other men while I stayed in the friend zone watching her love them. Nothing she did changed that I wanted her. Nothing she did could undo her hold on my heart. Just when it seemed I’d forever be loving Chrissie without her loving me…the unthinkable happened. Now that we’re both single, I’m going to claim the girl that got away. Whatever it takes this time, I’m making her mine. I’m putting it all out there, on the line for her. What I didn’t expect was the wild ride she took me on or that I’d want it… Continue the epic love story of Chrissie Parker and Alan Manzone in the Hard Rock Daddy Box Set, Books 1-3 of the Sand & Fog Series. Each book is a full-length novel over 90K words. Each book is a steamy read filled with unexpected twists, and with a smile-on-your-face happily ever after. br> (Book 1) 2016 The Kindle Book Review Kindle Book Award Romance Semifinalist & a #1 Amazon Bestseller Rock Genre. (Book 2) 2017 IPPY Silver Medalist Best Romance/Erotica eBook, Independent Book Publishers Awards (Book 3) An Amazon top 100 bestseller MATURE CONTENT: This Box Set contains sexually explicit material, mature subject matter, and is intended for individuals over the age

    A collection of free excerpts from Sister Souljah’s books.

    

    But one glance over the fence at his lovely but reticent neighbour. Maya is enough to launch him on a path of no return. He finds himself playing friend, partner, co-conspirator, and finally the entirely unexpected role of saviour as Maya, suffocating under the weight of a loveless marriage and a suspicious husband, turns to him for help. With characteristic case and insight, Jaishree Misra writes in her new novel of the transforming power of love and of the joy and heartbreak of giving yourself to another, for better or for worse.

    From their first encounter, Cruz “The Butcher” Merada and Zafira Wilder’s meticulously laid plans were shot to hell.He’s a charmingly persuasive player, a keeper of sinful promises, who’s used to getting what he wants. She’s resilient, determined, and nobody’s pushover. They know a relationship between them would never work; However, it’s only a matter of time before they risk giving in to their desires. Soon, they’re spiraling out of control in a tangled web of heartstrings and treachery.If they’re smart, they’ll call it quits, and walk away before someone gets hurt; Or, just maybe, Cruz and Zafira will be brave enough to confront their fears and fight for what’s inevitable between them - love.

    In a series of elegant, nonchronological scenes spanning the years from 1946 to 2015, the play hopscotches through Mary Page Marlowe’s quiet existence as an accountant from Ohio—complicating notions of what it means to lead a “simple life.”

    I'm the collateral. It wasn't supposed to be like this. My life was simple. Carefree. Mundane. I thought I knew everything about my past...and about my father. That was before he stormed in. Beautiful and strong, I knew immediately he was trouble. But I didn't think he was deadly. I was wrong. A man like him gets what he wants...and he wants me. Not just for one month, but for forever.

    Son's story is deceptively simple: two young women in New York meet, talk about their boyfriends, feel a growing, unspoken attraction for each other, and finally kiss. And that one innocent kiss sets off a savage gay-bashing. But even as Stop Kiss confronts the reality of physical violence, Son's imaginative, moving, and surprising comedy brings audiences -- and her principal characters -- to unexpected places.Callie is holding down a job as a radio traffic reporter when she meets Sara, a midwesterner who, against her parents' wishes, has moved to the city to teach third-grade students in the Bronx. Both have boyfriends, but as they get to know each other, their shared experiences and sense of humor create a strong bond. The tragic consequences of their kiss -- the center of this powerful drama -- serve as both an indictment of hatred and a moving study of the perils inherent in living life fully.

    From the best-selling playwright of Many Moons and Little Light, a feminist call to action.

    But when an ordinary humdrum workday becomes anything but, the stakes for who will get to tell their own story become higher than ever.

    In the innovative original production, which Fornes herself directed, the audience follows the lives of eight women in five different "environments.” "Fornes is America's truest poet of the theater."—Erika Munk, Village Voice

    Least I've got an excuse. She told me: you're nothing, you're a control. This is all just you.The Effect is a clinical romance. Two young volunteers, Tristan and Connie, agree to take part in a clinical drug trial. Succumbing to the gravitational pull of attraction and love, however, Tristan and Connie manage to throw the trial off-course, much to the frustration of the clinicians involved. This funny, moving and perhaps surprisingly human play explores questions of sanity, neurology and the limits of medicine, alongside ideas of fate, loyalty and the inevitability of physical attraction.Following on from the critical and commercial success of Enron, The Effect is the latest play from Lucy Prebble, and reunites Enron's writer and director once more delivering a vibrant theatrical exploration into the human brain via the heart. This world premiere was performed at the National Theatre's Cottesloe Theatre from November 2012-23 February 2013, starring Billie Piper and Jonjo O'Neill.The Guardian has selected The Effect as one of the highlights of 'the best theatre for autumn 2012' (2/9/12).