Twenty-year-old Arnessa didn’t grow up on the streets. But when her mentally ill mother abandons her and her older brother is murdered, Arnessa has no choice but to hustle just to keep herself and her little sister alive. Kisa “Kane” Montega, on the other hand, has a wonderful marriage, two beautiful children, and lives in a stunning home on the outskirts of Charlotte. Her cousin, Kennedy, has spent two years away from the volatile music industry, focusing on her children and building a solid foundation with her rap star fiancÉ, Chaz. But in spite of their success, both Kane and Kennedy are gravitating back to their old ways and the game they thought they’d left behind. After a chance meeting, Arnessa goes from being a low-level dealer to partner in their cartel. But the bigger their empire gets, the more haters they have to contend with—and the more each one of them stands to lose. Sexy, suspenseful, and unflinching, Danielle Santiago’s Allure of the Game gives fans exactly what they’ve been hoping for—a deeply satisfying conclusion to an unforgettable trilogy, packed with insight into the mean streets she knows so well.

    Orphaned as a small child, Eve quickly learned the art of the hustle, and by age seventeen she had spent two years in prison. But now Eve is eighteen, back on the streets of Harlem with her gang and up to one of her old tricks: strong-arm robbery. Despite her edge, she's got a soft spot for Felon, the up-and-coming street king.Eve's life takes a serious turn when the powerful DeNardi family, the city's biggest drug supplier, tries to tighten its hold on Harlem. And when Eve's best friend, Cassidy, is murdered in the crossfire, Eve seeks revenge—starting all the way at the top.

    In the days before the Civil War, a runaway slave named Liz Spocott breaks free from her captors and escapes into the labyrinthine swamps of Maryland’s eastern shore, setting loose a drama of violence and hope among slave catchers, plantation owners, watermen, runaway slaves, and free blacks. Liz is near death, wracked by disturbing visions of the future, and armed with “the Code,” a fiercely guarded cryptic means of communication for slaves on the run. Liz’s flight and her dreams of tomorrow will thrust all those near her toward a mysterious, redemptive fate. Filled with rich, true details—much of the story is drawn from historical events—and told in McBride’s signature lyrical style, Song Yet Sung is a story of tragic triumph, violent decisions, and unexpected kindness.

    But when Precious, pregnant with a second child by her father, meets a determined and highly radical teacher, we follow her on a journey of education and enlightenment as Precious learns not only how to write about her life, but how to make it her own for the first time.

    Now, ten years later, they seem to have it all. Jessica is in the limelight, a TV personality whose star is on the rise. Ellie is an optimist, happily engaged in the quest for love. Shereen is a stunning and powerful executive, and Yolanda, the strong-willed leader of the group, has defied her roots to capture her vision of the American dream. But years before, these four women banded together to keep a devastating secret-and now, ten years later, someone will do anything to see the secret brought to light. None of them anticipated the consequences of keeping the secret-and now, someone is trying to shatter all their lives. Intense, powerful, page-turning, and emotional, The Sisters of Theta Phi Kappa will keep you guessing and will make you think about the depths of friendship, the price of loyalty, and the bonds of sisterhood.

    has discovered what he and others believe may be the first novel written by an African-American woman -- a discovery made even more monumental by the fact that it was found in its original manuscript form, completely unedited. Extensive scientific testing has been completed to authenticate the manuscript and ascertain its origins, and experts agree that it was written between 1853 and 1859, by an African-American woman who had previously been enslaved. Gates has painstakingly sought to identify the author, Hannah Crafts, through historical research, and although he has been unsuccessful in determining her true identity, he has found that many of the places, dates, and characters in the novel can be linked reliably to real events and people.A riveting story about a young slave woman on a Southern plantation, The Bondwoman's Narrative follows the title character as she escapes and makes her way to freedom. As a novel, it possesses all the charms and devices of popular mid-19th-century fiction, and the influences of gothic and romantic writers popular in the day are apparent throughout the text. But Crafts accomplishes more than mere mimicry in her book, adding her own voice to established traditions to create a unique style.Throughout the 19th century, many slave narratives -- most notably The Narrative of the Life of Frederick Douglass -- detailed the daily horrors of slavery. In choosing to write a novel rather than an autobiographical narrative, however, Crafts expresses the complete psychological and emotional breadth of the experience, transcending personal, private tortures to illuminate the inhumanity of "the peculiar institution." Her characters reflect upon and feel the experience of enslavement -- and because they are wholly rounded and fully developed, they also express the intellect and insight present in the best writings of Dickens, Poe, or Thoreau.Discovered dallying in her master's portrait gallery by a white housekeeper, who comments that she is "[l]ooking at the pictures...as if such an ignorant thing as you would know any thing about them," the title character poignantly counters to herself, "Ignorance, forsooth. Can ignorance quench the immortal mind or prevent its feeling at times the indications of its heavenly origins? Can it destroy that deep abiding appreciation of the beautiful that seems inherent to the human soul? Can it seal up the fountains of truth and all intuitive perception of life, death, and eternity? I think not. Those to whom man teaches little, nature like a wise and prudent mother teaches much."Regardless of its historical importance -- and the unavoidable questions and controversies about its authenticity -- the literary merits of The Bondwoman's Narrative are clear. A deeply engaging novel told with the clarity of a woman who has endured slavery's sorrows and the creativity of one who, at her core, was a gifted artist, it is a powerful story that leaves the reader simultaneously bereft and exhilarated, one that bears witness to the transcendent power of art. (Ann Kashickey)

    . . and Passion. Rochelle Alers' Sweet SurrenderManicurist Maria Parker can't help but notice when a hunky financial planner brings his niece into Della's for a manicure. And when he starts to frequent the salon himself for manicures from Maria, she's pretty sure he has more than cuticles on his mind...Donna Hill's It Could Happen to YouWhen Della turned Rosie's Curl and Weave into Della's House of Style, a few things managed to slip through the cracks-and now she's is under fire by the IRS. When a by-the-book IRS agent comes to investigate, Della is infuriated by his presence in the salon-and reluctant to admit that she's growing more than a little used to it...Felicia Mason's Truly, HonestlyHigh-maintenance investment banker Sheila [last name] needs some serious pampering. On a whim, she decides to get a shoulder-length weave at Della's House of Style, and afterwards, visits and salon's lounge, where a sexy D.J. has a song in mind for her...Francis Ray's A Matter of TrustSingle mother Hope Lassiter, once a critically acclaimed actress, is now a cosmetologist at Della's House of Style. When a handsome director tries to woo her back to the stage, Hope has to wonder if his intentions are more than professional. . .

    I made you a girl. But that ain’t what you was supposed to be. So, from now on, you gon’ be a boy. It’ll be a little strange at first, but you’ll get used to it, and this’ll be over after while.”      From this point forward, his life becomes a bizarre kaleidoscope of events. Meanwhile, the Peace family is forced to question everything they thought they knew about gender, sexuality, unconditional love, and fulfillment.

    So as soon as she was old enough and able enough, that was where she went--parlaying her smarts and her ambition into one of the hottest hair salons in town. In no time, she was moving with the brothers and sisters who had beautiful clothes, big cars, bigger dreams, and money in the bank.Now, after more than a decade of elegant pleasures and luxe living, Ava has come home, her fabulous career and power plans smashed to bits on one dark truth. Ava Johnson has tested positive for HIV. And she's back in little Idlewild to spend a quiet summer with her widowed sister, Joyce, before moving on to finish her life in San Francisco, the most HIV-friendly place she can imagine.But what she thinks is the end is only the beginning because there's too much going down in her hometown for Ava to ignore. There's the Sewing Circus--sister Joyce's determined effort to educate Idlewild's young black women about sex, drugs, pregnancy, whatever. . .despite the interference of the good Reverend Anderson and his most virtuous, "Just say no" wife. Plus Joyce needs a helping hand to make a loving home for Imani, an abandoned crack baby whom she's taken into her heart.And then there's Wild Eddie, whose legendary background in violence combined with his Eastern gentility has stirred Ava's interest. . .and something more.

    It's not because she's black—most of the other students in the fourth-grade class at her West Philadelphia elementary school are too. Maybe it's because she celebrates Kwanzaa, or because she's forbidden from reciting the Pledge of Allegiance. Maybe it's because she calls her father—a housepainter-slash-philosopher—"Baba" instead of "Daddy," or because her parents' friends gather to pour out libations "from the Creator, for the Martyrs" and discuss "the community." Kenya does know that it's connected to what her Baba calls "the shame of being alive"—a shame that only grows deeper and more complex over the course of Asali Solomon's long-awaited debut novel. Disgruntled, effortlessly funny and achingly poignant, follows Kenya from West Philadelphia to the suburbs, from public school to private, from childhood through adolescence, as she grows increasingly disgruntled by her inability to find any place or thing or person that feels like home. A coming-of-age tale, a portrait of Philadelphia in the late eighties and early nineties, an examination of the impossible double-binds of race, Disgruntled is a novel about the desire to rise above the limitations of the narratives we're given and the painful struggle to craft fresh ones we can call our own.

    She is the darkest-skinned among them and therefore the ugliest in her mother, Rozelle's, estimation, but she's also the brightest. Rozelle--beautiful, charismatic, and light-skinned--exercises a violent hold over her children. Fearing abandonment, she pulls them from school at the age of twelve and sends them to earn their keep for the household, whether in domestic service, in the fields, or at "the farmhouse" on the edge of town, where Rozelle beds local men for money.But Tangy Mae has been selected to be part of the first integrated class at a nearby white high school. She has a chance to change her life, but can she break from Rozelle's grasp without ruinous--even fatal--consequences?

    Remarkable for its courage, its color, and its natural control. --The New Yorker An unforgettable novel written with pride and anger, with rebellion and tears. --New York Herald Tribune Set in Brooklyn during the Great Depression and World War II, Brown Girl, Brownstones chronicles the efforts of Barbadian immigrants to surmount poverty and racism and to make their new country home. Selina Boyce is torn between the opposing aspirations of her parents: her hardworking, ambitious mother longs to buy a brownstone row house while her easygoing father prefers to dream of effortless success and his native island's lushness. Featuring a new foreword by Edwidge Danticat, this coming-of-age tale grapples with identity, sexuality, and changing values in a new country, as a young woman must reconcile tradition with potential and change.

    Five years ago, after learning he had cancer, Julius tried to make peace with his three sons. It didn't take. Now, the disease has gone into remission. Overjoyed, Julius is grateful for this miracle, and the time it affords him to make up for his past mistakes. It won't be easy. In Chicago, life isn't exactly simple for his three grown sons. The oldest, Austin, a successful attorney, struggles to be a good father to his children despite his ex-wife's attempts to turn them against him. Marcus, the middle son, wrestles with a fear of commitment that drives away the woman he loves. And young Caleb, just released from prison, fights to rebuild his life and win back his wife and child. The three Harris brothers have a hard enough time being there for each other—let alone a father they haven't seen in years. Nor are they sure they even want him in their lives. Filled with intrigue, romance, and shocking twists, The Harris Family is a deliciously gripping novel of contemporary black relationships and, ultimately, a moving testament to the power of family, love, and forgiveness.

    "Never before, in the entire history of the American theater, has so much of the truth of black people's lives been seen on the stage," observed James Baldwin shortly before A Raisin in the Sun opened on Broadway in 1959.Indeed Lorraine Hansberry's award-winning drama about the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of black America--and changed American theater forever.  The play's title comes from a line in Langston Hughes's poem "Harlem," which warns that a dream deferred might "dry up/like a raisin in the sun.""The events of every passing year add resonance to A Raisin in the Sun," said The New York Times.  "It is as if history is conspiring to make the play a classic."  This Modern Library edition presents the fully restored, uncut version of Hansberry's landmark work with an introduction by Robert Nemiroff.

    “Why would I talk to you about my life? I don't know you, and even if I did, I don't tell my story to just any boy with long hair, who probably smokes weed. You wanna hear about me. You gotta tell me something about you. To make this worth my while.”1925: Chicago is the jazz capital of the world, and the Dreamland Café is the ritziest black-and-tan club in town. Honoree Dalcour is a sharecropper’s daughter, willing to work hard and dance every night on her way to the top. Dreamland offers a path to the good life, socializing with celebrities like Louis Armstrong and filmmaker Oscar Micheaux. But Chicago is also awash in bootleg whiskey, gambling, and gangsters. And a young woman driven by ambition might risk more than she can stand to lose. 2015: Film student Sawyer Hayes arrives at the bedside of 110-year-old Honoree Dalcour, still reeling from a devastating loss that has taken him right to the brink. Sawyer has rested all his hope on this frail but formidable woman, the only living link to the legendary Oscar Micheaux. If he’s right—if she can fill in the blanks in his research, perhaps he can complete his thesis and begin a new chapter in his life. But the links Honoree makes are not ones he’s expecting... Piece by piece, Honoree reveals her past and her secrets, while Sawyer fights tooth and nail to keep his. It’s a story of courage and ambition, hot jazz and illicit passions. And as past meets present, for Honoree, it’s a final chance to be truly heard and seen before it’s too late. No matter the cost...