Specifically, don't play dead. Trust me on this one. I did it, so I should know.Jo O'Connor has spent her whole life moving around. When it comes to new schools, there's not a trick in the book about starting over that Jo doesn't know. But life is about to teach her a new trick: how to disappear entirely.Rule #2: Always expect the Spanish Inquisition, no matter what anyone else does.They have to move again. Now. This very night. Jo knows better than to argue. Her dad is the key witness in a major case against a big-time bad guy. But Jo just can't resist one last visit to the school where she's been so happy. All she wants is to say good-bye. That can't cause any problems, can it?Rule #3: Never assume you can predict the future.Now Jo's one last visit has landed her smack in the middle of a ghost story. Specifically, her own. By the time it's over, she'll have a whole new set of rules about what's real, what's make-believe, and — most of all — what's important.

    And for a while now, I've thought maybe my mother drowned in both.Anna's life is upended when her father accepts a job transfer the summer before her junior year. It's bad enough that she has to leave her friends and her life behind, but her dad is moving them to the beach where her parents first met and fell in love--a place awash in memories that Anna would just as soon leave under the surface.While life on the beach is pretty great, with ocean views and one adorable lifeguard in particular, there are also family secrets that were buried along the shore years ago. And the ebb and flow of the ocean's tide means that nothing--not the sea glass that she collects on the sand and not the truths behind Anna's mother's death--stays buried forever.

    In the morning, all she can "remember" are events from her future. London is used to relying on reminder notes and a trusted friend to get through the day, but things get complicated when a new boy at school enters the picture. Luke Henry is not someone you'd easily forget, yet try as she might, London can't find him in her memories of things to come. When London starts experiencing disturbing flashbacks, or flash-forwards, as the case may be, she realizes it's time to learn about the past she keeps forgetting-before it destroys her future.

    But after three years of enduring the Terrible Toffs & Horrible Hon.s' treating her like The American Freak, Calypso Kelly is determined to beat them at their own game by tricking them into believing she's dating a hot Hollywood boy. She may be able to rinse the Eades boys at sabre & dazzle the girls with a poster of her "fake Hollywood boyfriend" - but with the paparazzi lurking behind every hedge, her phone confiscated & the not-so-Honourable Honey O'Hare plotting against her, can Calypso manage to pull it off AND pull the Prince?

    She can outrun, outscore, and outwit every boy she knows—including her longtime neighbor and honorary fourth brother, Braden. But when it comes to being a girl, Charlie doesn't know the first thing about anything. So when she starts working at a chichi boutique to pay off a speeding ticket, she finds herself in a strange new world of makeup, lacy skirts, and BeDazzlers. Even stranger, she's spending time with a boy who has never seen her tear it up in a pickup game.To cope with the stress of faking her way through this new reality, Charlie seeks late-night refuge in her backyard, talking out her problems with Braden by the fence that separates them. But their Fence Chats can't solve Charlie's biggest problem: she's falling for Braden. Hard. She knows what it means to go for the win, but if spilling her secret means losing him for good, the stakes just got too high.

    Right up until she stumbles into Jude Ryder, a guy whose name has become its own verb, and synonymous with trouble. He's got a rap sheet that runs longer than a senior thesis, has had his name sighed, shouted, and cursed by more women than Lucy dares to ask, and lives at the local boys home where disturbed seems to be the status quo for the residents. Lucy had a stable at best, quirky at worst, upbringing. She lives for wearing the satin down on her ballet shoes, has her sights set on Juilliard, and has been careful to keep trouble out of her life. Up until now. Jude's everything she needs to stay away from if she wants to separate her past from her future. Staying away, she's about to find out, is the only thing she's incapable of. For Lucy Larson and Jude Ryder, love's about to become the thing that tears them apart.

    She wants her friends to be loyal. She wants her classmates to elect her student council president. She wants to find the right guy, not the usual jerk her school has to offer. She wants a good reputation, because she believes that will lead to good things. But life is messy, and it's very hard to be in control of it. Not when there are freshman girls running around in a pack, trying to get senior guys to sleep with them. Not when your friends have secrets they're no longer comfortable sharing. Not when the boy you once dismissed ends up being the boy you want to sleep with yourself - but only in secret, with nobody ever finding out. Slut or saint? Winner or loser? Natalie is getting tired of these forced choices - and is now going to find a way to live life in the sometimes messy, sometimes wonderful in-between.

    You can’t rewind the past.The only way to learn the secret . . . is to press play.Clay Jensen returns home from school to find a strange package with his name on it lying on his porch. Inside he discovers several cassette tapes recorded by Hannah Baker–his classmate and crush–who committed suicide two weeks earlier. Hannah’s voice tells him that there are thirteen reasons why she decided to end her life. Clay is one of them. If he listens, he’ll find out why. Clay spends the night crisscrossing his town with Hannah as his guide. He becomes a firsthand witness to Hannah’s pain, and as he follows Hannah’s recorded words throughout his town, what he discovers changes his life forever.

    It's all about control: As long as she works hard, nothing can hurt her. So Jenna constantly pushes -- for perfect grades, the ideal boyfriend, the best, best friend.The only problem is, she doesn't know if she can stop. If she relaxes even for a second, she's afraid she'll lose control completely.Then Jenna decides it's now or never. She goes to a party and has one drink. But one drink is all it takes for her perfect facade to shatter. Suddenly she realizes straight A's can't protect you in the real world.

    Between the Lines may be a fairy tale, but it feels real. Prince Oliver is brave, adventurous, and loving. He really speaks to Delilah.And then one day Oliver actually speaks to her. Turns out, Oliver is more than a one-dimensional storybook prince. He’s a restless teen who feels trapped by his literary existence and hates that his entire life is predetermined. He’s sure there’s more for him out there in the real world, and Delilah might just be his key to freedom.A romantic and charming story, this companion novel to Off the Page will make every reader believe in the fantastical power of fairy tales.

    A popular boy has asked Jane out -- and she's never even dated before. Stan is tall and good-looking, friendly and hard-working -- everything Jane ever dreamed of. But is she ready for this? Does she have the right clothes? Will he like her?Suppose her parents won't let her go? What if she's nervous and makes a fool of herself? Maybe he'll think she's too young. If only she knew all the clever things to say. If only she were prettier. If only she were ready for this...With her usual warmth, perceptiveness, and humor, Beverly Cleary creates the joys and worries of a young girl's first crush.

    Love will lead her home.Finley Sinclair is not your typical eighteen year old. She's witty, tough, and driven. With an upcoming interview at the Manhattan music conservatory, Finley needs to compose her audition piece. But her creativity disappeared with the death of her older brother, Will.She decides to study abroad in Ireland so she can follow Will's travel journal. It's the place he felt closest to God, and she's hopeful being there will help her make peace over losing him. So she agrees to an exchange program and boards the plane.Beckett Rush, teen heartthrob and Hollywood bad boy, is flying to Ireland to finish filming his latest vampire movie. On the flight, he meets Finley. She's the one girl who seems immune to his charm. Undeterred, Beckett convinces her to be his assistant in exchange for his help as a tour guide.Once in Ireland, Finley starts to break down. The loss of her brother and the pressure of school, her audition, and whatever it is that is happening between her and Beckett, leads her to a new and dangerous vice. When is God going to show up for her in this emerald paradise?Then she experiences something that radically changes her perspective on life. Could it be God convincing her that everything she's been looking for has been with her all along?

    . . .The mansion on top of Benson Hill has stood empty for years. But one day it seems to be occupied, and its mysterious, handsome inhabitant Alexander Sterling becomes the source of much talk around town. Raven, a vampire-obsessed Goth-girl who has always considered herself an outsider in "Dullsville," is determined to uncover the truth surrounding the secretive Alexander. As she gets to know him, and their spark intensifies, Raven finds herself in some unanticipated situations. Can Alexander make her lifelong dream come true? But love always has its complications—especially when it can only be awakened at nightfall.The first three books in Ellen Schreiber's bestselling Vampire Kisses series capture the thrill of a most unusual romance.

    . .See, the thing is, I almost have enough money, I have tons of riding students who pay me, but there's this guy, and every time he calls I have to see him, so I've kind of been skipping work lately . . . but I'll have the fee soon, I promise!

    Kicked out of their foster homes because they suffer the 'eighteen disease' with nothing but a hundred dollar check from the government and a pat on the back, they're forced to rely on a system that failed them miserably. So they sit. They sit inside Social Services, waiting for their social workers to call their names and offer them the miracle they know will never come but they sit anyway because they have nowhere else to go, no other options on their very literal and figurative empty plates.But as they sit, they notice the other. Although captivated, they each come to the conclusion that life is complicated enough without throwing in a boiling tension that can't ever be acted upon because they're both too busy thinking about where their next meal will come from but when their names are called and both are placed on a year long waiting list for permanent housing, suddenly relying on each other seems like a very viable plan B. And, oh, how lovely Plan B's can be. Well, except for the psycho from Harper's past that haunts her and, oh, yeah, there's the little issue that neither of them knows they're in love with the other. Needless to say, Callum & Harper's life just got a bit more complicated.“One day, you and I are gonna’ wake up and be alright. Maybe not today, maybe not tomorrow but one day. One day. I promise you.” - Callum Tate