Organized by year, it has all the most current information about the band's classic years from 1958--1978."650 images...capture The Who's journey from raucous r&b interpreters to roiling rockers..."--The Washington PostThe Who put on one of the most astounding stage shows ever seen (culminating in a blaze of smashed-up instruments) and took popular music to new heights with the first rock opera. Together, songwriter Pete Townshend, sexy lead singer Roger Daltrey, guitarist John Entwhistle, and drumming wild man Keith Moon redefined rock. Here, in a series of day-to-day diaries brimming with enthusiasm, thoroughness, and fresh information, is the tale of their performing career. The authors gained rare access to various official archives, many not viewed before; to friends and associates (some of whom had never spoken publicly about their relationship with the group); and to Pete, Roger, and John themselves. Three hundred photos capture the charismatic band, Daltrey has contributed a foreword, and the diaries recount club dates, TV appearances, auditions, and recordings. No Who fan can do without this unprecedented and engrossing look at the band.

    Originally sung in New York's Cafe Society, these revolutionary lyrics take on a life of their own in this revealing account of the song and the struggle it personified. Strange Fruit not only chronicles the civil rights movement from the '30s on, it examines the lives of the beleaguered Billie Holiday and Abel Meeropol, the white Jewish schoolteacher and communist sympathizer who wrote the song that would have an impact on generations of fans, black and white, unknown and famous, including performers Lena Horne, Eartha Kitt, and Sting.

    With this volume spanning from her punk fanzine roots to her landmark piece on R. Kelly's past, The First Collection leaves no doubt why The New York Times has called Hopper's work "influential." Not merely a selection of two decades of Hopper's most engaging, thoughtful, and humorous writing, this book documents the last 20 years of American music making and the shifting landscape of music consumption. The book journeys through the truths of Riot Grrrl's empowering insurgence, decamps to Gary, IN, on the eve of Michael Jackson's death, explodes the grunge-era mythologies of Nirvana and Courtney Love, and examines emo's rise. Through this vast range of album reviews, essays, columns, interviews, and oral histories, Hopper chronicles what it is to be truly obsessed with music. The pieces in The First Collection send us digging deep into our record collections, searching to re-hear what we loved and hated, makes us reconsider the art, trash, and politics Hopper illuminates, helping us to make sense of what matters to us most.

    In 1982 Nico was living in Manchester, alone and interested only in feeding her heroin habit. Local promoter Dr Demetrius saw an opportunity, hired musicians to back her, rented a decrepit van and set off with Nico and the band on a disastrous tour of Italy. Over the next six years, until her death in 1988, Nico toured the world with assorted thrown-together bands. They made next to no money, appalled many of their audiences and occasionally, on the rare nights when the music worked, pleased a few. James Young played keyboards for Nico throughout those years. In this book, he records the never-ending antics of a picaresque circus of addicts, outsiders and misfits who travelled the world - East and Western Europe, the United States, Australia and Japan - encountering an equally bizarre and extraordinary mixture of people: poets, artists, gangsters, losers and drifters. John Cale, John Cooper Clarke, Allen Ginsberg and Gregory Corso are among those who appear in this story of Nico, the last Bohemian.

    The assignment would change her life forever. After this chance encounter with the charismatic musician, at Frank’s request Pauline moved with him, his family and his band the Mothers of Invention to a log cabin in the Hollywood Hills. There, the “straight” young English girl from Twickenham spent her days in the company of a succession of famous names, mixing with Oscar winners and rock royalty, including Mick Jagger, Marianne Faithfull, George Harrison, Eric Clapton, Captain Beefheart and Tiny Tim. Often working nights and sleeping days, for three years Pauline served as Zappa’s secretary, running his fan club, the United Mutations, and organising rehearsals, live appearances and recording sessions for the GTOs (Girls Together Outrageously), an all-female rock act supported and produced by Zappa. Freak Out! is the captivating story of a naive young English girl thrust into the mad world of a musical legend. A vivid depiction of the late sixties rock’n’roll scene and the stark realities behind Hollywood’s perceived glamour, this memoir is also the most revealing and intimate portrait of Frank Zappa ever written.

    In the 30 years since his death his influence has not diminished.

    But as the end of the millennium neared, cutting-edge bands began emerging from Seattle, Austin, and London, pushing New York further from the epicenter. The behemoth music industry, too, found itself in free fall, under siege from technology. Then 9/11/2001 plunged the country into a state of uncertainty and war—and a dozen New York City bands that had been honing their sound and style in relative obscurity suddenly became symbols of glamour for a young, web-savvy, forward-looking generation in need of an anthem.Meet Me in the Bathroom charts the transformation of the New York music scene in the first decade of the 2000s, the bands behind it—including The Strokes, The Yeah Yeah Yeahs, LCD Soundsystem, Interpol, and Vampire Weekend—and the cultural forces that shaped it, from the Internet to a booming real estate market that forced artists out of the Lower East Side to Williamsburg. Drawing on 200 original interviews with James Murphy, Julian Casablancas, Karen O, Ezra Koenig, and many others musicians, artists, journalists, bloggers, photographers, managers, music executives, groupies, models, movie stars, and DJs who lived through this explosive time, journalist Lizzy Goodman offers a fascinating portrait of a time and a place that gave birth to a new era in modern rock-and-roll.

    His credits include some of the most indelible songs of the '60s: The Ronettes' "Be My Baby," the Crystals' "Then He Kissed Me," and Ike and Tina Turner's "River Deep, Mountain High." Culled from more than 100 interviews with Spector's closest associates, and fully updated to include the firsthand details of the alleged murder of actress Lana Clarkson, He's a Rebel boldly explores Spector's legendary eccentricities, addictions, and violent, reclusive tendencies. This is the definitive, unflinching portrait of Phil Spector, the producer who transformed the airwaves and forever changed the sound of popular music.

    The definitive biography of one of the most revered guitarists of his generation. Duane Allman brought white-hot intensity to his life, onstage, in the studio, and beyond. Skydog reveals the complete story of Duane Allman, from his early struggles and his session days, to the formation of the Allman Brothers Band and his tragic early death at age 24. Skydog also includes a comprehensive discography, a meticulously researched roundup of his studio and stage instruments, and a look at the continuing lives and careers of Allman's friends and bandmates.

    Now some of that knowledge has been distilled into The Wire Primers: a comprehensive guide to the core recordings of some of the most visionary and inspiring, subversive and radical musicians on the planet, past and present. Each chapter surveys the musical universe of a particular artist, group or genre by way of a contextualizing introduction and a thumbnail guide to the most essential recordings. A massive and eclectic range of music is celebrated and demystified, from rock mavericks such as Captain Beefheart and The Fall; the funk of James Brown and Fela Kuti; the future jazz of Sun Ra and Ornette Coleman; and the experimental compositions of John Cage and Morton Feldman. Genres surveyed and explained include P-funk, musique concrète, turntablism, Brazilian Tropicália, avant metal and dubstep. The Wire Primers is a vital guide to contemporary sounds, providing an accessible entry point for any reader wanting to dig below the surface of mainstream music.

    The first definitive biography of the ultimate American rock bandHow did a pair of little Dutch boys trained in classical music grow up to become the nucleus of the most popular heavy metal band of all time? What's the secret behind Eddie Van Halen's incredible fast and furious guitar solos? What makes David Lee Roth and Sammy Hagar so wacky? And, are all those stories about groupies, booze bashes, and contract riders true? The naked truth is laid bare in Everybody Wants Some--the real-life story of a rock 'n' roll fantasy come true.

    He was a millionaire with his own record label at twenty-two. He was, according to Tom Wolfe, “the first tycoon of teen.” Phil Spector owned pop music. From the Crystals, the Ronettes (whose lead singer, Ronnie, would become his second wife), and the Righteous Brothers to the Beatles (together and singly) and finally the seventies punk icons The Ramones, Spector produced hit after hit. But then he became pop music's most famous recluse. Until one day in the spring of 2007, when his name hit the tabloids, connected to a horrible crime. In Tearing Down the Wall of Sound, Mick Brown, who was the last journalist to interview Spector before his arrest, tells the full story of the troubled musical genius.From the Trade Paperback edition.

    This updated edition of David Walley's cutting-edge classic includes a new foreword, a substantial chapter carrying the Zappa saga through his death from cancer, an afterword, bibliography, discography, videography, and guide to Zappa on the Internet. From 1960's Freak Out! to the posthumous Civilization Phaze III, No Commercial Potential offers converts and connoisseurs the most practical and penetrating book ever written on the musical phenomenon known as Frank Zappa.

    It isn’t another exposé about how they broke up. It isn’t a history of their gigs or their gear. It is a collection of essays telling the story of what this ubiquitous band means to a generation who grew up with the Beatles music on their parents’ stereos and their faces on T-shirts. What do the Beatles mean today? Why are they more famous and beloved now than ever? And why do they still matter so much to us, nearly fifty years after they broke up?As he did in his previous books, Love is a Mix Tape, Talking to Girls About Duran Duran, and Turn Around Bright Eyes, Sheffield focuses on the emotional connections we make to music. This time, he focuses on the biggest pop culture phenomenon of all time—The Beatles. In his singular voice, he explores what the Beatles mean today, to fans who have learned to love them on their own terms and not just for the sake of nostalgia.Dreaming the Beatles tells the story of how four lads from Liverpool became the world’s biggest pop group, then broke up—but then somehow just kept getting bigger. At this point, their music doesn’t belong to the past—it belongs to right now. This book is a celebration of that music, showing why the Beatles remain the world’s favorite thing—and how they invented the future we’re all living in today.

    Listen to This, which takes its title from a beloved 2004 essay in which Ross describes his late-blooming discovery of pop music, showcases the best of his writing from more than a decade at The New Yorker. These pieces, dedicated to classical and popular artists alike, are at once erudite and lively. In a previously unpublished essay, Ross brilliantly retells hundreds of years of music history—from Renaissance dances to Led Zeppelin—through a few iconic bass lines of celebration and lament. He vibrantly sketches canonical composers such as Schubert, Verdi, and Brahms; gives us in-depth interviews with modern pop masters such as Björk and Radiohead; and introduces us to music students at a Newark high school and indie-rock hipsters in Beijing.Whether his subject is Mozart or Bob Dylan, Ross shows how music expresses the full complexity of the human condition. Witty, passionate, and brimming with insight, Listen to This teaches us how to listen more closely.