Drawing on new documentary information, the author recreates the often grueling conditions of an early rock and roll tour, and provides new facts about "the day the music died." With 50 photos.

    Watts offers a new history of the fall of the Roman Republic that explains why Rome exchanged freedom for autocracy. For centuries, even as Rome grew into the Mediterranean's premier military and political power, its governing institutions, parliamentary rules, and political customs successfully fostered negotiation and compromise. By the 130s BC, however, Rome's leaders increasingly used these same tools to cynically pursue individual gain and obstruct their opponents. As the center decayed and dysfunction grew, arguments between politicians gave way to political violence in the streets. The stage was set for destructive civil wars--and ultimately the imperial reign of Augustus. The death of Rome's Republic was not inevitable. In Mortal Republic, Watts shows it died because it was allowed to, from thousands of small wounds inflicted by Romans who assumed that it would last forever.

    And his artistic vision remains palpably present today, through the countless statues, fountains, and buildings that transformed Rome into the Baroque theater that continues to enthrall tourists.            It is perhaps not surprising that this artist who defined the Baroque should have a personal life that itself was, well, baroque. As Franco Mormando’s dazzling biography reveals, Bernini was a man driven by many passions, possessed of an explosive temper and a hearty sex drive, and he lived a life as dramatic as any of his creations. Drawing on archival sources, letters, diaries, and—with a suitable skepticism—a hagiographic account written by Bernini’s son (who portrays his father as a paragon of virtue and piety), Mormando leads us through Bernini’s many feuds and love affairs, scandals and sins. He sets Bernini’s raucous life against a vivid backdrop of Baroque Rome, bustling and wealthy, and peopled by churchmen and bureaucrats, popes and politicians, schemes and secrets.The result is a seductively readable biography, stuffed with stories and teeming with life—as wild and unforgettable as Bernini’s art. No one who has been bewitched by the Baroque should miss it.

    The remarkable recovery of the drama and glory of a unique historic character.

    But his warrior's heart yearns to fight in the gladiator ring himself and earn enough money to win his freedom.LUCIA is the daughter of Tag's owner, doomed by her father's greed to marry a much older Roman man. But she loves studying the natural world around her home in Pompeii, and lately she's been noticing some odd occurrences in the landscape: small lakes disappearing; a sulfurous smell in the air. . . .When the two childhood friends reconnect, each with their own longings, they fall passionately in love. But as they plot their escape from the city, a patrician fighter reveals his own plans for them -- to Lucia's father, who imprisons Tag as punishment. Then an earthquake shakes Pompeii, in the first sign of the chaos to come. Will they be able to find each other again before the volcano destroys their whole world?

    Bravery, loyalty, experience, and success lead to Maximus' appointment as "General of the West" by the Roman emperor, the ambition of a lifetime. But with the title comes a caveat: Maximus needs to muster and command a single legion to defend the perilous Rhine frontier. On the opposite side of the Rhine River, tribal nations are uniting; hundreds of thousands mass in preparation for the conquest of Gaul, and from there, a sweep down into Rome itself. Only a wide river and a wily general keep them in check. With discipline, deception, persuasion, and surprise, Maximus holds the line against an increasingly desperate and innumerable foe. Friends, allies, and even enemies urge Maximus to proclaim himself emperor. He refuses, bound by an oath of duty, honor, and sacrifice to Rome, a city he has never seen. But then circumstance intervenes. Now, Maximus will accept the purple robe of emperor, if his scrappy legion can deliver this last crucial victory against insurmountable odds. The very fate of Rome hangs in the balance. Combining the brilliantly realized battle action of Gates of Fire and the masterful characterization of Mary Renault's The Last of the Wine, Eagle in the Snow is nothing less than the novel of the fall of the Roman empire.

    When Rufus' growing reputation as an animal trainer and his friendship with Cupido, one of Rome's greatest gladiators, attract the cruel gaze of the Emperor, Rufus is bought from his master and taken to the imperial palace as the keeper of the imperial elephant. Rufus soon sees that life here is dictated by Caligula’s ever shifting moods—he is as generous as he is cruel and he is a megalomaniac who declares himself a living god who simultaneously lives in constant fear of the plots against his life. Caligula's paranoia is not misplaced, and Rufus and Cupido find themselves unwittingly placed at the center of a conspiracy to assassinate the Emperor.