She and her friends Claudia, Stacey, and Mary Anne all love taking care of kids. A club will give them the chance to have lots of fun—and make tons of money.But nobody counted on crank calls, uncontrollable two-year-olds, wild pets, and parents who don't always tell the truth. And then there's Stacey, who's acting more and more mysterious. Having a baby-sitters club isn't easy, but Kristy and her friends aren't giving up until they get it right!

    While visiting her Aunt Clare at the old family home, she discovers an eerily-haunted dollhouse in the attic—an exact replica of the family home. Whenever she sees it, the dolls, representing her relatives, have moved. Her aunt won't listen to Amy's claims that the dolls are trying to tell her something. This leads Amy to research old news reports where she discovers a family secret—the murder of her grandparents. The two sisters unravel the mystery. Amy grows to accept her sister and to understand that Louann is more capable than she had first thought.

    Although Jim finds it difficult to fit in with the family he hasn't seen since childhood, and though they are wary and distrustful of him, Jim feels his duty is at their side. But slowly, as they survive the dangerous trek west, the perils of frontier life, and the kidnapping of their younger brother, Jim and his family realize that the only way to survive is to accept each other and truly reunite the family.

    After discovering that a German U-boat has landed near her home--a little-known, true incident on Long Island--she and her classmates form "Kids Fight for Freedom" and participate in the home front war effort.

    Nobel Prize winner Rudyard Kipling's timeless masterpiece has been lovingly passed from one generation of readers to the next. Triumphantly brought to life in stunning watercolors from Caldecott Honor artist Jerry Pinkney, this is a tale that will win the hearts of young and old alike.

    But when circumstances change, he learns that not all humans are so kind. Passed from hand to hand, Black Beauty witnesses love and cruelty, wealth and poverty, friendship and hardship . . . Will the handsome horse ever find a happy and lasting home? Carefully retold in clear contemporary language, and presented with delightful illustrations, these favorite classic stories capture the heart and imagination of young readers. By retelling the story in a shorter, simpler form, these books become highly engaging for children, and the color illustrations help with both comprehension and interest level. Black Beauty is part of a collectible series that has strong gift appeal.

    Hans Brinker, or The Silver Skates went through more than 100 editions during the author's lifetime alone. First published in 1865, this replica of the 1917 edition features the exquisite illustrations by Alice Carsey, whose sensitive eye and delicate pen-and-ink lines enliven the tale of the poor but virtuous Dutch boy in a way that few other artists have achieved. This replica edition brings the enchanting work of Dodge and Carsey to a new generation of children. Author and editor Mary Mapes Dodge (1831-1905) was born in New York City. She served as editor of the children's magazine St. Nicholas, to which she attracted such writers as Mark Twain, Louisa May Alcott, Robert Louis Stevenson, Frances Hodgson Burnett, and Rudyard Kipling. She also authored the short-fiction collection Irvington Stories (1864).

    The heroine's grit and determination, backed by the support of her eccentric and loving family, offer an inspiring example of the struggles and rewards of following a dream."The book is one that horse lovers of every age cannot fail to enjoy."--"The New York Times""Humorous, charming, National Velvet is a little masterpiece."--"Time""Put on your not-to-be-missed list."--"The New Yorker"

    Wol brings dead skunks to the family dinner table and terrorizes the minister, the postman, and the French teacher. Weeps is a comical bird, afraid of everything except Mutt, and he never does learn how to fly. Here is the heartwarming story of how a boy named Billy finds Wol and Weeps and unwittingly adds two new members to the family.

    Westing's will. And though no one knows why the eccentric, game-loving millionaire has chosen a virtual stranger—and a possible murderer—to inherit his vast fortune, one thing's for sure: Sam Westing may be dead ... but that won't stop him from playing one last game!

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    It turns out the dog, which Marty names Shiloh, belongs to Judd Travers who drinks too much and has a gun—and abuses his dogs. So when Shiloh runs away from Judd to Marty, Marty just has to hide him and protect him from Judd. But Marty's secret becomes too big for him to keep to himself, and it exposes his entire family to Judd's anger. How far will Marty have to go to make Shiloh his?

    Times may be hard, and ten-year-old Bud may be a motherless boy on the run, but Bud's got a few things going for him:He has his own suitcase full of special things.He's the author of Bud Caldwell's Rules and Things for Having a Funner Life and Making a Better Liar Out of Yourself.His momma never told him who his father was, but she left a clue: flyers advertising Herman E. Calloway and his famous band, the Dusky Devastators of the Depression!!!!!!Bud's got an idea that those flyers will lead him to his father. Once he decides to hit the road and find this mystery man, nothing can stop him--not hunger, not fear, not vampires, not even Herman E. Calloway himself.

    For twelve years they've dressed alike, shared a room, and done everything together. But when they start Sweet Valley Middle School, everything begins to change. Elizabeth wants to work on the class newspaper, but Jessica doesn't. Jessica would rather join the Unicorns, a snobby all-girls club. Even though Elizabeth isn't interested in the same things as her twin, she tries to tag along. But is she losing her best friend?

    "Fetch the whipping boy!" A young orphan named Jemmy rouses from his sleep. "Ain't I already been whipped twice today? Gaw! What's the prince done now?" It was forbidden to spank, thrash, or whack the heir to the throne. Jemmy had been plucked from the streets to serve as whipping boy to the arrogant and spiteful Prince Brat. Dreaming of running away, Jemmy finds himself trapped in Prince Brat's own dream at once brash and perilous. In this briskly told tale of high adventure, taut with suspense and rich with colorful characters, the whipping boy and Prince Brat must at last confront each other. Award-winning author Sid Fleischman again blends the broadly comic with the deeply compassionate in this memorable novel.