The woman quotes a phrase from the Karlson fragments that Caddie knows does not exist—and yet to Caddie, who knows Inga Karlson’s work like she knows her name, it feels genuine.Caddie is electrified. Jolted her from her sleepy, no-worries life in torpid 1980s Brisbane, she is driven to investigate: to find the clues that will unlock the greatest literary mystery of the twentieth century

    Forced to take her life in a new direction when an injury ends her ballet career, Emma returns to her home in Australia and learns that she has inherited an isolated sheep station from a late grandmother who would impart key lessons about love and motherhood.

    The infant didn't wake when the woman placed her gently in the shopping bag she had brought with her. There is CCTV footage of what happened next, and most Australians would have seen it, either on the internet or the news.The woman walked out to the car park, towards an old Corolla. For a moment, she held the child gently against her breast and, with her eyes closed, she smelled her.She then clipped the infant into the car, got in and drove off.That is where the footage ends.It isn't where the story ends, however.It's not even where the story starts.

    She doesn’t mind, not really—not with Atticus, her African grey parrot, to keep her company—but after her house is broken into by a knife-wielding intruder, she decides it might be good to have some company after all.Andy’s father has lost his job, and his parents’ savings are barely enough to cover his tuition. If he wants to graduate, he’ll have to give up his student flat and find a homeshare. Living with an elderly Australian woman is harder than he’d expected, though, and soon he’s struggling with more than his studies.

    Wise-cracking Kerry Salter is part of an Aboriginal family living on the mid-north coast of New South Wales. She has spent a lifetime avoiding two things - her hometown and prison. But now her Pop is dying and she's an inch away from the lockup, so she heads south on a stolen Harley. Kerry plans to spend 24 hours, tops, over the border.She quickly discovers, though, that Bundjalung country has a funny way of grabbing on to people. Old family wounds open as the Salters fight to stop the development of their beloved river. And the unexpected arrival on the scene of a good-looking dugai fella intent on loving her up only adds more trouble - but then trouble is Kerry's middle name. Gritty and darkly hilarious, Too Much Lip offers redemption and forgiveness where none seemed possible.

    Between them all is his absent brother, Finn.When a body is discovered on the beach, long-held secrets threaten to emerge. A sunken wreck, a missing girl, and questions that have never washed away...

    Herein lives the village idiot.Professor Frederick Lothian, a retired engineer, world expert on concrete and connoisseur of modernist design, has quarantined himself from life by moving to a retirement village. His wife, Martha, is dead and his two adult children are lost to him in their own ways. Surrounded and obstructed by the debris of his life - objects he has collected over many years and tells himself he is keeping for his daughter - he is determined to be miserable but is tired of his existence and of the life he has chosen.When a series of unfortunate incidents forces him and his neighbor, Jan, together, he begins to realise the damage done by the accumulation of a lifetime's secrets and lies and to comprehend his own shortcomings. Finally, Frederick Lothian has the opportunity to build something meaningful for the ones he loves.Humorous, poignant and galvanising by turns, Extinctions is a novel about all kinds of extinction - natural, racial, national and personal - and what we can do to prevent them.

    Annie fled back to the city, but the mountain continues to haunt her. Now, drawn by a call for help from her uncle, she's going back to the place she loves most in the world, to try to heal herself, her marriage, her daughter and her mother. A heart-wrenching, tender and lovely novel about loss, grief and regeneration, Ache is not only a story of how we can be broken, but how we can put ourselves back together.

    If a man can still ride, if he hasn't totally lost the use of his legs, if he hasn't died to the part of his heart that understands such things, then he should go for a gallop. At the very least he should stand at the road by the river imagining that he's pushing a horse up the steep hill that leads to the house on the farm once known as One Tree.

    She plans only to check on her ailing mother and leave. But Tilly decides to stay, and though she is still an outcast, her lush, exquisite dresses prove irresistible to the prim women of Dungatar. Through her fashion business, her friendship with Sergeant Farrat—the town’s only policeman, who harbors an unusual passion for fabrics—and a budding romance with Teddy, the local football star whose family is almost as reviled as hers, she finds a measure of grudging acceptance. But as her dresses begin to arouse competition and envy in town, causing old resentments to surface, it becomes clear that Tilly’s mind is set on a darker design: exacting revenge on those who wronged her, in the most spectacular fashion.

    Bojan's wife abandons him to care for their three-year-old daughter Sonja alone. Sonja returns to Tasmania 35 years later, and to a father haunted by memories of the war and other recent horrors.

    Quinn Walker returns from the Great War to the New South Wales town of Flint: the birthplace he fled ten years earlier when he was accused of a heinous act.A LIE UNFORGIVABLEAware of the townsmen's vow to hang him, Quinn takes to the surrounding hills. Here, deciding upon his plan of action, and questioning just what he has returned for, he meets Sadie Fox.A BOND UNBREAKABLEThis mysterious girl seems to know, and share, his darkest fear. And, as their bond greatens, Quinn learns what he must do to lay the ghosts of his past, and Sadie's present, to rest.

    But one day, Millie’s mum leaves her alone beneath the Ginormous Women’s underwear rack in a department store, and doesn’t come back.Agatha Pantha is an eighty-two-year-old woman who hasn’t left her home since her husband died. Instead, she fills the silence by yelling at passers-by, watching loud static on TV, and maintaining a strict daily schedule. Until the day Agatha spies a little girl across the street.Karl the Touch Typist is eighty-seven years old and once typed love letters with his fingers on to his wife’s skin. He sits in a nursing home, knowing that somehow he must find a way for life to begin again. In a moment of clarity and joy, he escapes.Together, Millie, Agatha and Karl set out to find Millie’s mum. Along the way, they will discover that the young can be wise, that old age is not the same as death, and that breaking the rules once in a while might just be the key to a happy life.

    During a hot Melbourne summer Jovan’s cleaning work at a bayside hospital is disrupted by acts of graffiti and violence becoming increasingly malevolent. For Jovan the mysterious words that must be cleaned away dislodge the poetry of the past. He and his wife Suzana were forced to flee Sarajevo and the death of their children. Intensely human, yet majestic in its moral vision, Black Rock White City is an essential story of Australia’s suburbs now, of displacement and immediate threat, and the unexpected responses of two refugees as they try to reclaim their dreams. It is a breathtaking roar of energy that explores the immigrant experience with ferocity, beauty and humour.

    Sam has to learn how to live with his silent, hitherto absent father, who decides to make a man out of his son by taking him to work at Tangalooma, then the largest whaling station in the southern hemisphere. What follows is the devastatingly beautiful story of a gentle boy trying to make sense of the terrible reality of whaling and the cruelty and alienation of his new world, the world of men. Set around Moreton Island and Noosa in 1961, To Become a Whale is an extraordinarily vivid and haunting novel that reads like an instant classic of Australian literature. There are echoes of Craig Silvey, Favel Parrett, Tim Winton and Randolph Stow in this moving, transformative and very Australian novel.'Hobson takes us to the depths of cruelty to show us life. A boy tries to be a man, a man tries to be a father, and both struggle to navigate what it means to be men. A great study in masculinity.'WILLY VLAUTIN, author of Lean on Pete and The Free'A powerful tale of fathers and sons and all that can't be spoken between them. The writing is honest, rich and clean, and it made me feel so much. Too many writers fuss things up, but Ben tells it simply, which is so affecting.'SOFIE LAGUNA, author of Miles Franklin-winning The Eye of the Sheep