She channels her pain into her art: a dystopian graphic novel where vigilantes travel back in time to stop heinous crimes—like child abduction—before they happen. Zelda pitches her graphic novel to several big-time comic book publishers in New York City, only to have her hopes crash and burn. Circumstances leave her stranded in an unfamiliar city, and in an embarrassing moment of weakness, she meets a guarded young man with a past he’d do anything to change...Beckett Copeland spent two years in prison for armed robbery, and is now struggling to keep his head above water. A bike messenger by day, he speeds around New York City, riding fast and hard but going nowhere, his criminal record holding him back almost as much as the guilt of his crime. Zelda and Beckett form a grudging alliance of survival, and in between their stubborn clash of wills, they slowly begin to provide each other with the warmth of forgiveness, healing, and maybe even love. But when Zelda and Beckett come face to face with their pasts, they must choose to hold on to the guilt and regret that bind them, or let go and open their hearts for a shot at happiness. The Butterfly Project is a novel that reveals the power of forgiveness, and how even the smallest decisions of the heart can—like the flutter of a butterfly’s wings—create currents that strengthen into gale winds, altering the course of a life forever. #standalone #triggerwarning for sibling loss/child loss

    As Rumi said, "Love will find its way through all languages on its own". In 'teaching my mother how to give birth', Warsan's debut pamphlet, we witness the unearthing of a poet who finds her way through all preconceptions to strike the heart directly. Warsan Shire is a Kenyan-born Somali poet and writer who is based in London. Born in 1988, she is an artist and activist who uses her work to document narratives of journey and trauma. Warsan has read her work internationally, including recent readings in South Africa, Italy and Germany, and her poetry has been translated into Italian, Spanish and Portuguese.

    When soldiers breaking up a protest kill a deaf boy, Petya, the gunshot becomes the last thing the citizens hear--they all have gone deaf, and their dissent becomes coordinated by sign language. The story follows the private lives of townspeople encircled by public violence: a newly married couple, Alfonso and Sonya, expecting a child; the brash Momma Galya, instigating the insurgency from her puppet theater; and Galya's girls, heroically teaching signing by day and by night luring soldiers one by one to their deaths behind the curtain. At once a love story, an elegy, and an urgent plea, Ilya Kaminsky's long-awaited Deaf Republic confronts our time's vicious atrocities and our collective silence in the face of them.Finalist for the T. S. Eliot PrizeFinalist for the Forward Prize for Best Collection

     I prefer a man with an artistic vein in his body. 9 - 5 hours. And I can definitely do without the half-lidded, sleepy bedroom eyes. (Okay, so those are kind of sexy.) Tall, dark, and handsome doesn’t change the fact that he’s arrogant, cocky, and rude. Not that I care, but he’s made it clear he wants nothing to do with a quirky girl like me, which is why he said no. Turns out no isn’t an option. I have a quickie wedding to plan, and Dr. Jake Kissinger doesn’t have a choice. He looks at our situation like he’s stuck with me, but in reality I’m stuck with him. Stuck with his pouty mouth. His long, lean body. And stuck with those loose, low riding scrub pants. (Okay, so the doctor thing is growing on me.) When spending time together turns into more than it should, I know I’m in trouble. He isn’t supposed to make my heart pound. I’m not supposed to make him look twice. And we aren’t supposed to spend the night together. (Okay, so he has more than one artistic vein in his body, and other places.) Falling for him is definitely a mistake. Here’s the thing…Jake is unavailable, and I know it. Just not in the way you might think. I guess you can’t have your cake and eat it too.

    And few episodes in postwar literature have the legendary stature of Hughes's romance with, and marriage to, the great American poet Sylvia Plath.The poems in Birthday Letters are addressed (with just two exceptions) to Plath, and were written over a period of more than twenty-five years, the first a few years after her suicide in 1963. Some are love letters, others haunted recollections and ruminations. In them, Hughes recalls his and Plath's time together, drawing on the powerful imagery of his work--animal, vegetable, mythological--as well as on Plath's famous verse.Countless books have discussed the subject of this intense relationship from a necessary distance, but this volume--at last--offers us Hughes's own account. Moreover, it's a truly remarkable collection of poems in its own right.

    Emma is on vacation at the beach. When she runs into Galen—literally, ouch!—both teens sense a connection. But it will take several encounters, including a deadly one with a shark, for Galen to be convinced of Emma's gifts. Now, if he can only convince Emma that she holds the key to his kingdom...Told from both Emma and Galen's points of view, here is a fish-out-of-water story that sparkles with intrigue, humor, and waves of romance.

    Trademark wit and subtle vulnerability converge in each poem; this book is both a celebration of and aspiration for a life well lived.This book is a compilation of small observations and musings. It's filled with moments of reflection and a love letter to simple joys: passing a simple blade of grass on the sidewalk, the freedom of peeing outdoors late at night, or the way a hand-built ceramic mug feels when it's full of warm tea on a chilly morning. It's a catalog and a compendium that examines the complicated experience of being all too human and interacting with a complex, confounding, breathtaking world … and a reminder to stop and be awake and alive in yourself.

    Hilarious. Reassuring. Brilliant.' Laura Jane WilliamsThe highly-anticipated new novel from Holly Bourne, bestselling author of HOW DO YOU LIKE ME NOW?He said he was looking for a 'partner in crime' which everyone knows is shorthand for 'a woman who isn't real'.April is kind, pretty, and relatively normal - yet she can't seem to get past date five. Every time she thinks she's found someone to trust, they reveal themselves to be awful, leaving her heartbroken. And angry.If only April could be more like Gretel.Gretel is exactly what men want - she's a Regular Everyday Manic Pixie Dream Girl Next Door With No Problems.The problem is, Gretel isn't real. And April is now claiming to be her.As soon as April starts 'being' Gretel, dating becomes much more fun - especially once she reels in the unsuspecting Joshua.Finally, April is the one in control, but can she control her own feelings? And as she and Joshua grow closer, how long will she be able to keep pretending?

    Poet Laureate Billy Collins comes a twelfth collection of poetry offering nearly fifty new poems that showcase the generosity, wit, and imaginative play that prompted The Wall Street Journal to call him America's favorite poet.The Rain in Portugal, a title that admits he's not much of a rhymer, sheds Collins's ironic light on such subjects as travel and art, cats and dogs, loneliness and love, beauty and death. His tones range from the whimsical "the dogs of Minneapolis . . . / have no idea they're in Minneapolis" to the elegiac in a reaction to the death of Seamus Heaney. A student of the everyday, here Collins contemplates a weather vane, a still life painting, the calendar, and a child lost at a beach. His imaginative fabrications have Shakespeare flying comfortably in first class and Keith Richards supporting the globe on his head. By turns entertaining, engaging, and enlightening, The Rain in Portugal amounts to another chorus of poems from one of the most respected and familiar voices in the world of American poetry.On Rhyme It's possible that a stitch in time might save as many as twelve or as few as three, and I have no trouble remembering that September has thirty days. So do June, November, and April. I like a cat wearing a chapeau or a trilby, Little Jack Horner sitting on a sofa, old men who are not from Nantucket, and how life can seem almost unreal when you are gently rowing a boat down a stream. That's why instead of recalling today that it mostly pours in Spain, I am going to picture the rain in Portugal, how it falls on the hillside vineyards, on the surface of the deep harbors where fishing boats are swaying, and in the narrow alleys of the cities where three boys in tee shirts are kicking a soccer ball in the rain, ignoring the window-cries of their mothers.

    In Mad Woman, she bares it all and embraces her madness driven by loneliness and disappointment.

    After a frivolous six months of backpacking through New Zealand, Australia, and Southeast Asia, she finds herself broke on the Mediterranean without enough money for a plane ticket home to California. There are worse places to be stuck than the gorgeous coastline of southern Italy, but the only job she manages to secure involves teaching English to two of the brattiest children she’s ever met.It doesn’t help that the children are under the care of their brooding older brother, Italian ex-motorcycle racer Desiderio Larosa. Darkly handsome and oh-so-mysterious, Derio tests Amber’s patience and will at every turn—not to mention her hormones.But when her position as teacher turns into one as full-time nanny at the crumbling old villa, Amber finds herself growing closer to the enigmatic recluse and soon has to choose between the safety of her life back in the States and the uncertainty of Derio’s closely guarded heart.

    Now, with Goldenrod, the award-winning poet returns with a powerful collection of poems that look at parenthood, solitude, love, and memory. Pulling objects from everyday life—a hallway mirror, a rock found in her son’s pocket, a field of goldenrods at the side of the road—she reveals the magic of the present moment. Only Maggie Smith could turn an autocorrect mistake into a line of poetry, musing that her phone “doesn’t observe / the high holidays, autocorrecting / shana tova to shaman tobacco, / Rosh Hashanah to rose has hands.”​

    Under the sweat and dirt, Manning Sutter was as handsome as the sun was bright. He was older, darker, experienced. I wore a smiley-face t-shirt and had never even been kissed. Yet we saw something in each other that would link us in ways that couldn’t be broken...no matter how hard we tried.I loved Manning before I knew the meaning of the word. I was too young, he said. I would wait. Through all the carefully-chosen words hiding what we knew to be true, through his struggle to keep me innocent, and through infinitely-starry nights—I would wait. But I’d learn that life isn’t always fair. That no matter how much you achieve, none of it matters if you suffer the heartbreak that comes with falling for someone you can never have. Because even though I saw Manning first, that didn’t matter. My older sister saw him next.

    Dr. Martina McGowan is a retired MD, a mother, grandmother, and a poet. Her poetry provides insights that no think piece on racism can; putting readers in the uncomfortable position of feeling, reflecting, and facing what it means to be a Black American.This entire collection was created during 2020, many shortly after the deaths of Breonna Taylor and George Floyd, to name but a few.

    But Bennett has the unique ability to travel through time and space, which brings him into Anna’s life, and with him a new world of adventure and possibility.As their relationship deepens, the two face the reality that time may knock Bennett back to where he belongs, even as a devastating crisis throws everything they believe into question. Against a ticking clock, Anna and Bennett are forced to ask themselves how far they can push the bounds of fate, what consequences they can bear in order to stay together, and whether their love can stand the test of time.Fresh, exciting, and deeply romantic, Time Between Us is a stunning, spellbinding debut from an extraordinary new voice in YA fiction.