Failed entrepreneur Stanton Finch moves his family from Adelaide to the remote Coorong area of Southern Australia, in pursuit of his dream to become a farmer.Housed in a driftwood cabin, they try to make the best of their situation. The children roam the beautiful landscape of Salt Creek; visitors are rare but warmly welcomed; a local Indigenous boy becomes almost part of the family. Yet there are daily hardships, and tensions with the Ngarrindjeri people they have displaced; disaster never seems far away.With Mrs Finch struggling to cope, Hester, their perceptive eldest daughter, willingly takes on more responsibility. But as Hester’s sense of duty grows, so does a yearning to escape Salt Creek and make a new life of her own …Lucy Treloar was born in Malaysia and educated in Melbourne, England, and Sweden. Awards for her writing include the 2014 Commonwealth Short Story Prize. Salt Creek is her first novel.

    It certainly drove writers Helen Razer and Bernard Keane to a desperate act: befriending each other for long enough to write a book.Join forces with these uneasy allies to fight against a world that has lost its reason. Explore what's behind the remorseless spread of idiocy, and why there's just so much damn Stupid around you.Stupid isn't just ignorance; it's not just laziness. Worse than the absence of thought, Stupid is a virus that drains our productivity and leaves us sick and diminished. And Stupid has a long, complex and terrible past, one we need to understand in order to defeat it.A Short History of Stupid traces the origins of this maddening ill, examining the different ways in which we've been afflicted over the last three thousand years. It damns those who have spread Stupid and celebrates the brave few who resisted. It shows how Stupid tightens the grubby grip of the foolish around our throats.Hilarious, smart, unpleasant, infuriating and rude, A Short History of Stupid is at once a provocation and a comfort. It will spark debate, soothe the terminally frustrated and outrage the righteously Stupid. It is a book whose Stupid time has come.

    She was young and frightened, trying to escape a brutal marriage, but despite the violence and cruelty she’d endured, she was not prepared for this final blow, this breathtaking punishment. Yvonne would not see her son again for nearly 40 years.Kristina was the first child of her mother’s subsequent, much gentler marriage and, like her siblings, grew up unaware of the reasons behind her mother’s sorrow, though Peter’s absence resounded through the family, marking each one. Yvonne dreamt of her son by day and by night, while Peter grew up a thousand miles and a lifetime away, dreaming of his missing mother. Boy, Lost tells how their lives proceeded from that shattering moment, the grief and shame that stalked them, what they lost and what they salvaged. But it is also the story of a family, the cascade of grief and guilt through generations, and the endurance of memory and faith.

    The people she writes abut are young, old, rich, poor, married, widowed, Chinese, Lebanese, Christian, Muslim. What they have in common—no matter where they come from—is the desire we all share to feel that we belong. The stories explore universal themes of love, loss, family and identity, while at the same time asking crucial questions about the possibility of human connection in a globalised world.Melanie Cheng is an important new voice, offering a fresh perspective on contemporary Australia. Her effortless, unpretentious realism balances an insider’s sensitivity and understanding with an outsider’s clear-eyed objectivity, showing us a version of ourselves richer and more multifaceted than anything we’ve seen before.

    Terrifying tsunamis, corpse-robbing morgue staff, killer cops, neo-Nazis, power junkies and bumbling SWOS teams electrify this epic tale of a city with a cold vacuum for a moral core. This book drills beneath the cover story of a successful multicultural metropolis and melts the boundaries between past and present to reveal a ghost city beneath the surface of a concrete and glass. In this alternative history of Sydney, the yawning chasm between the megarich and the lumpen masses is as evident in the insane wealth of the new elites as it was in the head-spinning rapacity of the NSW Rum Corps. This is a city shattered by the nexus between government, big money and the underworld, where the glittering prizes go to the strong, not the just. 'Leviathan' creates a rich portrait of a city too dazzled by its own gorgeous reflection to care much for what lies at its dark, corrupted heart. Illuminated by wild flashes of black humour, violent, ghoulish and utterly compelling, this is history for the Tarantino generation.

    In early 2019, Rick Morton, author of acclaimed, bestselling memoir One Hundred Years of Dirt, was diagnosed with Complex Post-Traumatic Stress Disorder - which, as he says, is just a fancy way of saying that one of the people who should have loved him the most during childhood didn't.So, over the course of twelve months, he went on a journey to rediscover love. To get better. Not cured, not fixed. Just, better. This is a book about his journey to betterness, his year of living vulnerably. It's a book about love. What love is, how we see it, what forms it takes, how we practice it in our lives, what it means to us, and how we really, really can't live without it, even if, like Rick for many years, we think we can.As he says: 'People think they want cars, and they will, to get to jobs and appointments in cities and regions where public transport has failed them. But what gets them into those cars, out of the house, out of bed for God's sake, is love.'Praise for A Hundred Years of Dirt'Morton is fresh ... He's brilliant.' Helen Elliott, The Monthly'Dark and provocative ... It's one of the saddest books I have read in a while, and one of the most honest .... I think this book should be read by every Australian.' Stephen Romei, The Australian'Morton is a crack storyteller and his words and stories are infused with genuine compassion.' Christos Tsiolkas

    For spinster Flora Thomas, however, nothing much has changed. Tending her dull office job and beloved brother and father, as well as knitting socks for the troops, leaves her relatively content. Then one day a stranger gives her brother a white feather and Flora's anger propels her out of her safe life and into the vineyards of the idyllic Mildura countryside, a member of the Australian Women's Land Army.There she meets Betty, a 17-year-old former shopgirl keen to do her bit for the war effort and support her beloved, and the unlikely Lilian, a well-to-do Adelaide girl fleeing her overbearing family and theworld's expectations for her. As the Land Girls embrace their new world of close-knit community and backbreaking work, they begin to find pride in their roles. More than that, they start to find a kind of liberation. For Flora, new friendships and the singular joy derived from working the land offer new meaning to her life, and even the possibility of love.But as the clouds of war darken the horizon, and their fears for loved ones - brothers, husbands, lovers - fighting at the front grow, the Land Girls' hold on their world and their new-found freedoms is fragile. Even if they make it through unscathed, they will not come through unchanged...

    As daughters of the lighthouse keepers, the two girls share everything, until a fisherman, McPhail, arrives in their small community. When Kate witnesses the desire that flares between him and Harriet, she is torn by her feelings of envy and longing. But one moment in McPhail’s hut will change the course of their lives forever. Inspired by a true story, Skylarking is a stunning debut novel about friendship, love and loss, one that questions what it is to remember and how tempting it can be to forget.‘Kate Mildenhall’s impressive debut novel takes an historical case and re-imagines it with such sensitivity and insight that we feel this must be how it truly happened.’ —Emily Bitto

    Growing up in Bathurst, New South Wales she felt a deep connection to her Australian home and her Australian family.It wasn't until she heard her name uttered in the hit movie Slumdog Millionaire that Latika recognised she knew nothing of her Indian roots, the world she was born into and what she could have become had she not been brought to Australia as a baby.As Latika carved out a successful career for herself as an award-winning political journalist, she became more and more curious about her heritage and what it meant to be born in India and raised in Australia. And so began a deeply personal and sometimes confronting journey back to her birthplace to unravel the mysteries of her heritage.From India with Love is a beautiful story of finding your place in the world and finding peace with the path that led you there.

    With illustrations from Archibald Prize winner Ben Quilty.In January 2016 Richard Flanagan and Ben Quilty travelled to Lebanon, Greece, and Serbia to follow the river that is the exodus of our age: that of refugees from Syria.Flanagan's 'notes' and Quilty's sketches bear witness to the remarkable people they met on that journey and their stories. These individual portraits from the Man Booker Prize-winning author and Archibald Prize-winning artist combine to form a powerful testament to human dignity and courage in the face of war, death, and suffering.Refugees are not like you and me. They are you and me. That terrible river of the wretched and the damned flowing through Europe is my family.

    Born in 1951, he had a happy childhood — raised by his loving adoptive parents, Bert and Gwen Tickner, in the small seaside town of Forster, New South Wales. He grew up to be a cheerful and confident young man with a fierce sense of social justice, and the desire and stamina to make political change. Serving in the Hawke and Keating governments, he held the portfolio of minister for Aboriginal and Torres Strait Islander affairs. Among other achievements while in government, he was responsible for initiating the reconciliation process with Indigenous Australians, and he was instrumental in instigating the national inquiry into the stolen generations.During his time on the front bench, Robert’s son was born, and it was his deep sense of connection to this child that moved him at last to turn his attention to the question of his own birth. Although he had some sense of the potentially life-changing course that lay ahead of him, he could not have anticipated learning of the exceptional nature of the woman who had brought him into the world, the deep scars that his forced adoption had left on her, and the astonishing series of coincidences that had already linked their lives. And this was only the first half of a story that was to lead to a reunion with his birth father and siblings.This deeply moving memoir is a testament to the significance of all forms of family in shaping us — and to the potential for love to heal great harm.

    Following an Australian government edict in 1931, black aboriginal children and children of mixed marriages were gathered up by whites and taken to settlements to be assimilated. In Rabbit-Proof Fence, award-winning author Doris Pilkington traces the captivating story of her mother, Molly, one of three young girls uprooted from her community in Southwestern Australia and taken to the Moore River Native Settlement. At the settlement, Milly and her relatives Gracie and Daisy were forbidden to speak their native language, forced to abandon their aboriginal heritage, and taught to be culturally white. After regular stays in solitary confinement, the three girls scared and homesick planned and executed a daring escape from the grim camp, with its harsh life of padlocks, barred windows, and hard cold beds.The girls headed for the nearby rabbit-proof fence that stretched over 1,000 miles through the desert toward their home. Their journey lasted over a month, and they survived on everything from emus to feral cats, while narrowly avoiding the police, professional trackers, and hostile white settlers. Their story is a truly moving tale of defiance and resilience.About the author: Doris Pilkington is also the author of Caprice: A Stockman's Daughter. Rabbit-Proof Fence, her second book, is now a major motion picture from Miramax Films, directed by Phillip Noyce and starring Kenneth Branagh.

    No word could better capture the essence of Australia...In this hilarious history, David Hunt reveals the truth of Australia’s past, from megafauna to Macquarie – the cock-ups and curiosities, the forgotten eccentrics and Eureka moments that have made us who we are.Girt introduces forgotten heroes like Mary McLoghlin, transported for the crime of “felony of sock”, and Trim the cat, who beat a French monkey to become the first animal to circumnavigate Australia. It recounts the misfortunes of the escaped Irish convicts who set out to walk from Sydney to China, guided only by a hand-drawn paper compass, and explains the role of the coconut in Australia’s only military coup.Our nation’s beginnings are steeped in the strange, the ridiculous and the frankly bizarre. Girt proudly reclaims these stories for all of us.Not to read it would be un-Australian.

    Cool and efficient as always, Wyatt bypasses the alarm system, snatches the cash and eludes the cops. But can he make it safely back to his bolthole in Hobart?Port Vila Blues is Wyatt's fifth heist, this time leading him to a reckoning far from home. The Fallout finds Wyatt on a boat with policewoman Liz Redding and a fortune in stolen gems. He escapes, triggering a manhunt, but who exactly is hunting him? In this sixth Wyatt novel, Wyatt joins forces with his nephew to pull off one of his trickiest robberies-and his most dangerous task yet.'Disher's writing is as lean and relentless as his hero. No one does dryly poetic evocations of paranoia and human folly more seductively.' Australian

    A passionate and urgently needed call to arms, Fight Like A Girl insists on our right to be angry, to be heard and to fight. It'll change lives.' Emily Maguire, author of An Isolated IncidentA friend recently told me that the things I write are powerful for her because they have the effect of making her feel angry instead of just empty. I want to do this for all women and young girls - to take the emptiness and numbness they feel about being a girl in this world and turn it into rage and power. I want to teach all of them how to FIGHT LIKE A GIRL. Clementine FordOnline sensation, fearless feminist heroine and scourge of trolls and misogynists everywhere, Clementine Ford is a beacon of hope and inspiration to thousands of Australian women and girls. Her incendiary debut Fight Like A Girl is an essential manifesto for feminists new, old and soon-to-be, and exposes just how unequal the world continues to be for women. Crucially, it is a call to arms for all women to rediscover the fury that has been suppressed by a society that still considers feminism a threat.Fight Like A Girl will make you laugh, cry and scream. But above all it will make you demand and fight for a world in which women have real equality and not merely the illusion of it.