Cool, eloquent, raising two fatherless children, Claire has emerged as the most visible of the widows who became a potent political force in the aftermath of the catastrophe. She longs for her husband, but she has found her mission: she sits on a jury charged with selecting a fitting memorial for the victims of the attack. Of the thousands of anonymous submissions that she and her fellow jurors examine, one transfixes Claire: a garden on whose walls the names of the dead are inscribed. But when the winning envelope is opened, they find the designer is Mohammad Khan - Mo - an enigmatic Muslim-American who, it seems, feels no need to represent anyone's beliefs except his own. When the design and its creator are leaked, a media firestorm erupts, and Claire finds herself trying to balance principles against emotions amid escalating tensions about the place of Islam in America.A remarkably bold and ambitious debut, The Submission is peopled with journalists, activists, mourners, and bureaucrats who struggle for advantage and fight for their ideals. In this deeply humane novel, the breadth of Amy Waldman's cast of characters is matched by her startling ability to conjure individual lives from their own points of view. A striking portrait of a city - and a country - fractured by old hatreds and new struggles, The Submission is a major novel by an important new talent.

    As Stephen Rojack, a decorated war hero and former congressman who murders his wife in a fashionable New York City high-rise, runs amok through the city in which he was once a privileged citizen, Mailer peels away the layers of our social norms to reveal a world of pure appetite and relentless cruelty. One part Nietzsche, one part de Sade, and one part Charlie Parker, An American Dream grabs the reader by the throat and refuses to let go.

    The poems are written in clear, straightforward free verse. Here is an example of his style from "The Chinese Checker Players": "When I was six years old/I played Chinese checkers/with a woman/who was ninety-three years old."Recurrent themes in the book include love, sex, loss & loneliness. Incorporated throughout are an intriguing mix of pop & 'high' culture references: Jefferson Airplane, Ophelia, the New York Yankees, John Donne etc. The book often has an earthy flavor. He writes about such topics as his own penis or the smell of a fart. Some particularly memorable poems include the following:"All Watched Over by Machines of Loving Grace," a sci-fi vision of a "cybernetic meadow"; the open-ended "Karma Repair Kit: Items 1-4"; "Discovery," a joyful poem about sexual intimacy; the surreal "The Pumpkin Tide"; the funny, haiku-like "November 3"; & "A Good-Talking Candle," which invites readers into altered states of perception. Altho most of the poems are very short, there is one longer poem: the 9-part, 9-page "the Galilee Hitch-hiker," which chronicles the surreal adventures of Baudelaire — among other experiences, he opens an unconventional hamburger stand in San Francisco. If you only know Brautigan from his weird & wonderful novels, read this collection.-Michael Mazza (edited)

    As billions of tweets fuel the city’s gentrification and the human wreckage piles up, a group of friends suffers the consequences of being useless in a new world that despises the pointless and unprofitable. In this, his first full-length novel, Jarett Kobek tackles the pressing questions of our moment. Why do we applaud the enrichment of CEOs at the expense of the weak and the powerless? Why are we giving away our intellectual property? Why is activism in the 21st Century nothing more than a series of morality lectures typed into devices built by slaves? Here, at last, comes an explanation of the Internet in the crudest possible terms.

    It is the story of Nedra and Viri, whose favored life is centered around dinners, ingenious games with their children, enviable friends, and near-perfect days passed skating on a frozen river or sunning on the beach. But even as he lingers over the surface of their marriage, Salter lets us see the fine cracks that are spreading through it, flaws that will eventually mar the lovely picture beyond repair. Seductive, witty, and elegantly nuanced, Light Years is a classic novel of an entire generation that discovered the limits of its own happiness—and then felt compelled to destroy it.

    He stays at the edge of an outcast community inhabited by eccentrics, criminals and the poverty-stricken. Rising above the physical and human squalor around him, his detachment and wry humour enable him to survive dereliction and destitution with dignity.

    Under the slogans of equality and happiness for all, it has done away with individualism and freedom of thought. Only John Krug, a brilliant philosopher, stands up to the regime. His antagonist, the leader of the new party, is his old school enemy, Paduk – known as the ‘Toad’. Grieving over his wife’s recent death, Krug is at first dismissive of Paduk’s activities and sees no threat in them. But the sinister machine which Paduk has set in motion may prove stronger than the individual, stronger even than the grotesque ‘Toad’ himself. The first novel Nabokov wrote while living in America and the most overtly political novel he ever wrote, Bend Sinister is a modern classic.  While it is filled with veiled puns and characteristically delightful wordplay, it is, first and foremost, a haunting and compelling narrative about a civilized man caught in the tyranny of a police state.  Professor Adam Krug, the country's foremost philosopher, offers the only hope of resistance to Paduk, dictator and leader of the Party of the Average Man.  In a folly of bureaucratic bungling and ineptitude, the government attempts to co-opt Krug's support in order to validate the new regime.

    Stacton’s gripping and atmospheric story revolves around the brothers Edwin and John Wilkes Booth, members of a famous theatrical family. Edwin is a great actor, himself a Hamlet-like character whose performance as Hamlet will make him an international sensation. Wilkes is a blustering mediocrity on stage who is determined, however, to be an actor in history, and whose assassination of Abraham Lincoln will change America. Stacton’s novel about how the roles we play become, for better or for worse, the lives we lead, takes us back to the day of the assassination, immersing us in the farrago of bombast that fills Wilkes’s head while following his footsteps up to the fatal encounter at Ford’s Theatre. The political maneuvering around Lincoln’s deathbed and Wilkes’s desperate flight and ignominious capture then set the stage for a political show trial that will condemn not only the guilty but the—at least relatively—innocent. For as Edwin Booth broods helplessly many years later, and as Lincoln, whose tragic death and wisdom overshadow this tale, also knew, “We are all accessories before or after some fact. . . . We are all guilty of being ourselves.”

    We have a postmodern architecture, a postmodern dance, perhaps even a postmodern philosophy and a postmodern condition. But do we have a postmodern fiction?In this trenchant and lively study Brian McHale undertakes to construct a version of postmodernist fiction which encompasses forms as wide-ranging as North American metafiction, Latin American magic realism, the French New New Novel, concrete prose and science fiction. Considering a variety of theoretical approaches including those of Ingarden, Eco, Doležel, Pavel, and Hrushovski, McHale shows that the common denominator is postmodernist fictin’s ability to thrust its own ontological status into the foreground and to raise questions about the world (or worlds) in which we live. Far from being, as unsympathetic critics have sometimes complained, about nothing but itself — or even about nothing at all — postmodernist fiction in McHale’s construction of it proves to be about (among other things) those handy literary perennials, Love and Death.

    This darkly poetic tale takes you on a trip into a radically twisted alternate reality that reflects civilization like a funhouse mirror. Along the way, you'll encounter sphinxes, gods, living skeletons, witches, and quite possibly the strangest circus ever imagined. Innovative and astonishing, A Greater Monster breathes new life into the possibilities of fiction.

    There, sparks fly when she tangles with Adam Fielding, a visionary businessman-farmer determined to make his own way and answer to no one. Neither is looking for marriage, but they give in to their undeniable chemistry.Annie and Adam's marriage brims with early promise and unanticipated passion, but their dream of having a child eludes them as a mysterious illness of mind and body plagues Annie's pregnancies. Amidst deepening economic adversity, natural disaster, and the onset of world war, their personal struggles collide with the societal mores of the day. Annie's shattering periods of black depression and violent outbursts exact a terrible price. The life the Fieldings have forged begins to unravel, and the only path ahead leads to unthinkable loss. Gold medal - Independent Publisher Book Awards, Best Regional FictionSarton Women's Book Award for Historical FictionWestern Writers of American Spur Award, Best First NovelGrand Prize Short List, Eric Hoffer Book AwardsFirst Runner-up for Historical Fiction, Eric Hoffer Book AwardsFirst place, Goethe Award for Historical Fiction, Chanticleer InternationalFinalist, National Indie Excellence AwardsFinalist, High Plains Book AwardsFinalist, Nancy Pearl Book AwardsFinalist, Chatelaine Awards, Chanticleer InternationalFinalist, Spur Awards, Best Traditional NovelFinalist, Next Generation Indie Book Awards,Finalist, Da Vinci Eye Award, Eric Hoffer Book AwardsSemifinalist, Somerset Awards, Chanticleer InternationalPowell's City of Books Staff Pick

    The seven stories of In the Penny Arcade blend both the real and the fantastic in a seductive mix that illuminates the full range of Steven Millhauser's gifts, from 'August Eschenburg', the story of a clockmaker's son whose extraordinary talent for creating animated figures is lost on a world whose taste for the perverse and crude supersedes that of the refined and beautiful, to 'Cathay', a kingdom whose wonders include landscape paintings executed on the bodies of court ladies.

    Behind his broad shoulders, shiny hair, and church-organ laugh, Big Son practically made Ohio City all by himself. The feats of this proto-superhero have earned him wonder and whiskey, but very little in the way of fortune. And without money, Big cannot become an honest husband to his beloved Cloe (who may or may not want to be his honest wife).In pursuit of a steady wage, our hero hits the (dirt) streets of Ohio City and Cleveland, the twin towns racing to become the first great metropolis of the West. Their rivalry reaches a boil over the building of a bridge across the Cuyahoga River—and Big stumbles right into the kettle. The resulting misadventures involve elderly terrorists, infrastructure collapse, steamboat races, wild pigs, and multiple ruined weddings.

    Love Hotel explores a heartbreaking and nightmarish world of unrelenting excess, impossible convergences, undeniable urges, and inexorable loss.  Jane Unrue’s writing, beautifully cunning and mysterious itself, twists and turns and lures the reader on with a heightened charged erotic magnetism of its own.

    Now, with his third and most ambitious novel, Aciman delivers an elegant and powerful tale of the wages of assimilation—a moving story of an immigrant’s remembered youth and the nearly forgotten costs and sacrifices of becoming an American.It’s the fall of 1977, and amid the lovely, leafy streets of Cambridge a young Harvard graduate student, a Jew from Egypt, longs more than anything to become an assimilated American and a professor of literature. He spends his days in a pleasant blur of seventeenth-century fiction, but when he meets a brash, charismatic Arab cab driver in a Harvard Square café, everything changes.Nicknamed Kalashnikov—Kalaj for short—for his machine-gun vitriol, the cab driver roars into the student’s life with his denunciations of the American obsession with "all things jumbo and ersatz"—Twinkies, monster television sets, all-you-can-eat buffets—and his outrageous declarations on love and the art of seduction. The student finds it hard to resist his new friend’s magnetism, and before long he begins to neglect his studies and live a double life: one in the rarified world of Harvard, the other as an exile with Kalaj on the streets of Cambridge. Together they carouse the bars and cafés around Harvard Square, trade intimate accounts of their love affairs, argue about the American dream, and skinny-dip in Walden Pond. But as final exams loom and Kalaj has his license revoked and is threatened with deportation, the student faces the decision of his life: whether to cling to his dream of New World assimilation or risk it all to defend his Old World friend.Harvard Square is a sexually charged and deeply American novel of identity and aspiration at odds. It is also an unforgettable, moving portrait of an unlikely friendship from one of the finest stylists of our time.