Here, too, are superb, action-packed entries from today's outstanding Western storytellers -- distinguished award winners as well as daring newcomers, including Peter Brandvold · Randy Lee Eickhoff · Marcus Galloway · Ed Gorman · Elmer Kelton · Rod Miller · Robert J. Randisi · James Reasoner · Dusty Richards · Troy D. Smith · L. J. Washburn Edited by renowned author and anthologist Robert J. Randisi, Lone Star Law spans the existence of this elite investigative law enforcement agency. From fending off hostile Comanche to tracking serial killers, from aiming Winchesters and Colt revolvers to firing up laptops and state-of-the-art forensics technology, from targeting rustlers and outlaw gangs to leading harrowing hostage negotiations, the men and women who don the badge and white hat of the Texas Ranger stand as steadfast deliverers of American justice -- the Lone Star way.

    The boy is rescued by Mike Shannon, a Mexican War veteran riding with a "ranging company" of Texans dedicated to protecting settlers against Indian raids, and is adopted by the Shannon family. In 1861 his adoptive father is bushwhacked and murdered and the boy--now known as Rusty Shannon--follows Mike's footsteps, riding to Fort Belknap to join the Rangers. Texas is now in the throes of secession and Union sympathizers are treated as traitors. One such "traitor" is Lon Monahan, whose family befriends Rusty. Lon Monahan's particular enemy is Colonel Caleb Dawkins, a former army officer and Confederate zealot determined to conscript the Monahan boys and drive Lon and all Unionists out of Texas. When the youngest Monahan attempts to escape Texas and wait out the war, Dawkins's thugs hang him and his father. Rusty Shannon carries heavy burdens. Both of his families are dead; he is haunted by Mike Shannon's murder, thinks he knows the culprit and intends to kill the man; his new-found friends have been lynched; and his duties as a Ranger conflict with his sense of justice. And he is fated to meet again the Comanche warrior whose band killed his family and took him captive over two decades ago: Buffalo Caller.

    Seeking vengeance on the rebel renegades who murdered his family, Civil War veteran Nathan Stone sets out on an odyssey that will take him throughout the United States and across the paths of the West's most famous--and infamous--characters, including Jesse James, "Wild" Bill Hickok, and John Wesley Hardin.

    And no story about a young writer struggling to launch his career ever matched its subject matter better than the tale behind Leonard's Western oeuvre.In 1950, fresh out of college -- having written two "pointless" stories, as he describes them -- Leonard decided he needed to pick a market, a big one, which would give him a better chance to be published while he learned to write. In choosing between crime and Westerns, the latter had an irresistible pull -- Leonard loved movies set in the West. As he researched deeper into settings, Arizona in the 1880s captured his imagination: the Spanish influence, the standoffs and shootouts between Apache Indians and the U.S. cavalry ...His first dozen stories sold for 2 cents a word, for $100 each. The rest is history.This first-ever complete collection of Leonard's thirty Western tales will thrill lovers of the genre, his die-hard fans, and everyone in between -- and makes a terrific study of the launch of a phenomenal career.From his very first story ever published -- "The Trail of the Apache" -- through five decades of classic Western tales, The Complete Western Stories of Elmore Leonard demonstrates again and again the superb talent for language and gripping narrative that has made Leonard one of the most acclaimed and influential writers of our time.

    Now three of their best short novels are collected in a single volume. Zane Grey’s From Missouri has been restored from the author’s own manuscript and is appearing in paperback in its corrected form. Max Brand’s Over the Northern Border is a classic tale of stage coach robbery and relentless pursuit, also corrected and restored from the author’s original manuscript. Louis L’Amour’s Riders of the Dawn debuted in Giant Western magazine in 1951 and appears here in that original version, as L’Amour himself first intended it. Enjoy these three classic tales and experience the Western the way it was meant to be.

    Larry McMurtry takes us on a hell-for-leather journey with Billy and his friends as they ride, drink, love, fight, shoot, and escape their way into the shining memories of Western myth. Surrounded by a splendid cast of characters that only Larry McMurtry could create, Billy charges headlong toward his fate, to become in death the unforgettable desperado he aspires to be in life. Not since Lonesome Dove has there been such a rich, exciting novel about the cowboys, Indians, and gunmen who live at the blazing heart of the American dream.

    Port Royal, Jamaica′s capital, a cut-throat town of taverns, grog shops, and bawdy houses, is devoid of London′s luxuries; life here can end swiftly with dysentery or a dagger in your back. But for Captain Charles Hunter it is a life that can also lead to riches, if he abides by the island′s code. In the name of His Majesty King Charles II of England, gold in Spanish hands is gold for the taking. And law in the New World is made by those who take it into their hands.Word in port is that the Spanish treasure galleon El Trinidad, fresh from New Spain, is stalled in nearby Matanceros harbor awaiting repairs. Heavily fortified, the impregnable Spanish outpost is guarded by the blood-swiller Cazalla, a favorite commander of King Philip IV himself. With the governor′s backing, Hunter assembles a roughneck crew to infiltrate the enemy island and commandeer the galleon, along with its fortune in Spanish gold. The raid is as perilous as the bloody legends of Matanceros suggest, and Hunter will lose more than one man before he finds himself on the island′s shores, where dense jungle and the firepower of Spanish infantry are all that stand between him and the treasure.With the help of his cunning crew, Hunter hijacks El Trinidad and escapes the deadly clutches of Cazalla, leaving plenty of carnage in his wake. But his troubles have just begun. . . .

    In the searing heat of Death Valley, lonely land of prospectors and hermits, he confronts his baser instincts as he struggles to survive, striving to rise above them.Wanderer of the Wasteland is Zane Grey's most personal novel: a thinly veiled autobiography written in remarkably poetic language. Filled with colorful characters, and vibrant descriptions of the southwestern desert landscape he so loved, this is the story of one man's internal battle to save his better self, or die trying.

    The rhapsody plays out in a rare Parker stand-alone novel, his best yet and his first western. Told in prose as cool and spare as Parker has ever laid down, the book details the time Wyatt and his brothers spend in Tombstone, culminating in the shootout at the O.K. Corral.

    Now, the bestselling authors kick off a rollicking, dramatic new series--with the first novel about a pair of not-quite-over-the-hill drifters winding their way across the American west--mostly on the right side of the law. . .but sometimes, if the situation calls for it, on the wrong side. . . Meet Scratch Morton and Bo Creel, two amiable drifters and old pals. Veterans of cowboying, cattle drives, drunken brawls, and a couple of shoot-outs, Scratch and Bo are mostly honest and don't go looking for trouble--it's usually there when they wake up in the morning. Now, in remote Arizona Territory, they're caught up in a battle between two stagecoach lines. The owner of one, a beautiful widow, has gotten both Scratch and Bo hot and bothered--each trying to impress her as they fend off the opposing stage line trying to destroy her. But nothing is what it seems in this fight, and two tough sidewinders are riding straight into a trap.

    His Plainsmen series brims with colorful characters, fierce battles and compelling historical lore.The Civil War was over, and a great westward march began. Settlers and soldiers poured out of the East along the Bozeman Trail, cutting deep into sacred Sioux hunting grounds. For Red Cloud and his warriors, there would be no choice but to fight for their ancestral rights.Seen through the eyes of gruff Sergeant Seamus Donegan, here is the historically accurate tale of a tragic opening to the war between two great civilization: the Fetterman Massacre of 1866.

    - While the Clinton Administration grapples with its domestic policies, a sinister plot is being masterminded six thousand miles away in Baghdad. By using $100 million as bait and spinning a deadly web of corruption, forgery, and terror, Saddam Hussein seeks to embarrass the U.S. with the ultimate revenge: to steal a treasured historical document and then destroy it before the world's media-on July 4, 1994.As the countdown to Independence Day begins, two agents stand in the way of his nearly flawless plan: Scott Bradley, a rising star in the CIA who is desperate to prove his patriotism, and Hannah Kopec, the stunning Mossad operative who has already lost o much that she fears nothing and trusts no one. Their unrelenting quest to prevent what would undoubtedly be the most humiliating day in U.S. history takes them across four continents and climaxes in a dramatic, triple-twist ending.Ingeniously plotted and as up-to-the-minute as today's headlines, Honor Among Thieves resonates with the brilliant pace that is the trademark of master storyteller Jeffrey Archer.

    In two sketches, he experiments with tales transplanted from Europe, thereby creating the first classic American short stories, Rip Van Winkle, and The Legend of Sleepy Hollow. Based on Irving's final revision of his most popular work, this new edition includes comprehensive explanatory notes of The Sketch-Book's sources for the modern reader.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    * ' With Wilbur Smith the action is never further than the turn of a page.' – The Independent * 'Sex, money, ambition fear and blood ... an emotional stampede.' – The Daily Mail