With a historian’s perspective and a critic’s insight, award-winning author Andrew Delbanco marvelously demonstrates that Melville was very much a man of his era and that he recorded — in his books, letters, and marginalia; and in conversations with friends like Nathaniel Hawthorne and with his literary cronies in Manhattan — an incomparable chapter of American history. From the bawdy storytelling of Typee to the spiritual preoccupations building up to and beyond Moby Dick, Delbanco brilliantly illuminates Melville’s life and work, and his crucial role as a man of American letters.

    S. Eliot, E. M. Forster and D. H. Lawrence during 1922, the birth year of modernismThe World Broke in Two tells the fascinating story of the intellectual journey four legendary writers, Virginia Woolf, T. S. Eliot, E. M. Forster, and D. H. Lawrence, make over the course of one pivotal year. As 1922 begins, all four writers are literally at a loss for words, confronting an uncertain creative future despite success in the past. The literary ground is shifting beneath their feet, as Ulysses is published and Proust’s Remembrance of Things Past is translated into English. Yet, dismal as they felt in January, by the end of the year Woolf has started Mrs. Dalloway, Forster has returned to the pages that would become Passage to India, Lawrence has begun Kangaroo, and Eliot has finished The Waste Land.As Willa Cather put it, The world broke in two in 1922 or thereabouts, and what these writers were struggling with that year was in fact the invention of modernism. Based on original research in libraries and archives, The World Broke in Two captures both the literary breakthroughs and the intense personal dramas of these beloved writers as they strive for greatness.

    Troy also traces the Dead's highs and lows and Garcia's musical relationships with songwriter Robert Hunter and other musicians in the Grateful Dead.

    D. Salinger eluded fans and journalists for most of his life. Now comes a new biography that Peter Ackroyd in The Times of London calls “energetic and magnificently researched”—a book from which “a true picture of Salinger emerges.” Filled with new information and revelations—garnered from countless interviews, letters, and public records—J. D. Salinger presents an extraordinary life that spanned nearly the entire twentieth century.Kenneth Slawenski explores Salinger’s privileged youth, long obscured by misrepresentation and rumor, revealing the brilliant, sarcastic, vulnerable son of a disapproving father and doting mother and his entrance into a social world where Gloria Vanderbilt dismissively referred to him as “a Jewish boy from New York.” Here too are accounts of Salinger’s first broken heart—Eugene O’Neill’s daughter, Oona, left him for the much older Charlie Chaplin—and the devastating World War II service (“a living hell”) of which he never spoke and which haunted him forever.J. D. Salinger features all the dazzle of this author’s early writing successes, his dramatic encounters with luminaries from Ernest Hemingway to Laurence Olivier to Elia Kazan, his surprising office intrigues with famous New Yorker editors and writers, and the stunning triumph of The Catcher in the Rye, which would both make him world-famous and hasten his retreat into the hills of New Hampshire.Whether it’s revealing the facts of his hasty, short-lived first marriage or his lifelong commitment to Eastern religion, which would dictate his attitudes toward sex, nutrition, solitude, and creativity, J. D. Salinger is this unique author’s unforgettable story in full—one that no lover of literature can afford to miss.

    They were all under contract to CBS Records, making it the most successful label of the era. And, as the company’s president, Walter Yetnikoff was the ruling monarch. He was also the most flamboyant, volatile and controversial personality to emerge from an industry and era defined by sex, drugs and debauchery. Having risen from working-class Brooklyn and the legal department of CBS, Yetnikoff, who freely admitted to being tone deaf, was an unlikely label head. But he had an uncanny knack for fostering talent and intimidating rivals with his appalling behavior—usually fueled by an explosive combination of cocaine and alcohol. His tantrums, appetite for mind-altering substances and sexual exploits were legendary. In Japan to meet the Sony executives who acquired CBS during his tenure, Walter was assigned a minder who confined him to a hotel room. True to form, Walter raided the minibar, got blasted and, seeing no other means of escape, opened a hotel window and vented his rage by literally howling at the moon. In Howling at the Moon, Yetnikoff traces his journey as he climbed the corporate mountain, danced on its summit and crashed and burned. We see how Walter became the father-confessor to Michael Jackson as the King of Pop reconstructed his face and agonized over his image while constructing Thriller (and how, after it won seven Grammies, Jackson made the preposterous demand that Walter take producer Quincy Jones’s name off the album); we see Walter, in maniacal pursuit of a contract, chase the Rolling Stones around the world and nearly come to blows with Mick Jagger in the process; we get the tale of how Walter and Marvin Gaye—fresh from the success of “Sexual Healing”—share the same woman, and of how Walter bonds with Bob Dylan because of their mutual Jewishness. At the same time we witness Yetnikoff’s clashes with Barry Diller, David Geffen, Tommy Mottola, Allen Grubman and a host of others. Seemingly, the more Yetnikoff feeds his cravings for power, sex, liquor and cocaine, the more profitable CBS becomes—from $485 million to well over $2 billion—until he finally succumbs, ironically, not to substances, but to a corporate coup. Reflecting on the sinister cycle that left his career in tatters and CBS flush with cash, Yetnikoff emerges with a hunger for redemption and a new reverence for his working-class Brooklyn roots.Ruthlessly candid, uproariously hilarious and compulsively readable, Howling at the Moon is a blistering You’ll Never Eat Lunch in this Town Again of the music industry.

    Yet all of these attempts have been hampered by a fundamental lack of access and by the persistent recycling of inaccurate information. Salinger remains, astonishingly, an enigma. The complex and contradictory human being behind the myth has never been revealed.No longer. In the eight years since Salinger was begun, and especially in the three years since Salinger’s death, the authors interviewed on five continents more than 200 people, many of whom had previously refused to go on the record about their relationship with Salinger. This oral biography offers direct eyewitness accounts from Salinger’s World War II brothers-in-arms, his family members, his close friends, his lovers, his classmates, his neighbors, his editors, his publishers, his New Yorker colleagues, and people with whom he had relationships that were secret even to his own family. Shields and Salerno illuminate most brightly the last fifty-six years of Salinger’s life: a period that, until now, had remained completely dark to biographers. Provided unprecedented access to never-before-published photographs (more than 100 throughout the book), diaries, letters, legal records, and secret documents, readers will feel they have, for the first time, gotten beyond Salinger’s meticulously built-up wall. The result is the definitive portrait of one of the most fascinating figures of the twentieth century.

     Growing up in Greenwich Village, Sean Wilentz discov­ered the music of Bob Dylan as a young teenager; almost half a century later, he revisits Dylan’s work with the skills of an eminent American historian as well as the passion of a fan. Drawn in part from Wilentz’s essays as “historian in residence” of Dylan’s official website, Bob Dylan in America is a unique blend of fact, interpretation, and affinity—a book that, much like its subject, shifts gears and changes shape as the occasion warrants. Beginning with his explosion onto the scene in 1961, this book follows Dylan as he continues to develop a body of musical and literary work unique in our cultural history. Wilentz’s approach places Dylan’s music in the context of its time, including the early influences of Popular Front ideology and Beat aesthetics, and offers a larger critical appreciation of Dylan as both a song­writer and performer down to the present. Wilentz has had unprecedented access to studio tapes, recording notes, rare photographs, and other materials, all of which allow him to tell Dylan’s story and that of such masterpieces as Blonde on Blonde with an unprecedented authenticity and richness. Bob Dylan in America—groundbreaking, comprehensive, totally absorbing—is the result of an author and a subject brilliantly met.

    Edited and with an Introduction by Gunther Stuhlmann; Index.

    In this “remarkable act of reclamation” (Neil Gaiman), Ruth Franklin envisions Jackson as “belonging to the great tradition of Hawthorne, Poe and James” (New York Times Book Review) and demonstrates how her unique contribution to the canon “so uncannily channeled women’s nightmares and contradictions that it is ‘nothing less than the secret history of American women of her era’ ” (Washington Post). Franklin investigates the “interplay between the life, the work, and the times with real skill and insight, making this fine book a real contribution not only to biography, but to mid-20th-century women’s history” (Chicago Tribune). “Wisely rescu[ing] Shirley Jackson from any semblance of obscurity” (Lena Dunham), Franklin’s invigorating portrait stands as the definitive biography of a generational avatar and an American literary genius.

    But the best story is Kashner himself -- the coming-of-age of a young man in the chaotic world of the very idols he hoped to emulate.This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

    This encounter—now one of the most famous in all of literary history—was recorded by Plath in her journal, where she described Hughes as a “big, dark, hunky boy.” Sylvia viewed Ted as something of a colossus, and to this day his enormous shadow has obscured her life and work. The sensational aspects of the Plath-Hughes relationship have dominated the cultural landscape to such an extent that their story has taken on the resonance of a modern myth.Before she met Ted, Plath had lived a complex, creative, and disturbing life. Her father had died when she was only eight; she had gone out with literally hundreds of men, had been unofficially engaged, had tried to commit suicide, and had written more than two hundred poems. Mad Girl’s Love Song chronicles these early years, traces the sources of her mental instability, and examines how a range of personal, economic, and societal factors—the real disquieting muses— conspired against her.Drawing on exclusive interviews with friends and lovers who have never spoken openly about Plath before and using previously unavailable archives and papers, this is the first book to focus on the early life of the twentieth century’s most popular and enduring female poet. Mad Girl’s Love Song reclaims Sylvia Plath from the tangle of emotions associated with her relationship with Ted Hughes and reveals the origins of her unsettled and unsettling voice.

    Fans of The Mitfords, D.J. Taylor’s Bright Young People, and Alexander Waugh’s Fathers and Sons will find much to savor in Paula Byrne’s wonderful Mad World.

    He's timeless. His appeal spans over many decades and many generations. The Man Comes Around addresses why Cash is so important now and why he's always been important. It unpacks the anchor from which all Cash's artistry comes-his spirituality. From the cotton fields of Arkansas to the air fields of Germany, and from the streets of Memphis to the gospel road in Israel, this comprehensive, dripping-with-detail book on the spiritual journey of Johnny Cash will take the reader on an odyssey of earthy, workingman's music and war-torn, complex Christianity.

    They provide a penetrating look into life in Prague and into Kafka’s accounts of his dreams, his feelings for the father he worshipped, and the woman he could not bring himself to marry, his sense of guilt, and his feelings of being an outcast. They offer an account of a life of almost unbearable intensity.From the Trade Paperback edition.The Diaries of Franz Kafka 1910-13 translated from the German by Joseph KreshThe Diaries of Franz Kafka 1914-23 translated from the German by Martin Greenberg with the cooperation of Hannah Arendt

    Thompson, Joyce Johnson, Richard Hell, and others. It includes rare pieces from the Rolling Stone archives by William Burroughs, Lester Bangs, and Robert Palmer as well as intimate photographs by Robert Frank, Annie Leibovitz, and rarely seen photos taken by the Beats themselves. A rich tapestry of voices and a visual treat, this treasury of Beat lore and literature is a true collector's item whose entertainment value will go on...and on."A huge dim sum cart of a book...a first-rate companion." --Publishers Weekly"Compelling reading."--The Denver Post