At least, that’s what it feels like during her first week of junior year at her new ultra-intimidating prep school in Los Angeles. Just when she’s thinking about hightailing it back to Chicago, she gets an email from a person calling themselves Somebody/Nobody (SN for short), offering to help her navigate the wilds of Wood Valley High School. Is it an elaborate hoax? Or can she rely on SN for some much-needed help?It’s been barely two years since her mother’s death, and because her father eloped with a woman he met online, Jessie has been forced to move across the country to live with her stepmonster and her pretentious teenage son.In a leap of faith—or an act of complete desperation—Jessie begins to rely on SN, and SN quickly becomes her lifeline and closest ally. Jessie can’t help wanting to meet SN in person. But are some mysteries better left unsolved?

    Hart?s tenth-grade creative writing class, sparks a group of nine students each to tell his/her own story. Readers are introduced to Jake and Shante?s interracial romance, Carlos? fear of deportation, and Sunday?s determination after being sexually assaulted. These teens persevere through hardship and heartache, laughter and love, and in the end, their voices shine through inspiring journal entries that answer the question in unusual and unexpected ways. Once again, Brenda Woods shows a keen understanding of the teenage psyche, as she did in Emako Blue, winner of the 2005 IRA Children?s Choice Young Adult Fiction Award.

    All thirteen-year-old Raspberry can think of is making money so that she and her mother never have to worry about living on the streets again.

    His grandfather was a jazz musician, and Sammy's indie rock band could be huge one day—if they don't self-destruct first. Winning the upcoming Battle of the Bands would justify all the band's compromises and reassure Sammy that his life's dream could become a reality. But practices are hard to schedule when Sammy's grandfather is sick and getting worse, his mother is too busy to help either of them, and his best friend may want to be his girlfriend. When everything in Sammy's life seems to be headed for major catastrophe, will his music be enough to keep him together?

    She's also the adopted child of two loving, but white, parents who are on the road to divorce. Struggling to comfort her mother and angry with her dad, Lahni feels more and more alone. But when Lahni and her mother attend a local church one Sunday, Lahni hears the amazing gospel choir, and her life takes an unexpected turn.It so happens that one of Lahni's teachers, Mr. Faringhelli, has nominated her for a talent competition, and she is expected to perform a song in front of the whole school. Lahni decides to join the church choir to help her become a better singer. But what starts out as a way to practice singing becomes a place of belonging and a means for Lahni to discover her own identity. In this moving book, acclaimed author Bil Wright, tells the story of one girl's search to find a home where she truly belongs.

    Her single father raised her as a piano prodigy, with a rigid schedule and the goal of playing sold-out shows across the globe. Now, as a teenager, Glory has disappeared. As we flash back to the events leading up to her disappearance, we see a girl on the precipice of disaster. Brilliant and lonely, Glory is drawn to an artistic new boy, Frank, who moves in next door. The farther she falls, the deeper she spirals into madness. Before long, Glory is unable to play anything but the song "Chopsticks." But nothing is what it seems, and Glory's reality is not reality at all. In this stunningly moving novel told in photographs, pictures, and words, it's up to the reader to decide what is real, what is imagined, and what has been madness all along....

    A good daughter, helping out with her autistic younger brother uncomplainingly. A good friend, even when her best friend makes her feel like a third wheel. When her parents announce they’re sending her brother to an institution—without consulting her—Daisy’s furious, and decides the best way to be a good sister is to start being bad. She quits jazz band and orchestra, slacks in school, and falls for bad-boy Dave. But one person won’t let Daisy forget who she used to be: Irish exchange student and brilliant musician Cal. Does she want the bad boy or the prodigy? Should she side with her parents or protect her brother? How can she know when to hold on and when—and how—to let go?

    Her parents have just decided to uproot the family to the ritzy suburb of Brent Hills, Colorado, and now she’s the only Black girl at a high school full of Barbies. But the longer Tiphanie stays in her new neighborhood, the more her ties to her old community start to fray. Now that nowhere feels like home, exactly where does she belong?

    So she convinces her best friend, Harvey, to help her with a crazy bucket list that's as much about revenge as it is about hope.But just when Alice's scores are settled, she goes into remission, and now she must face the consequences of all she's said and done.

    But then his words will mend it. . . . Absolutely unforgettable." - Michael CartOn the run in a stolen car with a kidnapped baby in tow, Custis, Curl, and Boobie are three young people with deeply troubled pasts and bleak futures. As they struggle to find a new life for themselves, it becomes painfully clear that none of them will ever be able to leave the past behind. Yet for one, redemption is waiting in the unlikeliest of places. With the raw language of the street and lyrical, stream-of-consciousness prose, Adam Rapp hurtles the reader into a world of lost children, a world that is not for the faint of heart. Gripping, disturbing, and starkly illuminating, his hypnotic narration captures the voices of two damaged souls - a third speaks only through drawings - to tell a story of alienation, deprivation, and ultimately, the saving power of compassion.

    Stricken by grief, Caggie pulls away from her friends and family, only to have everyone misinterpret a crucial moment when she supposedly saves a fellow classmate from suicide. Now she’s famous for something she didn’t do and everyone lauds her as a hero. But inside she still blames herself for the death of her sister and continues to pull away from everything in her life, best friend and perfect boyfriend included. Then Caggie meets Astor, the new boy at school, about whom rumours are swirling and known facts are few. In Astor she finds someone who just might understand her pain, because he has an inner pain of his own. But the more Caggie pulls away from her former life to be with Astor, the more she realises that his pain might be darker, and deeper, than anything she’s ever felt. His pain might be enough to end his life…and Caggie’s as well.

    And you write it all down in an attempt to understand what's happened -- and is happening -- to you.I Felt a Funeral, In My Brain is an astonishing novel about navigating death and navigating life, at a time when the only map you have is the one you can draw for yourself.

    There are parties in abandoned houses. Canoe races down Main Street. The goal is to make the most of every minute they still have together.And for Keeley, that means taking one last shot at the boy she’s loved forever.There’s a weird sort of bravery that comes from knowing there’s nothing left to lose. You might do things you normally wouldn’t. Or say things you shouldn’t. The reward almost always outweighs the risk.Almost.It’s the end of Aberdeen, but the beginning of Keeley’s first love story. It just might not turn out the way she thought. Because it’s not always clear what’s worth fighting for and what you should let become a memory.

    Her mother, Meg, ex–rock star and professional question evader, shares only the end of the story—the post-fame calm that Phoebe’s always known. Her sister, Luna, indie-rock darling of Brooklyn, preaches a stormy truth of her own making, selectively ignoring the facts she doesn’t like. And her father, Kieran, the cofounder of Meg’s beloved band, hasn’t said anything at all since he stopped calling three years ago.But Phoebe, a budding poet in search of an identity to call her own, is tired of half-truths and vague explanations. When she visits Luna in New York, she’s determined to find out how she fits in to this family of storytellers, and to maybe even continue her own tale—the one with the musician boy she’s been secretly writing for months. Told in alternating chapters, Phoebe’s first adventure flows as the story of Meg and Kieran’s romance ebbs, leaving behind only a time-worn, precious pearl of truth about her family’s past—and leaving Phoebe to take a leap into her own unknown future.

    Now all I want is to go back.When troubled Taylor Truwell is caught with a stolen car and lands in court for resisting arrest, her father convinces the judge of an alternative to punishment: treatment in a juvenile psychiatric correctional facility. Sunny Meadows is anything but the easy way out, and Taylor has to fight hard just to hold on to her sanity as she battles her parents, her therapist, and vicious fellow patients. But even as Taylor struggles to hold on to her stubborn former self, she finds herself relenting as she lets in two unlikely friends--Margo, a former child star and arsonist, and AJ, a mysterious boy who doesn’t speak. In this striking debut, Laura Lascarso weaves together a powerful story of anger and self-destruction, hope and love.