"Ravenhill has more to say, and says it more refreshingly and wittily, than any other playwright of his generation"—Time Out "There are few stage authors writing more interestingly than Mark Ravenhill … He is - it is now yet more evident - a searing, intelligent, disturbing sociologist with a talent for satirical dialogue and a flair for sexual sensationalism."—Financial Times Shopping and Fucking: "is a darkly humorous play for today's twenty-somethings … a real coup de theatre"—Nicholas de Jongh, Evening Standard Faust: "…an intelligent and witty reappropriation of the legend … alive, pertinent and disturbing"—Michael Coveney, Observer Handbag: "…combines urban grit with sly wit, and reveals Mark Ravenhill as a writer of real daring" —Daily Telegraph Some Explicit Polaroids: "laudably ambitious, pulsates with energy … very funny"—Financial Times

    As a gift for his translator's sister, a Beatles fanatic who will be his host, Saul's girlfriend will shoot a photograph of him standing in the crosswalk on Abbey Road, an homage to the famous album cover. As he waits for her to arrive, he is grazed by an oncoming car, which changes the trajectory of his life.The Man Who Saw Everything is about the difficulty of seeing ourselves and others clearly. It greets the specters that come back to haunt old and new love, previous and current incarnations of Europe, conscious and unconscious transgressions, and real and imagined betrayals, while investigating the cyclic nature of history and its reinvention by people in power. Here, Levy traverses the vast reaches of the human imagination while artfully blurring sexual and political binaries-feminine and masculine,

    The human story at the center of this debate is told in Double Life: A Love Story, a dual memoir by a gay male couple in a 50 plus year relationship. With high profiles in the entertainment, advertising and art communities, the authors offer a virtual timeline of how gay relationships have gained acceptance in the last half-century. At the same time, they share inside stories from film, television and media featuring the likes of Marlon Brando, Katharine Hepburn, Rock Hudson, Barbra Streisand, Laurence Olivier, Truman Capote, Bette Davis, Robert Redford, Lee Radziwill and Frances Lear.“We both grew up at a time when homosexuality was not even spoken about,” the couple writes. “There were certainly no books that could help a young person understand that two people of the same sex could build a happy, productive and loving life together. When we entered our 50th year, another same sex couple told us we were ‘an inspiration’, so we began to feel we had the responsibility to make what we’ve experienced available to others. We also wanted to show people who were not gay that our life was not unlike theirs. We are all pretty much the same, so we deserve equal protection under the Constitution.”Alan Shayne retired as President of Warner Brothers Television in 1986, following a career that included Broadway, playing opposite Lena Horne and spanned forty years. As a leading casting director, he worked on such films as Catch 22, All the President’s Men and many others. At Warner Brothers, he shepherded such long-running television series as Alice, Night Court and The Dukes of Hazard.Norman Sunshine was a successful magazine illustrator in New York who went on to be a painter and sculptor whose works are in museums and in important collections. In the early years of his career, he was vice president, creative director of an advertising agency, and coined the phrase, “What Becomes a Legend Most?” as well as “Danskins are not just for Dancing.” He interrupted his painting career when Frances Lear asked him to spearhead Lear’s Magazine in the 1980s.Upon the two men meeting in New York in 1958, “We didn’t want to live together,” says Shayne. “We didn’t have any examples of what a good love relationship between two men could be. And there was always the problem of hiding so no one would know we were gay. There was no question that if I were known to be gay, living with another man, it would make it more difficult for me to get work as an actor.”As an artist, Sunshine was able to maintain a moderately out lifestyle. But when the first exhibition of his paintings in New York brought on a profile in The New York Times in 1968, he was photographed in the apartment that he admitted sharing with Shayne. At both his advertising agency and Shayne’s television production company, the article was met with absolute silence.Even in the 1970s, when Sunshine won an Emmy for the graphics and title design he had created for one of Shayne’s television productions, “Alan and I agreed it was not a good idea for us to be seen together at an industry event,” he remembers. “Alan, after all, was one of the very few homosexuals who had such a powerful, high profile job, and who lived openly with a man. Homophobia had its adherents and some ruthless climber up the executive ladder would certainly love an opportunity to use it…’Better to be seen with a woman,’ we were advised by a very trusted friend, ‘Makes everyone more comfortable.’”Happily, in 2004, the State of Massachusetts allowed the opportunity for the couple to be married on a beach in Nantucket. “We were like a long, empty, closed-up house where the windows have just been opened,” writes Shayne. “The fresh air thrilled through us, and after years of only being who we were in the privacy of our homes or with a few friends, we were out in the world, under the sky, no longer pretending. We were at last free.”Double Life is a trip through the entertainment world and a gay partnership in the latter half of the 20th century. As more and more same sex couples find it possible to say “I do,” the book serves as an important document of how far we’ve come.

    Billy, the bisexual narrator and main character of In One Person, tells the tragicomic story (lasting more than half a century) of his life as a "sexual suspect," a phrase first used by John Irving in 1978 in his landmark novel of "terminal cases," The World According to Garp.In One Person is a poignant tribute to Billy’s friends and lovers—a theatrical cast of characters who defy category and convention. Not least, In One Person is an intimate and unforgettable portrait of the solitariness of a bisexual man who is dedicated to making himself "worthwhile.

    From the hip-hang of a bohemian lifestyle to the sophisticated lure of a wealthy boss to the happier—but taboo—security of a lesbian relationship, these three young women experience first-hand the adventures and the limitations that await spirited young working women who strike out on their own in a decidedly male-centered world.

    For three students in particular, it will be a year unlike any other, one that will alter the courses of their lives forever. There is Ian, the film buff trying to figure out his life—and how to catch the eye of the football player he can’t stop fantasizing about; Casey, the local football star whose future off the field is frustratingly uncertain; and Haile, the classical-music prodigy seeking refuge from a past life so that she may start anew as a singer-songwriter. Together the trio will form a fateful friendship, recounted through alternating first-person narratives. Sexy, fast-paced, and layered with intimate insight about life’s most formative years, The Fall is a compelling and contemporary coming-of-age story about what happens when we are forced for the first time to really confront who we are and who we want to become.

    In the heart of the eighteenth century, here are haunted soldiers . . . lusty princesses . . . ghostly apparitions . . . dark family secrets. And here Lord John will face enemies who come in the guise of friends, memories in the shape of a fiery-haired Scot named James Fraser, and allies who have the power to destroy him with a single blow. . . .In Lord John and the Hellfire Club, Lord John glimpses a stranger in the doorway of a gentlemen's club—and is stirred by a desperate entreaty to meet in private. The rendezvous forestalled by a sudden murder, Lord John will wade into a maze of political treachery and a dangerous, debauched underground society. . . . In Lord John and the Succubus, English soldiers fighting in Prussia are rattled by the nocturnal visitations of a deadly woman who sucks life and soul from a man. Called to investigate the night-hag, Lord John finds a murdered soldier and a treacherous Gypsy, and comes to the stark realization that among the spirits that haunt men, none frighten more than the specters conjured by the heart. . . . In Lord John and the Haunted Soldier, Lord John is thrust into the deadly case of an exploding battlefield cannon. Wounded in the same battle, Lord John is called to tesify and soon confronts his own ghost—and the shattering prospect that a traitor is among the ranks of His Majesty's armed forces.Capturing the lonely, tormented, and courageous career of a man who fights for his crown, his honor, and his own secrets, Diana Gabaldon delivers breathtaking human drama. And in tales seething with desire, madness, and political intrigue, Gabaldon once again proves that she can bring history to life in a way few novelists ever have.

    Into this fevered city steps Timothy Laughlin, a recent Fordham graduate and devout Catholic eager to join the crusade against Communism. A chance encounter with a handsome, profligate State Department official, Hawkins Fuller, leads to Tim’s first job in D.C. and–after Fuller’s advances–his first love affair. Now, as McCarthy mounts an increasingly desperate bid for power and internal investigations focus on “sexual subversives” in the government, Tim and Fuller find it ever more dangerous to navigate their double lives. Drawn into a maelstrom of deceit and intrigue, and clinging to the friendship of a beautiful young woman named Mary Johnson, Tim struggles to reconcile his political convictions, his love for God, and his love for Fuller–an entanglement that will end in a stunning act of betrayal.Moving between the Senate Office Building and the Washington Evening Star, the diplomatic world of Foggy Bottom and NATO’s front line in Europe, Fellow Travelers is energized by high political drama, unexpected humor, and genuine heartbreak. It is Thomas Mallon’s most accomplished and daring novel to date.

    That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man—a fellow slave—seeks to gain favor by preaching the master’s gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel’s love, which was once so simple, is seen as sinful and a clear danger to the plantation’s harmony.With a lyricism reminiscent of Toni Morrison, Robert Jones, Jr. fiercely summons the voices of slaver and the enslaved alike to tell the story of these two men; from Amos the preacher to the calculating slave-master himself to the long line of women that surround them, women who have carried the soul of the plantation on their shoulders. As tensions build and the weight of centuries—of ancestors and future generations to come—culminate in a climactic reckoning, The Prophets masterfully reveals the pain and suffering of inheritance, but is also shot through with hope, beauty, and truth, portraying the enormous, heroic power of love.

    George is enthralled by Cecil, and soon his sixteen-year-old sister, Daphne, is equally besotted by him and the stories he tells about Corley Court, the country estate he is heir to. But what Cecil writes in Daphne's autograph album will change their and their families' lives forever: a poem that, after Cecil is killed in the Great War and his reputation burnished, will become a touchstone for a generation, a work recited by every schoolchild in England. Over time, a tragic love story is spun, even as other secrets lie buried - until, decades later, an ambitious biographer threatens to unearth them.Rich with Hollinghurst's signature gifts - haunting sensuality, delicious wit and exquisite lyricism - The Stranger's Child is a tour de force: a masterly novel about the lingering power of desire, how the heart creates its own history, and how legends are made.

    Stone Butch Blues traces a propulsive journey, powerfully evoking history and politics while portraying an extraordinary protagonist full of longing, vulnerability, and working-class grit. This once-underground classic takes the reader on a roller-coaster ride of gender transformation and exploration and ultimately speaks to the heart of anyone who has ever suffered or gloried in being different.

    Ranging from tiny sketches and prose poems to longer, more conventional narratives, the stories included here are:A Country Doctor - In the Gods - An Old Folio - Before the Law - Jackals and Arabs - A Visit to the Mine - The Next Village - An Imperial Message - A Paterfamilias Perplexed - Eleven Sons - A Fratricide - A Dream - Bucket Rider - Of Metaphors - The Silence of the Sirens - Gracchus the Hunter - The Knock on the Courtyard Door - Advocates - The Vulture - At Night - A Little Fable.This e-book has a total length of around 16,000 words.

    But, at forty-eight years old, having spent decades in San Francisco, he craved change. Grieving over the death of his partner, he quickly discovered the profound consolations of the city's incessant rhythms, the sight of the Empire State Building against the night sky, and New Yorkers themselves, kindred souls that Hayes, a lifelong insomniac, encountered on late-night strolls with his camera.And he unexpectedly fell in love again, with his friend and neighbor, the writer and neurologist Oliver Sacks, whose exuberance--"I don't so much fear death as I do wasting life," he tells Hayes early on--is captured in vignettes throughout. What emerges is a portrait of Sacks at his most personal and endearing, from falling in love for the first time at age seventy-five to facing illness and death (Sacks died of cancer in August 2015).

    It is 1953 and Pearlie, a dutiful housewife, finds herself living in the Sunset district of San Francisco, caring not only for her husband’s fragile health but also for her son, who is afflicted with polio. Then, one Saturday morning, a stranger appears on her doorstep and everything changes. All the certainties by which Pearlie has lived are thrown into doubt. Does she know her husband at all? And what does the stranger want in return for his offer of $100,000? For six months in 1953, young Pearlie Cook struggles to understand the world around her, most especially her husband, Holland. Pearlie’s story is a meditation not only on love but also on the effects of war—with one war just over and another one in Korea coming to a close. Set in a climate of fear and repression—political, sexual, and racial—The Story of a Marriage portrays three people trapped by the confines of their era, and the desperate measures they are prepared to take to escape it. Lyrical and surprising, The Story of a Marriage looks back at a period that we tend to misremember as one of innocence and simplicity.

    So at the age of twelve, Burroughs found himself amidst Victorian squalor living with the doctor’s bizarre family, and befriending a pedophile who resided in the backyard shed. The story of an outlaw childhood where rules were unheard of, and the Christmas tree stayed up all year round, where Valium was consumed like candy, and if things got dull an electroshock- therapy machine could provide entertainment. The funny, harrowing and bestselling account of an ordinary boy’s survival under the most extraordinary circumstances.