One of them never left, still farming the family's land that's been tilled for generations. Others did leave, went farther afield to make good, with varying degrees of success; as a rock star, commodities trader, rodeo stud. And seamlessly woven into their patchwork is Beth, whose presence among them—both then and now—fuels the kind of passion one comes to expect of love songs and rivalries.Now all four are home, in hopes of finding what could be real purchase in the world. The result is a shared memory only half-recreated, riddled with culture clashes between people who desperately wish to see themselves as the unified tribe they remember, but are confronted with how things have, in fact, changed.There is conflict here between longtime buddies, between husbands and wives — told with writing that is, frankly, gut-wrenching, and even heartbreaking. But there is also hope, healing, and at times, even heroism. It is strong, American stuff, not at all afraid of showing that we can be good, too — not just fallible and compromising. Shotgun Lovesongs is a remarkable and uncompromising saga that explores the age-old question of whether or not you can ever truly come home again — and the kind of steely faith and love returning requires.

    A gifted artist, she seeks solace and inspiration in the Mediterranean heat of Athens—trying to understand who she is and how she can love without fear.George has come to Athens to learn ancient languages after growing up in New England boarding schools and Ivy League colleges. He has no close relationships with anyone and spends his days hunched over books or wandering the city in a drunken stupor.Henry is in Athens to dig. An accomplished young archaeologist, he devotedly uncovers the city’s past as a way to escape his own, which holds a secret that not even his doting parents can talk about....and then, with a series of chance meetings, Rebecca, George, and Henry are suddenly in flight, their lives brighter and clearer than ever, as they fall headlong into a summer that will forever define them in the decades to come.

    She intends to quickly tie up loose ends then return to her busy life and thriving antique shop in New Orleans. Instead, she learns Mags has willed The Hideaway to her and charged her with renovating it—no small task considering her grandmother’s best friends, a motley crew of senior citizens, still live there.Rather than hurrying back to New Orleans, Sara stays in Sweet Bay and begins the biggest house-rehabbing project of her career. Amid drywall dust, old memories, and a charming contractor, she discovers that slipping back into life at The Hideaway is easier than she expected.Then she discovers a box Mags left in the attic with clues to a life Sara never imagined for her grandmother. With help from Mags’s friends, Sara begins to piece together the mysterious life of bravery, passion, and choices that changed her grandmother’s destiny in both marvelous and devastating ways.When an opportunistic land developer threatens to seize The Hideaway, Sara is forced to make a choice—stay in Sweet Bay and fight for the house and the people she’s grown to love or leave again and return to her successful but solitary life in New Orleans.

    Don't they teach you anything at school?So says 104-year-old Ona to the 11-year-old boy who's been sent to help her out every Saturday morning. As he refills the bird feeders and tidies the garden shed, Ona tells him about her long life, from first love to second chances. Soon she's confessing secrets she has kept hidden for decades.One Saturday, the boy doesn't show up. Ona starts to think he's not so special after all, but then his father arrives on her doorstep, determined to finish his son's good deed. The boy's mother is not so far behind. Ona is set to discover that the world can surprise us at any age, and that sometimes sharing a loss is the only way to find ourselves again.

    Sheila Arsenault is a gorgeous enigma--streetwise and tough-talking, with haunted eyes, fierce desires, and a never-look-back determination. Peter Webster, as straight an arrow as they come, falls for her instantly and entirely. Soon Sheila and Peter are embroiled in an intense love affair, married, and parents to a baby daughter. Like the crash that brought them together, it all happened so fast. Can you ever really save another person? Eighteen years later, Sheila is long gone and Peter is raising their daughter, Rowan, alone. But Rowan is veering dangerously off track, and for the first time in their ordered existence together, Webster fears for her future. His work shows him daily every danger the world contains, how wrong everything can go in a second. All the love a father can give a daughter is suddenly not enough. Sheila's sudden return may be a godsend--or it may be exactly the wrong moment for a lifetime of questions and anger and longing to surface anew. What tore a young family apart? Is there even worse damage ahead? The questions lifted up in Anita Shreve's utterly enthralling new novel are deep and lasting, and this is a novel that could only have been written by a master of the human heart.

    And in that barn, you’ll find Dan. He’s a maker of exquisite harps - but not a great maker of conversation. He’s content in his own company, quietly working and away from social situations that he doesn’t always get right.But one day, a cherry-socked woman stumbles across his barn and the conversation flows a little more easily than usual. She says her name’s Ellie, a housewife, alone, out on her daily walk and, though she doesn’t say this, she looks sad. He wants to make her feel better, so he gives her one of his harps, made of cherry wood.And before they know it, this simple act of kindness puts them on the path to friendship, big secrets, pet pheasants and, most importantly, true love.

    Hedged in by her parents' genteel country life, she plans her escape to London. There, she takes up with Innes Kent, a magazine editor who wears duck-egg blue ties and introduces her to the thrilling, underground world of bohemian, post-war Soho. She learns to be a reporter, to know art and artists, to embrace her life fully and with a deep love at the center of it. She creates many lives--all of them unconventional. And when she finds herself pregnant, she doesn't hesitate to have the baby on her own. Later, in present-day London, a young painter named Elina dizzily navigates the first weeks of motherhood. She doesn't recognize herself: she finds herself walking outside with no shoes; she goes to the restaurant for lunch at nine in the morning; she can't recall the small matter of giving birth. But for her boyfriend, Ted, fatherhood is calling up lost memories, with images he cannot place. As Ted's memories become more disconcerting and more frequent, it seems that something might connect these two stories-- these two women-- something that becomes all the more heartbreaking and beautiful as they all hurtle toward its revelation. Here Maggie O'Farrell brings us a spellbinding novel of two women connected across fifty years by art, love, betrayals, secrets, and motherhood. Like her acclaimed The Vanishing Act of Esme Lennox, it is a "breathtaking, heart-breaking creation." (The Washington Post Book World) and it is a gorgeous inquiry into the ways we make and unmake our lives, who we know ourselves to be, and how even our most accidental legacies connect us.

    But on the day before their daughter’s thirtieth birthday, John barges back into Carol’s life with a request that threatens the fragile stability she has built.John Bowman is sick. Very sick. While he still can, he has some amends to make and some promises to fulfill. But to do that, he not only needs his ex-wife’s agreement…he needs her.With the past hovering between them like a ghost, Carol and John embark on a decades-overdue road trip. Together they plunge back into a life without water…but which may ultimately set them free.

    This year, Angela surprises herself—she tells the truth....The Gillespies are far from the perfect family that Angela has made them out to be. Her husband is coping badly with retirement. Her thirty-two-year-old twins are having career meltdowns. Her third daughter, badly in debt, can’t stop crying. And her ten-year-old son spends more time talking to his imaginary friend than to real ones.Without Angela, the family would fall apart. But when a bump on the head leaves Angela with temporary amnesia, the Gillespies pull together—and pull themselves together—in wonderfully surprising ways....

    Because in the end, music can save us all ...1988. Frank owns a music shop. It is jam-packed with records of every speed, size and genre. Classical, jazz, punk – as long as it’s vinyl he sells it. Day after day Frank finds his customers the music they need.Then into his life walks Ilse Brauchmann.Ilse asks Frank to teach her about music. His instinct is to turn and run. And yet he is drawn to this strangely still, mysterious woman with her pea-green coat and her eyes as black as vinyl. But Ilse is not what she seems. And Frank has old wounds that threaten to re-open and a past he will never leave behind ...

    Here is Cheryl, a tightly-wound, vulnerable woman who lives alone, with a perpetual lump in her throat. She is haunted by a baby boy she met when she was six, who sometimes recurs as other people's babies. Cheryl is also obsessed with Phillip, a philandering board member at the women's self-defense non-profit where she works. She believes they've been making love for many lifetimes, though they have yet to consummate in this one. When Cheryl's bosses ask if their twenty-one-year-old daughter Clee can move into her house for a little while, Cheryl's eccentrically-ordered world explodes. And yet it is Clee--the selfish, cruel blond bombshell--who bullies Cheryl into reality and, unexpectedly, provides her the love of a lifetime. Tender, gripping, slyly hilarious, infused with raging sexual fantasies and fierce maternal love, Miranda July's first novel confirms her as a spectacularly original, iconic and important voice today, and a writer for all time. The First Bad Man is dazzling, disorienting, and unforgettable.

    Ariah, "the Widow Bride of the Falls," begins a relentless seven-day vigil in the mist, waiting for his body to be found. At her side is confirmed bachelor and pillar of the community Dirk Burnaby, who is unexpectedly drawn to this plain, strange woman. What follows is a passionate love affair, marriage, and family--a seemingly perfect existence. But the tragedy by which they were thrown together begins to shadow them, damaging their idyll with distrust, greed, and even murder. Set against the mythic-historic backdrop of Niagara Falls in the mid-twentieth century, this haunting exploration of the American family in crisis is a stunning achievement from "one of the great artistic forces of our time" (The Nation).

    Their days are spent sightseeing, but at night they risk what dwindling resources they have left at the roulette wheel to fix their finances.A tender yet honest exploration of faith, forgiveness and last chances. The Odds is a reminder that love and life are always a gamble.

    But when she falls in love with and marries Spence Robin, her hotshot young Shakespeare professor, her life takes a turn she couldn't have anticipated.Thirty years later, something is wrong with Spence. The Great Man can't concentrate; he falls asleep reading The New York Review of Books. With their daughter, Sarah, away at medical school, Pru must struggle on her own to care for him. One day, feeling especially isolated, Pru meets a man, and the possibility of new romance blooms. Meanwhile, Spence's estranged son from his first marriage has come back into their lives. Arlo, a wealthy entrepreneur who invests in biotech, may be his father's last, best hope. Morningside Heights is a sweeping and compassionate novel about a marriage surviving hardship. It's about the love between women and men, and children and parents; about the things we give up in the face of adversity; and about how to survive when life turns out differently from what we thought we signed up for.

    Together they build a fulfilling life around the most menial of jobs—Benfu’s work collecting trash. As he sorts through the discards of others, he regularly discovers abandoned children. With unwavering determination, he and Calli spend decades creating a family of hand-picked daughters that help heal the sorrow and brighten their modest home. But all is not perfect and when crisis threatens to separate their family, Benfu—or possibly his band of headstrong daughters—must find a way to overcome the biggest hardship yet. Inspired by a true story, and set against the backdrop of a country in transition, The Scavenger’s Daughters is a sweeping present day saga of triumph in the face of hardship, and the unbreakable bonds of family against all odds.